James Beattie and the Ethics of Music
Identifieur interne : 000003 ( Istex/Curation ); précédent : 000002; suivant : 000004James Beattie and the Ethics of Music
Auteurs : Catherine JonesSource :
- Journal for Eighteenth‐Century Studies [ 1754-0194 ] ; 2007-03.
Descripteurs français
- Wicri :
- topic : Beaux-arts.
English descriptors
- KwdEn :
- Aberdeen, Agreeable effect, Alexander gerard, Ancient energy, Ancient greece, Auditory experience, Avison, Bard, Beattie, Catherine jones, Charles avison, Charles essay, Cognitive structures, Comparative view, Complete poems, Correspondence ofjames beattie, Correspondence oflames beattie, Definite answer, Determinate emotions, Direct influence, Dowager lady forbes, Edinburgh, Edinburgh magazine, Edward lippman, Eighteenth century, Eolian harp, Ethical dimension, Ethical value, Ethics ofmusic, Fine arts, Fundamental principles, Good picture, Gregory, Harp, Hermit, Instrumental music, Italian music, James beattie, John gregory, Leith davis, Literary criticism, Marischal college, Matthew pilkington, Medieval minstrelsy, Minstrel, Modern music, Musical composition, Musical experience, Musical expression, Musical sensibility, Musical society, Musical tones, National music, Natural sound, Nervous system, Northern climate, Oflames, Ofthe animal world, Penelope gouk, Philosophical society, Pierre dubois, Poetry andmusic, Real emotion, Robert arbuthnot, Rough roistering, Same time, Scottish song, Several occasions, Subsequent references, Therapeutic effects, Thomas percy, Vocal music, William forbes, William laing, William mason, Wise club, Writings oflames beattie.
- Teeft :
- Aberdeen, Agreeable effect, Alexander gerard, Ancient energy, Ancient greece, Auditory experience, Avison, Bard, Beattie, Catherine jones, Charles avison, Charles essay, Cognitive structures, Comparative view, Complete poems, Correspondence ofjames beattie, Correspondence oflames beattie, Definite answer, Determinate emotions, Direct influence, Dowager lady forbes, Edinburgh, Edinburgh magazine, Edward lippman, Eighteenth century, Eolian harp, Ethical dimension, Ethical value, Ethics ofmusic, Fine arts, Fundamental principles, Good picture, Gregory, Harp, Hermit, Instrumental music, Italian music, James beattie, John gregory, Leith davis, Literary criticism, Marischal college, Matthew pilkington, Medieval minstrelsy, Minstrel, Modern music, Musical composition, Musical experience, Musical expression, Musical sensibility, Musical society, Musical tones, National music, Natural sound, Nervous system, Northern climate, Oflames, Ofthe animal world, Penelope gouk, Philosophical society, Pierre dubois, Poetry andmusic, Real emotion, Robert arbuthnot, Rough roistering, Same time, Scottish song, Several occasions, Subsequent references, Therapeutic effects, Thomas percy, Vocal music, William forbes, William laing, William mason, Wise club, Writings oflames beattie.
Url:
DOI: 10.1111/j.1754-0208.2007.tb00325.x
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<term>Poetry andmusic</term>
<term>Real emotion</term>
<term>Robert arbuthnot</term>
<term>Rough roistering</term>
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<term>Scottish song</term>
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<term>Subsequent references</term>
<term>Therapeutic effects</term>
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<term>Vocal music</term>
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<term>Alexander gerard</term>
<term>Ancient energy</term>
<term>Ancient greece</term>
<term>Auditory experience</term>
<term>Avison</term>
<term>Bard</term>
<term>Beattie</term>
<term>Catherine jones</term>
<term>Charles avison</term>
<term>Charles essay</term>
<term>Cognitive structures</term>
<term>Comparative view</term>
<term>Complete poems</term>
<term>Correspondence ofjames beattie</term>
<term>Correspondence oflames beattie</term>
<term>Definite answer</term>
<term>Determinate emotions</term>
<term>Direct influence</term>
<term>Dowager lady forbes</term>
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<term>Edinburgh magazine</term>
<term>Edward lippman</term>
<term>Eighteenth century</term>
<term>Eolian harp</term>
<term>Ethical dimension</term>
<term>Ethical value</term>
<term>Ethics ofmusic</term>
<term>Fine arts</term>
<term>Fundamental principles</term>
<term>Good picture</term>
<term>Gregory</term>
<term>Harp</term>
<term>Hermit</term>
<term>Instrumental music</term>
<term>Italian music</term>
<term>James beattie</term>
<term>John gregory</term>
<term>Leith davis</term>
<term>Literary criticism</term>
<term>Marischal college</term>
<term>Matthew pilkington</term>
<term>Medieval minstrelsy</term>
<term>Minstrel</term>
<term>Modern music</term>
<term>Musical composition</term>
<term>Musical experience</term>
<term>Musical expression</term>
<term>Musical sensibility</term>
<term>Musical society</term>
<term>Musical tones</term>
<term>National music</term>
<term>Natural sound</term>
<term>Nervous system</term>
<term>Northern climate</term>
<term>Oflames</term>
<term>Ofthe animal world</term>
<term>Penelope gouk</term>
<term>Philosophical society</term>
<term>Pierre dubois</term>
<term>Poetry andmusic</term>
<term>Real emotion</term>
<term>Robert arbuthnot</term>
<term>Rough roistering</term>
<term>Same time</term>
<term>Scottish song</term>
<term>Several occasions</term>
<term>Subsequent references</term>
<term>Therapeutic effects</term>
<term>Thomas percy</term>
<term>Vocal music</term>
<term>William forbes</term>
<term>William laing</term>
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