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Treacherous Objects: Towards a Theory of Jacobite Material Culture

Identifieur interne : 000179 ( Istex/Corpus ); précédent : 000178; suivant : 000180

Treacherous Objects: Towards a Theory of Jacobite Material Culture

Auteurs : Murray Pittock

Source :

RBID : ISTEX:1032D75D7B9D5EB341E0E0F737D12D81FB34C4F9

English descriptors

Abstract

This article examines the importance of material objects and their circulation, decor, cant and code as means of avoiding prosecution under sedition or treason legislation in the period from 1680 to 1760. It seeks to move the discussion of the use of such material in communicative and associative strategies beyond the realms of antiquarianism and connoisseurship to develop a theory of Jacobite material culture. The study concludes with an examination of the work of James Gibbs and a discussion of interior plasterwork in Scotland and England, notably at the House of Dun.

Url:
DOI: 10.1111/j.1754-0208.2011.00350.x

Links to Exploration step

ISTEX:1032D75D7B9D5EB341E0E0F737D12D81FB34C4F9

Le document en format XML

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<p>This article examines the importance of material objects and their circulation, decor, cant and code as means of avoiding prosecution under sedition or treason legislation in the period from 1680 to 1760. It seeks to move the discussion of the use of such material in communicative and associative strategies beyond the realms of antiquarianism and connoisseurship to develop a theory of Jacobite material culture. The study concludes with an examination of the work of James Gibbs and a discussion of interior plasterwork in Scotland and England, notably at the House of Dun.</p>
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<title type="short">Treacherous Objects: Towards a Theory of Jacobite Material Culture</title>
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<keyword xml:id="k1">Jacobitism</keyword>
<keyword xml:id="k2">treason</keyword>
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<p>This article examines the importance of material objects and their circulation, decor, cant and code as means of avoiding prosecution under sedition or treason legislation in the period from 1680 to 1760. It seeks to move the discussion of the use of such material in communicative and associative strategies beyond the realms of antiquarianism and connoisseurship to develop a theory of Jacobite material culture. The study concludes with an examination of the work of James Gibbs and a discussion of interior plasterwork in Scotland and England, notably at the House of Dun.</p>
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<sc>murray pittock</sc>
is Bradley Professor of English Literature at the University of Glasgow and a Fellow of the Royal Society of Edinburgh. He is currently Principal Investigator of an Arts & Humanities Research Council grant on material culture and popular memory; his recent books include
<i>Scottish and Irish Romanticism</i>
(2008) and
<i>The Myth of the Jacobite Clans: The Jacobite Army in 1745</i>
(2009). He is the editor of the
<i>Scottish Musical Museum</i>
in the Oxford Burns and of the
<i>Political Correspondence</i>
in the Yale edition of Boswell.</p>
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<abstract lang="en">This article examines the importance of material objects and their circulation, decor, cant and code as means of avoiding prosecution under sedition or treason legislation in the period from 1680 to 1760. It seeks to move the discussion of the use of such material in communicative and associative strategies beyond the realms of antiquarianism and connoisseurship to develop a theory of Jacobite material culture. The study concludes with an examination of the work of James Gibbs and a discussion of interior plasterwork in Scotland and England, notably at the House of Dun.</abstract>
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