MusiqueCeltiqueV1, Main, Exploration, bibRecord, 000434

The ‘Last Night of the Proms’ in historical perspective

Identifieur interne : 000434 ( Main/Exploration ); précédent : 000433; suivant : 000435

The ‘Last Night of the Proms’ in historical perspective

Auteurs : David Cannadine

Source :

Historical Research [ 0950-3471 ] ; 2008-05.

RBID : ISTEX:A847CEFA7ABE3CC7418E7D69B7FE48366DF2FA4B

English descriptors

KwdEn :
- Adrian boult, Albert hall, Aldous, Boult, Briggs, Britannia, Bureaucrat, Chief conductor, Classical music, Dimbleby, Drummond, Final concert, First half, First night, First time, Glock, Henry wood, Henry wood promenade concerts, Historical perspective, Historical research, Jacobs, John drummond, Kenyon, King george, Last night, Last nights, Malcolm, Malcolm sargent, October, Podium, Pomp, Programme, Prom, Promenade, Promenade concerts, Promenaders, Richard dimbleby, Royal albert hall, Rule britannia, Same time, Sargent, Second half, Second world, Sept, September, Symphony orchestra, Tzidon, William glock, Wireless.
Teeft :
- Adrian boult, Albert hall, Aldous, Boult, Briggs, Britannia, Bureaucrat, Chief conductor, Classical music, Dimbleby, Drummond, Final concert, First half, First night, First time, Glock, Henry wood, Henry wood promenade concerts, Historical perspective, Historical research, Jacobs, John drummond, Kenyon, King george, Last night, Last nights, Malcolm, Malcolm sargent, October, Podium, Pomp, Programme, Prom, Promenade, Promenade concerts, Promenaders, Richard dimbleby, Royal albert hall, Rule britannia, Same time, Sargent, Second half, Second world, Sept, September, Symphony orchestra, Tzidon, William glock, Wireless.

Abstract

This article traces the history of the ‘Last Night of the Proms’, from the foundation of the Promenade Concerts in 1895, through the troubled early decades of the twentieth century and the subsequent commitment of the B.B.C., to its current iconic status. It examines the often contentious reception of this ‘invented tradition’ and its unique contribution to notions of Britishness, both at home and abroad.

Url:

https://api.istex.fr/document/A847CEFA7ABE3CC7418E7D69B7FE48366DF2FA4B/fulltext/pdf

DOI: 10.1111/j.1468-2281.2008.00466.x

Affiliations:

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Le document en format XML

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<term>Bureaucrat</term>
<term>Chief conductor</term>
<term>Classical music</term>
<term>Dimbleby</term>
<term>Drummond</term>
<term>Final concert</term>
<term>First half</term>
<term>First night</term>
<term>First time</term>
<term>Glock</term>
<term>Henry wood</term>
<term>Henry wood promenade concerts</term>
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<term>Historical research</term>
<term>Jacobs</term>
<term>John drummond</term>
<term>Kenyon</term>
<term>King george</term>
<term>Last night</term>
<term>Last nights</term>
<term>Malcolm</term>
<term>Malcolm sargent</term>
<term>October</term>
<term>Podium</term>
<term>Pomp</term>
<term>Programme</term>
<term>Prom</term>
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<term>Promenade concerts</term>
<term>Promenaders</term>
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<term>Second world</term>
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<front><div type="abstract" xml:lang="en">This article traces the history of the ‘Last Night of the Proms’, from the foundation of the Promenade Concerts in 1895, through the troubled early decades of the twentieth century and the subsequent commitment of the B.B.C., to its current iconic status. It examines the often contentious reception of this ‘invented tradition’ and its unique contribution to notions of Britishness, both at home and abroad.</div>
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The ‘Last Night of the Proms’ in historical perspective

The ‘Last Night of the Proms’ in historical perspective

Source :

English descriptors

Abstract

Links toward previous steps (curation, corpus...)

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

Pour mettre un lien sur cette page dans le réseau Wicri