1468-2672 < 1468-2842 < 1468-2885

Facettes :

List of bibliographic references

Number of relevant bibliographic references: 152.
[0-20] [0 - 20][0 - 50][20-40]

Ident.	Authors (with country if any)	Title
000840 (2010)	Guy Dammann	Opera and the Limits of Philosophy: on Bernard Williams's Music Criticism
000856 (2010)	Lydia Goehr	How to Do More with Words. Two Views of (Musical) Ekphrasis
000B35 (2009)	Simon J. Evnine [États-Unis]	Constitution and Qua Objects in the Ontology of Music
000B49 (2009)	M. W. Rowe [Royaume-Uni]	Aesthetics and Music
001076 (2008)	Stephen Davies [Nouvelle-Zélande]	Musical Works and Orchestral Colour
001098 (2008)	Stephanie Ross [États-Unis]	Humean Critics: Real or Ideal?
001339 (2007)	Andy Hamilton [Royaume-Uni]	Music and the Aural Arts
001356 (2007)	Carl Matheson [Canada, États-Unis] ; Ben Caplan [Canada, États-Unis]	Fine Individuation
001376 (2007)	Gary Kemp [Royaume-Uni]	Beauty and Language
001844 (2006)	Noe L Carroll [États-Unis]	Ethics and Aesthetics: Replies to Dickie, Stecker, and Livingston
001B55 (2005)	Krzysztof Guczalski [Pologne]	Expressive Meaning in Music: Generality Versus Particularity
002006 (2003)	James Shelley [États-Unis]	The Problem of Non‐Perceptual Art
002014 (2003)	Andy Hamilton [Royaume-Uni]	The Art of Recording and the Aesthetics of Perfection
002111 (2003)	Constantijn Koopman [Pays-Bas]	Introduction to a Philosophy of Music
002169 (2003)	Peter Kivy [États-Unis]	Another Go at Musical Profundity: Stephen Davies and the Game of Chess
002285 (2002)	Eddy M. Zemach	The Role of Meaning in Music
002357 (2002)	Gary Kemp [Royaume-Uni]	Philosophies of Art and Beauty
002364 (2002)	Peter Kivy [États-Unis]	On the Historically Informed Performance
002365 (2002)	Thomas Tam [Hong Kong]	On Wonder, Appreciation, and the Tremendous in Wittgenstein's Aesthetics
002409 (2002)	Gilead Bar Lli [Israël]	Ideal Performance
002420 (2002)	M. W. Rowe	Encyclopedia of Aesthetics

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