1468-2230 < 1468-2249 < 1468-2265

Facettes :

List of bibliographic references

Number of relevant bibliographic references: 80.
[0-20] [0 - 20][0 - 50][20-40]

Ident.	Authors (with country if any)	Title
000610 (2011)	Rose Rosengard Subotnik	The Unwritable in Full Pursuit of the Unreadable: Adorno'sPhilosophie der neuen Musikin Translation
000611 (2011)	Rose Rosengard Subotnik	The Unwritable in Full Pursuit of the Unreadable: Adorno's Philosophie der neuen Musikin Translation: Supplement
000632 (2011)	Sanna Pederson	Richard Wagner and His World – Edited by Thomas S. Grey
000633 (2011)	René Rusch [Canada]	Rethinking Conceptions of Unity: Schubert'sMoment musicalin A♭major, D. 780 (Op. 94) No. 2
000664 (2011)	Roman Ivanovitch	Mozart's Art of Retransition
000666 (2011)	Michael J. Puri	Memory and Melancholy in theÉpilogue of Ravel'sValses nobles et sentimentales
000685 (2011)	Matthew Riley	Haydn's Missing Middles
000705 (2011)	Nicole Grimes	Brahms and His World – Edited by Walter Frisch and Kevin C. Karnes
000708 (2011)	Bethany Lowe	Analysing Performances of Sibelius's Fifth Symphony: the‘One Movement or Two’ Debate and the Plurality of the Music Object
000941 (2010)	Robert O. Gjerdingen	Mozart's Obviously Corrupt Minuet
000948 (2010)	Michael Spitzer	Mapping the Human Heart: a Holistic Analysis of Fear in Schubert
000967 (2010)	Michael Spitzer	Guest Editorial: The Emotion Issue
000A01 (2010)	Robert S. Hatten [États-Unis]	Aesthetically Warranted Emotion and Composed Expressive Trajectories in Music
000C30 (2009)	Kevin Korsyn	Schenker's Vienna: Nicholas Cook on Culture, Race and Music Theory infin‐de‐siècle Austria
000C34 (2009)	Anne M. Hyland	Rhetorical Closure in the First Movement of Schubert's Quartet in C major, D. 46: A Dialogue with Deformation
000D26 (2009)	Jay Rosenblatt	Franz Liszt and His World – Edited by Christopher H. Gibbs and Dana Gooley
000D56 (2009)	Peter H. Smith	Brahms's Motivic Harmonies and Contemporary Tonal Theory: Three Case Studies from the Chamber Music
000D57 (2009)	Ryan Mcclelland [Canada]	Brahms and the Principle of Destabilised Beginnings
001142 (2008)	Catherine Losada	The Process of Modulation in Musical Collage
001208 (2008)	Hartmut Fladt [Allemagne]	Functional Analysis: The Unity of Contrasting Themes – By Hans Keller
001210 (2008)	Theodor W. Adorno	Form in the New Music

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