List of bibliographic references indexed by london
Number of relevant bibliographic references: 18.
| Ident. | Authors (with country if any) | Title |
|---|
| 000921 (2010) |
Maria Todorova | Paula Sutter Fichtner. Terror and Toleration: The Habsburg Empire Confronts Islam, 1526–1850. London: Reaktion Books. 2008. Pp 205. $45.00 |
| 000C78 (2009) |
Claudia Schnurmann | Margrit Schulte Beerbuhl. Deutsche Kaufleute in London: Welthandel und Einburgerung (1600–1818). (Veroffentlichungen des Deutschen Historischen Instituts London/Publications of the German Historical Institute London, number 61.) Munich: R. Oldenbourg. 2007. Pp. x, 512. €54.80. |
| 001523 (2007) |
David Taylor | Gender and Petty Violence in London, 1680–1720 – By Jennine Hurl‐Eamon |
| 001740 (2006) |
Kenneth Birkin | The Richard Strauss Companion. Ed. by Mark-Daniel Schmid. pp. xvi + 466. (Praeger, Westport, Conn. and London, 2003, £65. ISBN 0-313-27901-2.) |
| 001758 (2006) |
Hugh Benham | Robert Fayrfax, Masses Tecum principium and O quam glorifica, ed. Roger Bray. Early English Church Music, 45. Stainer & Bell, London, 2004, £55. ISBN 0-85249-883-7.) |
| 001787 (2006) |
Peter Dickinson | Mavericks and Other Traditions in American Music. By Michael Broyles. pp. x + 388. (Yale University Press, New Haven and London, 2004, £25. ISBN 0-300-10045-0.) |
| 001815 (2006) |
Laura Tunbridge | From Count to Chimney Sweep: Byron’s ‘Manfred’ in London Theatres |
| 001824 (2006) |
Marcia J. Citron | Encyclopedia of Opera on Screen: A Guide to More than 100 Years of Opera Films, Videos, and DVDs. By Ken Wlaschin. 2nd, rev. edn. pp. xiv + 872. (Yale University Press, New Haven and London, 2004, £45. ISBN 0-300-10263-1.) Cinema’s Illusions, Opera’s Allure: The Operatic Impulse in Film. By David Schroeder. pp. xii + 372. (Continuum, New York and London, 2003, £12.99. ISBN 0-8264-1536-9.) |
| 001D36 (2004) |
R. H. Stewart-Macdonald | Review: London und der Klassizismus in der Musik: Die Idee der ‘absoluten Musik’ und Muzio Clementis Klavierwerke |
| 001D86 (2004) |
Michael J. Aminoff | Neurology of the Arts: Painting, Music, Literature, edited by F. Clifford Rose, 438 pp., ill., London, Imperial College Press, 2004, $88 |
| 001D95 (2004) |
Michael Cowles [Canada] | Michael Bulmer. Francis Galton—Pioneer of Heredity and Biometry. Baltimore and London: The Johns Hopkins University Press, 2003. 357 pp. (cloth). ISBN 0‐8018‐7403‐3 |
| 002000 (2003) |
Gabriella Dideriksen | Review: Opera and Drama in Eighteenth‐Century London: The King's Theatre, Garrick, and the Business of Performance |
| 002010 (2003) |
Winton Dean | Review: Italian Opera in Late Eighteenth‐Century London, ii: The Pantheon Opera and its Aftermath 1789–1795 |
| 002D44 (1999) |
Zoltan Dienes | Book Review: Handbook of implicit learning. M. A. Stadler and P. A. Frensch (Eds). Sage Publications, London, 1998. No. of pages 636. ISBN 0‐7619‐0197‐3. Price £59.00 (Hardback) |
| 003044 (1997) |
J S Jenkins | Leopold Mozart: a patient in eighteenth-century London. |
| 003E59 (1992) |
| Proceedings of the Physiological Society, 13-14 December 1991, Imperial College London Meeting: Communications |
| 005555 (1984) |
Anat Feinberg | ‘DAS LATERNDL’ IN LONDON, 1939–1945 |
| 005760 (1983) |
Edmond A. Murphy [États-Unis] | The possible and the actual. François Jacob. Seattle and London: University of Washington Press, 1982, $8.95 71 pp |
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