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List of bibliographic references indexed by opera

Number of relevant bibliographic references: 56.
[0-20] [0 - 20][0 - 50][20-40]
Ident.Authors (with country if any)Title
000446 (2012) Masateru Uchiyama [Japon] ; Xiangyuan Jin [Japon, République populaire de Chine] ; Qi Zhang [Japon] ; Toshihito Hirai [Japon] ; Atsushi Amano [Japon] ; Hisashi Bashuda [Japon] ; Masanori Niimi [Japon]Auditory stimulation of opera music induced prolongation of murine cardiac allograft survival and maintained generation of regulatory CD4+CD25+ cells
000601 (2011) Johanna Jobst [Allemagne] ; Sabine Boerner [Allemagne]Understanding customer satisfaction in opera: first steps toward a model
000603 (2011) Roberto Ignacio DíazTransatlantic Deficits; or, Alberto Vilar at the Royal Opera House
000618 (2011) Robert K. WallaceThe Ache of Longing and the Song of Redemption: An Interview with Jake Heggie, Composer of the Opera Moby‐Dick
000708 (2011) Paul ThomAesthetics of Opera
000925 (2010) Solveig M. HeinzOpera in the Foreign Language Classroom: Learning German with Mozart, Wagner, Weber, and Johann Strauss
000B44 (2009) David Chandler“What Do We Mean by Opera, Anyway?”: Lloyd Webber's Phantom of the Opera and “High‐Pop” Theatre
001761 (2006) Bjo Rn HeileRecent Approaches to Experimental Music Theatre and Contemporary Opera
001813 (2006) Julian RushtonFrom Garrick to Gluck: Essays on Opera in the Age of Enlightenment. By Daniel Heartz and ed. by John A. Rice. pp. xvi + 335. Opera Series, 1. (Pendragon, Hillsdale, NY, 2004, $54. ISBN 1-57647-081-4.)
001824 (2006) Marcia J. CitronEncyclopedia of Opera on Screen: A Guide to More than 100 Years of Opera Films, Videos, and DVDs. By Ken Wlaschin. 2nd, rev. edn. pp. xiv + 872. (Yale University Press, New Haven and London, 2004, £45. ISBN 0-300-10263-1.) Cinema’s Illusions, Opera’s Allure: The Operatic Impulse in Film. By David Schroeder. pp. xii + 372. (Continuum, New York and London, 2003, £12.99. ISBN 0-8264-1536-9.)
001988 (2005) M. E. HenstockSusana Salgado: The Teatro Solís: 150 Years of Opera, Concert, and Ballet in Montevideo
001A28 (2005) Malcolm S. ColeReview: From Garrick to Gluck: Essays on Opera in the Age of Enlightenment
001A29 (2005) Christopher HatchReview: First Nights at the Opera
001A30 (2005) David CharltonReview: Étienne-Nicolas Méhul and Opera: Source and Archival Studies of Lyric Theatre during the French Revolution, Consulate and Empire
001C80 (2004) Tamar El RTickets to the Opera: A Negotiation of Western Knowledge—Beyond Resistance or Reproduction
001D41 (2004) Eleanor Selfridge-FieldReview: Italian Opera and European Theatre, 1680–1720: Plots, Performers, Dramaturgies
001D47 (2004) James GarrattReview: Carl Maria von Weber and the Search for a German Opera
001D51 (2004) Tom KaufmanReview: A Short History of Opera
001D64 (2004) Caryl ClarkReading and Listening: Viennese Frauenzimmer Journals and the Sociocultural Context of Mozartean Opera Buffa
001D77 (2004) Daniel F. TritterOpera and the Law: Dramma Giocosa
001D99 (2004) Harold BruderMahler's Decade in Vienna: Singers of the Court Opera, 1897–1907

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