The book of the show and the bookwork

Identifieur interne : 001A94 ( Istex/Corpus ); précédent : 001A93; suivant : 001A95

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The book of the show and the bookwork

Auteurs : Pauline De Souza

Source :

• Art History [ 0141-6790 ] ; 2003-11.

RBID : ISTEX:D4A2672721780CF99E082D0449D7623CCD2D66C0

English descriptors

• KwdEn :
  • Alfonso, Allegorical impulse, Ancient gods, Ancient indian, Andrians, Antique imagery, Ariadne, Asian subcontinent, Bacchus, Boettger, Bourgeois society, Camerino, Cardinal aldobrandini, Catalogue, Central park, Centre, Chauvinistically american, Christoph grunenberg, Cinema, Claes oldenburg, Commodity aesthetics, Consumer capitalism, Consumer culture, Contemporary culture, Craig owens, Critique, Curator, Debord, Dimensions unrecorded, Duke alfonso, Duveen galleries, Earthwork, Earthwork artists, Earthworks movement, English landscape painting, Exhibition catalogue, Fernand leger, Frank baum, Frankfurter allgemeine zeitung, Gallaccio, Gene moore, Greil marcus, Guggenheim museum, Gure, Heidi reitmaier, Historical parallels, History today, Hypnerotomachia poliphili, Indian society, Intense scrutiny, Introductory, Introductory survey, Introductory textbook, Larger picture, Last years, Lipstick traces, Literary evidence, Little attention, Little space, Long wall, Main wall, Major works, Mano, Mano stanca, Marcel duchamp, Mitter, Modernism, Modernist, Naked city, Nancial success, National gallery, National identity, Nicholas penny, Nineteenth century, Nished work, Northern europe, October, Other anthologies, Other artists, Other hand, Other pictures, Other works, Oxford university press, Pagan, Pagan gods, Partha mitter, Primo rincontro, Public attention, Raoul vaneigem, Recent debates, Reviews richard, Robert smithson, Roman academy, Same time, Seventeenth century, Shop windows, Shopping catalogue, Shopping hurricane, Simon doonan, Situationism, Situationist, Situationist practices, Situationist theory, Situationist work, Situationist writings, Smithson, Spectacular society, Stylistic analysis, Subject matter, Tate, Tate britain, Thomas girst, Thomas krens, Tillim, Titian, Turf circle, Twentieth century, Venus worship, Visual culture, Visual evidence, Welsh society, Wide range, Window wall, World trade center.
• Teeft :
  • Alfonso, Allegorical impulse, Ancient gods, Ancient indian, Andrians, Antique imagery, Ariadne, Asian subcontinent, Bacchus, Boettger, Bourgeois society, Camerino, Cardinal aldobrandini, Catalogue, Central park, Centre, Chauvinistically american, Christoph grunenberg, Cinema, Claes oldenburg, Commodity aesthetics, Consumer capitalism, Consumer culture, Contemporary culture, Craig owens, Critique, Curator, Debord, Dimensions unrecorded, Duke alfonso, Duveen galleries, Earthwork, Earthwork artists, Earthworks movement, English landscape painting, Exhibition catalogue, Fernand leger, Frank baum, Frankfurter allgemeine zeitung, Gallaccio, Gene moore, Greil marcus, Guggenheim museum, Gure, Heidi reitmaier, Historical parallels, History today, Hypnerotomachia poliphili, Indian society, Intense scrutiny, Introductory, Introductory survey, Introductory textbook, Larger picture, Last years, Lipstick traces, Literary evidence, Little attention, Little space, Long wall, Main wall, Major works, Mano, Mano stanca, Marcel duchamp, Mitter, Modernism, Modernist, Naked city, Nancial success, National gallery, National identity, Nicholas penny, Nineteenth century, Nished work, Northern europe, October, Other anthologies, Other artists, Other hand, Other pictures, Other works, Oxford university press, Pagan, Pagan gods, Partha mitter, Primo rincontro, Public attention, Raoul vaneigem, Recent debates, Reviews richard, Robert smithson, Roman academy, Same time, Seventeenth century, Shop windows, Shopping catalogue, Shopping hurricane, Simon doonan, Situationism, Situationist, Situationist practices, Situationist theory, Situationist work, Situationist writings, Smithson, Spectacular society, Stylistic analysis, Subject matter, Tate, Tate britain, Thomas girst, Thomas krens, Tillim, Titian, Turf circle, Twentieth century, Venus worship, Visual culture, Visual evidence, Welsh society, Wide range, Window wall, World trade center.

Url:

• https://api.istex.fr/document/D4A2672721780CF99E082D0449D7623CCD2D66C0/fulltext/pdf

DOI: 10.1111/j.0141-6790.2003.02605007_8.x

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