List of bibliographic references indexed by opera
Number of relevant bibliographic references: 56.
[0-20] [
0 - 20][
0 - 50][
20-40]
Ident. | Authors (with country if any) | Title |
---|
000446 (2012) |
Masateru Uchiyama [Japon] ; Xiangyuan Jin [Japon, République populaire de Chine] ; Qi Zhang [Japon] ; Toshihito Hirai [Japon] ; Atsushi Amano [Japon] ; Hisashi Bashuda [Japon] ; Masanori Niimi [Japon] | Auditory stimulation of opera music induced prolongation of murine cardiac allograft survival and maintained generation of regulatory CD4+CD25+ cells |
000601 (2011) |
Johanna Jobst [Allemagne] ; Sabine Boerner [Allemagne] | Understanding customer satisfaction in opera: first steps toward a model |
000603 (2011) |
Roberto Ignacio Díaz | Transatlantic Deficits; or, Alberto Vilar at the Royal Opera House |
000618 (2011) |
Robert K. Wallace | The Ache of Longing and the Song of Redemption: An Interview with Jake Heggie, Composer of the Opera Moby‐Dick |
000708 (2011) |
Paul Thom | Aesthetics of Opera |
000925 (2010) |
Solveig M. Heinz | Opera in the Foreign Language Classroom: Learning German with Mozart, Wagner, Weber, and Johann Strauss |
000B44 (2009) |
David Chandler | “What Do We Mean by Opera, Anyway?”: Lloyd Webber's Phantom of the Opera and “High‐Pop” Theatre |
001761 (2006) |
Bjo Rn Heile | Recent Approaches to Experimental Music Theatre and Contemporary Opera |
001813 (2006) |
Julian Rushton | From Garrick to Gluck: Essays on Opera in the Age of Enlightenment. By Daniel Heartz and ed. by John A. Rice. pp. xvi + 335. Opera Series, 1. (Pendragon, Hillsdale, NY, 2004, $54. ISBN 1-57647-081-4.) |
001824 (2006) |
Marcia J. Citron | Encyclopedia of Opera on Screen: A Guide to More than 100 Years of Opera Films, Videos, and DVDs. By Ken Wlaschin. 2nd, rev. edn. pp. xiv + 872. (Yale University Press, New Haven and London, 2004, £45. ISBN 0-300-10263-1.) Cinema’s Illusions, Opera’s Allure: The Operatic Impulse in Film. By David Schroeder. pp. xii + 372. (Continuum, New York and London, 2003, £12.99. ISBN 0-8264-1536-9.) |
001988 (2005) |
M. E. Henstock | Susana Salgado: The Teatro Solís: 150 Years of Opera, Concert, and Ballet in Montevideo |
001A28 (2005) |
Malcolm S. Cole | Review: From Garrick to Gluck: Essays on Opera in the Age of Enlightenment |
001A29 (2005) |
Christopher Hatch | Review: First Nights at the Opera |
001A30 (2005) |
David Charlton | Review: Étienne-Nicolas Méhul and Opera: Source and Archival Studies of Lyric Theatre during the French Revolution, Consulate and Empire |
001C80 (2004) |
Tamar El R | Tickets to the Opera: A Negotiation of Western Knowledge—Beyond Resistance or Reproduction |
001D41 (2004) |
Eleanor Selfridge-Field | Review: Italian Opera and European Theatre, 1680–1720: Plots, Performers, Dramaturgies |
001D47 (2004) |
James Garratt | Review: Carl Maria von Weber and the Search for a German Opera |
001D51 (2004) |
Tom Kaufman | Review: A Short History of Opera |
001D64 (2004) |
Caryl Clark | Reading and Listening: Viennese Frauenzimmer Journals and the Sociocultural Context of Mozartean Opera Buffa |
001D77 (2004) |
Daniel F. Tritter | Opera and the Law: Dramma Giocosa |
001D99 (2004) |
Harold Bruder | Mahler's Decade in Vienna: Singers of the Court Opera, 1897–1907 |
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