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The Invention of Dancing Mania

Identifieur interne : 001687 ( Istex/Corpus ); précédent : 001686; suivant : 001688

The Invention of Dancing Mania

Auteurs : Gregor Rohmann

Source :

RBID : ISTEX:ECC8A506552F2BD44AB540C0BC8AF12080543324

English descriptors

Abstract

Medieval ‘dancing mania’ has until recently remained an enigma in medical and religious history. This is because scholars tend to view it as an invariable medical syndrome instead of examining it as an example of the historicity of illness as semantic network. Taking the latter approach allows for grasping the phenomenon as a form of insanity specific to the Rhine basin of the sixteenth and seventeenth centuries, though one whose roots can be traced to the early medieval reception of platonic cosmology and ‘theurgy’. This paper examines the legend of the Kölbigk dancers in the above perspective and establishes that its chief motif goes back to Sulpicius Severus’ reception of ‘Iamblichus’ ‘de mysteriis’. Thus, dancing mania appears to have been a form of insanity, indeed, but one constructed through religious narratives.

Url:
DOI: 10.1177/097194580901200102

Links to Exploration step

ISTEX:ECC8A506552F2BD44AB540C0BC8AF12080543324

Le document en format XML

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<div type="abstract" xml:lang="en">Medieval ‘dancing mania’ has until recently remained an enigma in medical and religious history. This is because scholars tend to view it as an invariable medical syndrome instead of examining it as an example of the historicity of illness as semantic network. Taking the latter approach allows for grasping the phenomenon as a form of insanity specific to the Rhine basin of the sixteenth and seventeenth centuries, though one whose roots can be traced to the early medieval reception of platonic cosmology and ‘theurgy’. This paper examines the legend of the Kölbigk dancers in the above perspective and establishes that its chief motif goes back to Sulpicius Severus’ reception of ‘Iamblichus’ ‘de mysteriis’. Thus, dancing mania appears to have been a form of insanity, indeed, but one constructed through religious narratives.</div>
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<titleInfo lang="en">
<title>The Invention of Dancing Mania</title>
<subTitle>Frankish Christianity, Platonic Cosmology and Bodily Expressions in Sacred Space</subTitle>
</titleInfo>
<titleInfo type="alternative" lang="en" contentType="CDATA">
<title>The Invention of Dancing Mania</title>
<subTitle>Frankish Christianity, Platonic Cosmology and Bodily Expressions in Sacred Space</subTitle>
</titleInfo>
<name type="personal">
<namePart type="given">Gregor</namePart>
<namePart type="family">Rohmann</namePart>
<affiliation>Johann Wolfgang Goethe-University Frankfurt am Main, Germany. E-mail:</affiliation>
<affiliation>E-mail: g.rohmann@em.uni-frankfurt.de</affiliation>
</name>
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<abstract lang="en">Medieval ‘dancing mania’ has until recently remained an enigma in medical and religious history. This is because scholars tend to view it as an invariable medical syndrome instead of examining it as an example of the historicity of illness as semantic network. Taking the latter approach allows for grasping the phenomenon as a form of insanity specific to the Rhine basin of the sixteenth and seventeenth centuries, though one whose roots can be traced to the early medieval reception of platonic cosmology and ‘theurgy’. This paper examines the legend of the Kölbigk dancers in the above perspective and establishes that its chief motif goes back to Sulpicius Severus’ reception of ‘Iamblichus’ ‘de mysteriis’. Thus, dancing mania appears to have been a form of insanity, indeed, but one constructed through religious narratives.</abstract>
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<title>The Medieval History Journal</title>
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<identifier type="ISSN">0971-9458</identifier>
<identifier type="eISSN">0973-0753</identifier>
<identifier type="PublisherID">MHJ</identifier>
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