Serveur d'exploration sur Mozart - Analysis (UK)

Index « Titre (en) » - entrée « cognitive »
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cognition < cognitive < coherent  Facettes :

List of bibliographic references

Number of relevant bibliographic references: 10.
Ident.Authors (with country if any)Title
000010 (2014) Sara Bottiroli [Italie] ; Alessia Rosi [Italie] ; Riccardo Russo [Italie, Royaume-Uni] ; Tomaso Vecchi [Italie] ; Elena Cavallini [Italie]The cognitive effects of listening to background music on older adults: processing speed improves with upbeat music, while memory seems to benefit from both upbeat and downbeat music
000035 (2012) Vera Kempe [Royaume-Uni] ; John C. Thoresen [Suisse] ; Neil W. Kirk [Royaume-Uni] ; Felix Schaeffler [Royaume-Uni] ; Patricia J. Brooks [États-Unis]Individual Differences in the Discrimination of Novel Speech Sounds: Effects of Sex, Temporal Processing, Musical and Cognitive Abilities
000129 (2008) Pamela Heaton [Royaume-Uni] ; Rory Allen [Royaume-Uni] ; Kerry Williams [Royaume-Uni] ; Omar Cummins [Royaume-Uni] ; Francesca Happé [Royaume-Uni]Do social and cognitive deficits curtail musical understanding? Evidence from autism and Down syndrome
000134 (2007) George N. Caldwell [Royaume-Uni] ; Leigh M. RibyThe effects of music exposure and own genre preference on conscious and unconscious cognitive processes: a pilot ERP study.
000161 (2007) George N. Caldwell [Royaume-Uni] ; Leigh M. Riby [Royaume-Uni]The effects of music exposure and own genre preference on conscious and unconscious cognitive processes : A pilot ERP study
000190 (2005) E Glenn Schellenberg [Canada] ; Susan Hallam [Royaume-Uni]Music Listening and Cognitive Abilities in 10‐ and 11‐Year‐Olds: The Blur Effect
000259 (2001) Marcus Giaquinto [Royaume-Uni]What Cognitive Systems Underlie Arithmetical Abilities?
000285 (2000) Russell Epstein [Royaume-Uni]The Neural-Cognitive Basis of the Jamesian Stream of Thought
000344 (1997) Christopher Janaway [Royaume-Uni]Kant’s Aesthetics and the ‘Empty Cognitive Stock’
000372 (1995) Geraint A. Wiggins [Royaume-Uni]Understanding music with AI—Perspectives on cognitive musicology

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