1468-2230 < 1468-2249 < 1468-2265

Facettes :

List of bibliographic references indexed by 1468-2249

Number of relevant bibliographic references: 79.
[0-20] [0 - 20][0 - 50][20-40]

Ident.	Authors (with country if any)	Title
000608 (2011)	Rose Rosengard Subotnik	The Unwritable in Full Pursuit of the Unreadable: Adorno's Philosophie der neuen Musikin Translation: Supplement
000629 (2011)	Sanna Pederson	Richard Wagner and His World – Edited by Thomas S. Grey
000630 (2011)	René Rusch [Canada]	Rethinking Conceptions of Unity: Schubert'sMoment musicalin A♭major, D. 780 (Op. 94) No. 2
000661 (2011)	Roman Ivanovitch	Mozart's Art of Retransition
000663 (2011)	Michael J. Puri	Memory and Melancholy in theÉpilogue of Ravel'sValses nobles et sentimentales
000682 (2011)	Matthew Riley	Haydn's Missing Middles
000702 (2011)	Nicole Grimes	Brahms and His World – Edited by Walter Frisch and Kevin C. Karnes
000705 (2011)	Bethany Lowe	Analysing Performances of Sibelius's Fifth Symphony: the‘One Movement or Two’ Debate and the Plurality of the Music Object
000938 (2010)	Robert O. Gjerdingen	Mozart's Obviously Corrupt Minuet
000945 (2010)	Michael Spitzer	Mapping the Human Heart: a Holistic Analysis of Fear in Schubert
000964 (2010)	Michael Spitzer	Guest Editorial: The Emotion Issue
000998 (2010)	Robert S. Hatten [États-Unis]	Aesthetically Warranted Emotion and Composed Expressive Trajectories in Music
000C20 (2009)	Kevin Korsyn	Schenker's Vienna: Nicholas Cook on Culture, Race and Music Theory infin‐de‐siècle Austria
000C24 (2009)	Anne M. Hyland	Rhetorical Closure in the First Movement of Schubert's Quartet in C major, D. 46: A Dialogue with Deformation
000D16 (2009)	Jay Rosenblatt	Franz Liszt and His World – Edited by Christopher H. Gibbs and Dana Gooley
000D46 (2009)	Peter H. Smith	Brahms's Motivic Harmonies and Contemporary Tonal Theory: Three Case Studies from the Chamber Music
000D47 (2009)	Ryan Mcclelland [Canada]	Brahms and the Principle of Destabilised Beginnings
001129 (2008)	Catherine Losada	The Process of Modulation in Musical Collage
001195 (2008)	Hartmut Fladt [Allemagne]	Functional Analysis: The Unity of Contrasting Themes – By Hans Keller
001197 (2008)	Theodor W. Adorno	Form in the New Music
001222 (2008)	Paul Wingfield	Beyond‘Norms and Deformations’: Towards a Theory of Sonata Form as Reception History

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