Emotional responses to Hindustani raga music: the role of musical structure
Identifieur interne : 000808 ( Ncbi/Checkpoint ); précédent : 000807; suivant : 000809Emotional responses to Hindustani raga music: the role of musical structure
Auteurs : Avantika Mathur [Inde] ; Suhas H. Vijayakumar [Inde] ; Bhismadev Chakrabarti [Royaume-Uni] ; Nandini C. Singh [Inde]Source :
- Frontiers in Psychology ; 2015.
Abstract
In Indian classical music,
Url:
DOI: 10.3389/fpsyg.2015.00513
PubMed: 25983702
PubMed Central: 4415143
Affiliations:
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<author><name sortKey="Vijayakumar, Suhas H" sort="Vijayakumar, Suhas H" uniqKey="Vijayakumar S" first="Suhas H." last="Vijayakumar">Suhas H. Vijayakumar</name>
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<author><name sortKey="Chakrabarti, Bhismadev" sort="Chakrabarti, Bhismadev" uniqKey="Chakrabarti B" first="Bhismadev" last="Chakrabarti">Bhismadev Chakrabarti</name>
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<country>Reading, UK</country>
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<country xml:lang="fr">Royaume-Uni</country>
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<author><name sortKey="Singh, Nandini C" sort="Singh, Nandini C" uniqKey="Singh N" first="Nandini C." last="Singh">Nandini C. Singh</name>
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<country>Manesar, India</country>
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<sourceDesc><biblStruct><analytic><title xml:lang="en" level="a" type="main">Emotional responses to Hindustani <italic>raga</italic>
music: the role of musical structure</title>
<author><name sortKey="Mathur, Avantika" sort="Mathur, Avantika" uniqKey="Mathur A" first="Avantika" last="Mathur">Avantika Mathur</name>
<affiliation wicri:level="1"><nlm:aff id="aff1"><institution>Speech and Language Laboratory, Cognitive Neuroscience, National Brain Research Centre</institution>
<country>Manesar, India</country>
</nlm:aff>
<country xml:lang="fr">Inde</country>
<wicri:regionArea></wicri:regionArea>
<wicri:regionArea># see nlm:aff region in country</wicri:regionArea>
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</author>
<author><name sortKey="Vijayakumar, Suhas H" sort="Vijayakumar, Suhas H" uniqKey="Vijayakumar S" first="Suhas H." last="Vijayakumar">Suhas H. Vijayakumar</name>
<affiliation wicri:level="1"><nlm:aff id="aff1"><institution>Speech and Language Laboratory, Cognitive Neuroscience, National Brain Research Centre</institution>
<country>Manesar, India</country>
</nlm:aff>
<country xml:lang="fr">Inde</country>
<wicri:regionArea></wicri:regionArea>
<wicri:regionArea># see nlm:aff region in country</wicri:regionArea>
</affiliation>
</author>
<author><name sortKey="Chakrabarti, Bhismadev" sort="Chakrabarti, Bhismadev" uniqKey="Chakrabarti B" first="Bhismadev" last="Chakrabarti">Bhismadev Chakrabarti</name>
<affiliation wicri:level="1"><nlm:aff id="aff2"><institution>Centre for Integrative Neuroscience and Neurodynamics, School of Psychology and Clinical Language Sciences, University of Reading</institution>
<country>Reading, UK</country>
</nlm:aff>
<country xml:lang="fr">Royaume-Uni</country>
<wicri:regionArea></wicri:regionArea>
<wicri:regionArea># see nlm:aff region in country</wicri:regionArea>
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<author><name sortKey="Singh, Nandini C" sort="Singh, Nandini C" uniqKey="Singh N" first="Nandini C." last="Singh">Nandini C. Singh</name>
<affiliation wicri:level="1"><nlm:aff id="aff1"><institution>Speech and Language Laboratory, Cognitive Neuroscience, National Brain Research Centre</institution>
<country>Manesar, India</country>
</nlm:aff>
<country xml:lang="fr">Inde</country>
<wicri:regionArea></wicri:regionArea>
<wicri:regionArea># see nlm:aff region in country</wicri:regionArea>
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<series><title level="j">Frontiers in Psychology</title>
<idno type="e-ISSN">1664-1078</idno>
<imprint><date when="2015">2015</date>
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<front><div type="abstract" xml:lang="en"><p>In Indian classical music, <italic>ragas</italic>
constitute specific combinations of tonic intervals potentially capable of evoking distinct emotions. A <italic>raga</italic>
composition is typically presented in two modes, namely, <italic>alaap</italic>
and <italic>gat</italic>
. <italic>Alaap</italic>
is the note by note delineation of a <italic>raga</italic>
bound by a slow tempo, but not bound by a rhythmic cycle. <italic>Gat</italic>
on the other hand is rendered at a faster tempo and follows a rhythmic cycle. Our primary objective was to (1) discriminate the emotions experienced across <italic>alaap</italic>
and <italic>gat</italic>
of <italic>ragas</italic>
, (2) investigate the association of tonic intervals, tempo and rhythmic regularity with emotional response. 122 participants rated their experienced emotion across <italic>alaap</italic>
and <italic>gat</italic>
of 12 <italic>ragas</italic>
. Analysis of the emotional responses revealed that (1) <italic>ragas</italic>
elicit distinct emotions across the two presentation modes, and (2) specific tonic intervals are robust predictors of emotional response. Specifically, our results showed that the ‘minor second’ is a direct predictor of negative valence. (3) Tonality determines the emotion experienced for a <italic>raga</italic>
where as rhythmic regularity and tempo modulate levels of arousal. Our findings provide new insights into the emotional response to Indian<italic> ragas</italic>
and the impact of tempo, rhythmic regularity and tonality on it.</p>
</div>
</front>
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<name sortKey="Singh, Nandini C" sort="Singh, Nandini C" uniqKey="Singh N" first="Nandini C." last="Singh">Nandini C. Singh</name>
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