Serveur d'exploration sur Mozart

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Le cluster musical - analysis

Terms

159musical
77analysis
61performance
40cognitive
24perception
8abilities
7performances
13identification

Associations

Freq.WeightAssociation
1212analysis - musical
1010musical - performance
77cognitive - musical
66musical - perception
66abilities - cognitive
55musical - performances
55identification - musical

Documents par ordre de pertinence
000282 (2013) Isabel Trujillo-Pozo [Espagne] ; Isabel Martín-Monz N [Espagne] ; Rafael Rodríguez-Romero [Espagne]Brain lateralization and neural plasticity for musical and cognitive abilities in an epileptic musician
000417 (2012) Vera Kempe [Royaume-Uni] ; John C. Thoresen [Suisse] ; Neil W. Kirk [Royaume-Uni] ; Felix Schaeffler [Royaume-Uni] ; Patricia J. Brooks [États-Unis]Individual Differences in the Discrimination of Novel Speech Sounds: Effects of Sex, Temporal Processing, Musical and Cognitive Abilities
001655 (2006) Antonio Camarena-Ibarrola [Mexique] ; Edgar Chávez [Mexique]On Musical Performances Identification, Entropy and String Matching
003245 (1997) Sergio Canazza [Italie] ; Giovanni De Poli [Italie] ; Alvise Vidolin [Italie]Perceptual analysis of the musical expressive intention in a clarinet performance
006804 (1969) Lage Wedin [Suède]DIMENSION ANALYSIS OF THE PERCEPTION OF MUSICAL STYLE
008D47 (????) C. Talero-Gutiérrez [Colombie] ; J G Zarruk-Serrano ; A. Espinosa-Bode[Musical perception and cognitive functions. Is there such a thing as the Mozart effect?].
000018 (2015) Muzaffer Çorlu ; Pieter-Jan Maes ; Chris Muller ; Katty Kochman ; Marc LemanThe impact of cognitive load on operatic singers' timing performance
000080 (2015) Dan Wu [République populaire de Chine] ; Keith M. Kendrick [République populaire de Chine] ; Daniel J. Levitin [Canada] ; Chaoyi Li [République populaire de Chine] ; Dezhong Yao [République populaire de Chine]Bach Is the Father of Harmony: Revealed by a 1/f Fluctuation Analysis across Musical Genres
000098 (2014) Friedrich Platz [Allemagne] ; Reinhard Kopiez [Allemagne] ; Andreas C. Lehmann [Allemagne] ; Anna Wolf [Allemagne]The influence of deliberate practice on musical achievement: a meta-analysis
000135 (2014) Marisa N. Spann ; Ravi Bansal ; Tove S. Rosen [États-Unis] ; Bradley S. PetersonMorphological features of the neonatal brain support development of subsequent cognitive, language, and motor abilities
000243 (2013) Karen Banai [Israël] ; Merav Ahissar [Israël]Musical Experience, Auditory Perception and Reading-Related Skills in Children
000254 (2013) Morwaread M. Farbood ; Finn UphamInterpreting expressive performance through listener judgments of musical tension
000388 (2012) Nobuo Masataka [Japon] ; Leonid Perlovsky [États-Unis]The efficacy of musical emotions provoked by Mozart's music for the reconciliation of cognitive dissonance
000558 (2011) Peter E. Keller [Allemagne] ; Emery Schubert [Australie]Cognitive and affective judgements of syncopated musical themes
000567 (2011) Jessica I. Lake ; Felicia C. GoldsteinAN EXAMINATION OF AN ENHANCING EFFECT OF MUSIC ON ATTENTIONAL ABILITIES IN OLDER PERSONS WITH MILD COGNITIVE IMPAIRMENT1,2
000597 (2011) A. Kaliakatsos-Papakostas [Grèce] ; G. Epitropakis [Grèce] ; N. Vrahatis [Grèce]Weighted Markov Chain Model for Musical Composer Identification
000933 (2010) Kalle Puolakka [Finlande]Musical Representation and the Evaluation of Musical Performances
000935 (2010) A. Kaliakatsos-Papakostas [Grèce] ; G. Epitropakis [Grèce] ; N. Vrahatis [Grèce]Musical Composer Identification through Probabilistic and Feedforward Neural Networks
000A60 (2009) Fernando Berzal [Espagne] ; Waldo Fajardo [Espagne] ; Aída Jiménez [Espagne] ; Miguel Molina-Solana [Espagne]Mining Musical Patterns: Identification of Transposed Motives
000B57 (2009) Anna Esposito [Italie] ; Domenico Carbone [Italie] ; Teresa Riviello [Italie]Visual Context Effects on the Perception of Musical Emotional Expressions
000B75 (2009) R. Keith SawyerThe semiotics of improvisation: The pragmatics of musical and verbal performance
001206 (2008) Pamela Heaton [Royaume-Uni] ; Rory Allen [Royaume-Uni] ; Kerry Williams [Royaume-Uni] ; Omar Cummins [Royaume-Uni] ; Francesca Happé [Royaume-Uni]Do social and cognitive deficits curtail musical understanding? Evidence from autism and Down syndrome
