The power of a musical instrument: Franklin, the Mozarts, Mesmer, and the glass armonica.
Identifieur interne : 000221 ( PubMed/Curation ); précédent : 000220; suivant : 000222The power of a musical instrument: Franklin, the Mozarts, Mesmer, and the glass armonica.
Auteurs : D A Gallo [États-Unis] ; S. FingerSource :
- History of psychology [ 1093-4510 ] ; 2000.
Descripteurs français
- Wicri :
- geographic : France.
English descriptors
- KwdEn :
- MESH :
- geographic : France.
- history : Equipment and Supplies, Hypnosis, Music.
- History, 18th Century, History, 19th Century.
Abstract
In 1761 Benjamin Franklin invented the armonica (often referred to as the glass harmonica), an instrument designed to simplify the playing of the musical glasses. The instrument immediately became popular and inspired compositions by Wolfgang Mozart, who had the opportunity to hear and play one at the house of Franz Anton Mesmer. Armonica music was used by Mesmer in his séances, because he felt it could promote healing by propagating a mystical fluid that he called animal magnetism through the body. After Mesmer's theories were debunked by a highly respected panel of scientists, the armonica fell out of vogue. Because Franklin was on the panel that examined the discredited mesmerism, he indirectly contributed to his own invention's demise.
PubMed: 11855437
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Finger</name></author></titleStmt><publicationStmt><idno type="wicri:source">PubMed</idno><date when="2000">2000</date><idno type="RBID">pubmed:11855437</idno><idno type="pmid">11855437</idno><idno type="wicri:Area/PubMed/Corpus">000221</idno><idno type="wicri:Area/PubMed/Curation">000221</idno></publicationStmt><sourceDesc><biblStruct><analytic><title xml:lang="en">The power of a musical instrument: Franklin, the Mozarts, Mesmer, and the glass armonica.</title><author><name sortKey="Gallo, D A" sort="Gallo, D A" uniqKey="Gallo D" first="D A" last="Gallo">D A Gallo</name><affiliation wicri:level="1"><nlm:affiliation>Department of Psychology, Washington University, St. Louis, Missouri 63130-4899, USA. dgallo@artsci.wustl.edu</nlm:affiliation><country xml:lang="fr">États-Unis</country><wicri:regionArea>Department of Psychology, Washington University, St. Louis, Missouri 63130-4899</wicri:regionArea></affiliation></author><author><name sortKey="Finger, S" sort="Finger, S" uniqKey="Finger S" first="S" last="Finger">S. Finger</name></author></analytic><series><title level="j">History of psychology</title><idno type="ISSN">1093-4510</idno><imprint><date when="2000" type="published">2000</date></imprint></series></biblStruct></sourceDesc></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Equipment and Supplies (history)</term><term>France</term><term>History, 18th Century</term><term>History, 19th Century</term><term>Hypnosis (history)</term><term>Music (history)</term></keywords><keywords scheme="MESH" type="geographic" xml:lang="en"><term>France</term></keywords><keywords scheme="MESH" qualifier="history" xml:lang="en"><term>Equipment and Supplies</term><term>Hypnosis</term><term>Music</term></keywords><keywords scheme="MESH" xml:lang="en"><term>History, 18th Century</term><term>History, 19th Century</term></keywords><keywords scheme="Wicri" type="geographic" xml:lang="fr"><term>France</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">In 1761 Benjamin Franklin invented the armonica (often referred to as the glass harmonica), an instrument designed to simplify the playing of the musical glasses. The instrument immediately became popular and inspired compositions by Wolfgang Mozart, who had the opportunity to hear and play one at the house of Franz Anton Mesmer. Armonica music was used by Mesmer in his séances, because he felt it could promote healing by propagating a mystical fluid that he called animal magnetism through the body. After Mesmer's theories were debunked by a highly respected panel of scientists, the armonica fell out of vogue. Because Franklin was on the panel that examined the discredited mesmerism, he indirectly contributed to his own invention's demise.</div></front></TEI><pubmed><MedlineCitation Owner="HMD" Status="MEDLINE"><PMID Version="1">11855437</PMID><DateCreated><Year>2002</Year><Month>02</Month><Day>20</Day></DateCreated><DateCompleted><Year>2002</Year><Month>02</Month><Day>26</Day></DateCompleted><DateRevised><Year>2004</Year><Month>11</Month><Day>17</Day></DateRevised><Article PubModel="Print"><Journal><ISSN IssnType="Print">1093-4510</ISSN><JournalIssue CitedMedium="Print"><Volume>3</Volume><Issue>4</Issue><PubDate><Year>2000</Year><Month>Nov</Month></PubDate></JournalIssue><Title>History of psychology</Title><ISOAbbreviation>Hist Psychol</ISOAbbreviation></Journal><ArticleTitle>The power of a musical instrument: Franklin, the Mozarts, Mesmer, and the glass armonica.</ArticleTitle><Pagination><MedlinePgn>326-43</MedlinePgn></Pagination><Abstract><AbstractText>In 1761 Benjamin Franklin invented the armonica (often referred to as the glass harmonica), an instrument designed to simplify the playing of the musical glasses. The instrument immediately became popular and inspired compositions by Wolfgang Mozart, who had the opportunity to hear and play one at the house of Franz Anton Mesmer. Armonica music was used by Mesmer in his séances, because he felt it could promote healing by propagating a mystical fluid that he called animal magnetism through the body. After Mesmer's theories were debunked by a highly respected panel of scientists, the armonica fell out of vogue. 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