List of bibliographic references indexed by new
Number of relevant bibliographic references: 107.
[20-40] [
0 - 20][
0 - 50][
40-60]
| Ident. | Authors (with country if any) | Title |
|---|
| 000B88 (2009) |
Kirstine Moffat [Nouvelle-Zélande] | The Piano as Cultural Symbol in Colonial New Zealand |
| 000B90 (2009) |
Diane Carver Sekeres | The Market Child and Branded Fiction: A Synergism of Children's Literature, Consumer Culture, and New Literacies |
| 000D05 (2009) |
Conan Fischer | Hermann Beck. The Fateful Alliance: German Conservatives and Nazis in 1933; The Machtergreifung in a New Light. New York: Berghahn Books. 2008. Pp. xvii, 352. $90.00 |
| 001197 (2008) |
Theodor W. Adorno | Form in the New Music |
| 001232 (2008) |
Francis Mechner | AN INVITATION TO BEHAVIOR ANALYSTS: REVIEW OF IN SEARCH OF MEMORY: THE EMERGENCE OF A NEW SCIENCE OF MIND BY ERIC R KANDEL |
| 001271 (2007) |
José Luis Calvo Guirado ; Maria Rosario Saez Yuguero ; Guillermo Pardo Zamora ; Emilio Mu Oz Barrio | Immediate provisionalization on a new implant design for esthetic restoration and preserving crestal bone. |
| 001383 (2007) |
Cary D. Wintz | To Stand and Fight: The Struggle for Civil Rights in Postwar New York City – By Martha Biondi |
| 001406 (2007) |
David Newheiser [Royaume-Uni] | The Old Creed and the New – By Don Cupitt |
| 001416 (2007) |
Denis Baggi [Suisse] ; Goffredo Haus [Italie] | The Concept of Interactive Music: The New Standard IEEE P1599 / MX |
| 001471 (2007) |
Chingning Wang [États-Unis] | New directions in human information behavior |
| 001494 (2007) |
Burton W. Peretti | Louis Armstrong's New Orleans – By Thomas Brothers |
| 001578 (2007) |
Roger Lane | A Pickpocket's Tale: The Criminal World of Nineteenth‐Century New York – By Timothy Gilfoyle |
| 001630 (2006) |
Friedrich W. Rösing [Allemagne] | [Art history anthropology: a new interdisciplinary overlap using the examples of Caravaggio and Mozart]. |
| 001755 (2006) |
Gianfranco Campolongo [Italie] ; Stefano Vena [Italie] | Science of Networks and Music: A New Approach on Musical Analysis and Creation |
| 001787 (2006) |
Peter Dickinson | Mavericks and Other Traditions in American Music. By Michael Broyles. pp. x + 388. (Yale University Press, New Haven and London, 2004, £25. ISBN 0-300-10045-0.) |
| 001824 (2006) |
Marcia J. Citron | Encyclopedia of Opera on Screen: A Guide to More than 100 Years of Opera Films, Videos, and DVDs. By Ken Wlaschin. 2nd, rev. edn. pp. xiv + 872. (Yale University Press, New Haven and London, 2004, £45. ISBN 0-300-10263-1.) Cinema’s Illusions, Opera’s Allure: The Operatic Impulse in Film. By David Schroeder. pp. xii + 372. (Continuum, New York and London, 2003, £12.99. ISBN 0-8264-1536-9.) |
| 001866 (2006) |
Carlos Spoerhase [Allemagne] ; Dirk Werle [Allemagne] | A New History of German Literature. Ed. by David E. Wellbery et al. 2004 |
| 001981 (2005) |
Colin Lawson | The Birth of the Orchestra: History of an Institution, 1650–1815. By John Spitzer and Neal Zaslaw. pp. xx + 614. (Oxford University Press, Oxford and New York, 2004, £95. ISBN 0-19-916434-3.) |
| 001A06 (2005) |
John Merriman | Robert Alexander. Re-Writing the French Revolutionary Tradition. (New Studies in European History.) New York: Cambridge University Press. 2003. Pp. xi, 385. $80.00 |
| 001A68 (2005) |
Jeremy Montagu | Musical Instruments: History, Technology, and Performance of Instruments of Western Music. By Murray Campbell, Clive Greated, and Arnold Myers. pp. x + 510. (Oxford University Press, Oxford and New York, 2004, £100. ISBN 0-19-816504-8.) |
| 001A74 (2005) |
Lynn Hooker | Modernism on the Periphery: Béla Bartók and the New Hungarian Music Society of 1911–1912 |
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