001230 (2008) Axel Berndt [Allemagne] ; Holger Theisel [Allemagne]Adaptive Musical Expression from Automatic Realtime Orchestration and Performance
001281 (2007) Anna Esposito [Italie] ; Manuela Serio [Italie]Children’s Perception of Musical Emotional Expressions
001561 (2007) Erkki Huovinen [Finlande] ; Atte Tenkanen [Finlande]Bird's‐Eye Views of the Musical Surface: Methods for Systematic Pitch‐Class Set Analysis
001612 (2006-01-23) Frank A. SalamoneLaughin Louie: An analysis of Louis Armstrongs record and its relationship to African-American musical humor
001755 (2006) Gianfranco Campolongo [Italie] ; Stefano Vena [Italie]Science of Networks and Music: A New Approach on Musical Analysis and Creation
001798 (2006) Anna Volkova [Canada] ; Sandra E. Trehub [Canada] ; E. Glenn Schellenberg [Canada]Infants’ memory for musical performances
001975 (2005) Virginia Penhune [Canada] ; Donald Watanabe [Canada] ; Tal Savion Emieux [Canada]The Effect of Early Musical Training on Adult Motor Performance
001999 (2005) William Forde Thompson ; Phil Graham ; Frank A. RussoSeeing music performance: Visual influences on perception and experience
001A68 (2005) Jeremy MontaguMusical Instruments: History, Technology, and Performance of Instruments of Western Music. By Murray Campbell, Clive Greated, and Arnold Myers. pp. x + 510. (Oxford University Press, Oxford and New York, 2004, £100. ISBN 0-19-816504-8.)
001A70 (2005) E Glenn Schellenberg [Canada] ; Susan Hallam [Royaume-Uni]Music Listening and Cognitive Abilities in 10‐ and 11‐Year‐Olds: The Blur Effect
001C93 (2004) Kevin KorsynThe Death of Musical Analysis? The Concept of Unity Revisited
001C94 (2004) Jonathan D. KramerThe Concept of Disunity and Musical Analysis
001D23 (2004) Cynthia J. CyrusReview: Schubert the Progressive: History, Performance Practice, Analysis
001F70 (2003) Robert P. MorganThe Concept of Unity and Musical Analysis
002002 (2003) Andrew Kania [États-Unis]Review: Musical Works and Performances: A Philosophical Exploration
002328 (2002) Mark DebellisMusical Analysis as Articulation
002612 (2001) Marcus Giaquinto [Royaume-Uni]What Cognitive Systems Underlie Arithmetical Abilities?
002624 (2001) Lawrence KramerThe Mysteries of Animation: History, Analysis and Musical Subjectivity
002A60 (2000) A. Edidin [États-Unis]Artistry in classical musical performance
003313 (1996) V. Ruggieri [Italie] ; A. KatsnelsonAn analysis of a performance by the violinist D. Oistrakh: the hypothetical role of postural tonic-static and entourage movements.
003487 (1996) W. Günther [Allemagne] ; N. Müller [Allemagne] ; W. Trapp [Allemagne] ; C. Haag [Allemagne] ; A. Putz [Allemagne] ; A. Straube [Allemagne]Quantitative EEG analysis during motor function and music perception in Tourette's syndrome
003493 (1996) Roosevelt PorterPerformances and Individuating Musical Works
003D75 (1993) Jane O'DeaPhronesis in Musical Performance
004540 (1991) Aron EdidinLook What They've Done to My Song: “Historical Authenticity” and the Aesthetics of Musical Performance
004A78 (1989) Jim Kippen [Royaume-Uni] ; Bernard Bel [Royaume-Uni]The identification and modelling of a percussion ‘language,’ and the Emergence of Musical Concepts in a machine-learning experimental set-up
005772 (1983) Alf Gabrielsson [Suède] ; Ingmar Bengtsson [Suède] ; Barbro Gabrielsson [Suède]Performance of musical rhythm in 3/4 and 6/8 meter
005E63 (1978) David Rothenberg [États-Unis]A model for pattern perception with musical applications part II: The information content of pitch structures
006104 (1976) Thomas Wolf [États-Unis]A cognitive model of musical sight-reading
000005 (2016) Yingshou Xing [République populaire de Chine] ; Yi Qin [République populaire de Chine] ; Wei Jing [République populaire de Chine] ; Yunxiang Zhang [République populaire de Chine] ; Yanran Wang [République populaire de Chine] ; Daqing Guo [République populaire de Chine] ; Yang Xia [République populaire de Chine] ; Dezhong Yao [République populaire de Chine]Exposure to Mozart music reduces cognitive impairment in pilocarpine-induced status epilepticus rats.
000009 (2015) Anne C. ReboulWhy language really is not a communication system: a cognitive view of language evolution
000022 (2015) Masayuki Satoh [Japon] ; Ken Nagata [Japon] ; Hidekazu Tomimoto [Japon]Sound Richness of Music Might Be Mediated by Color Perception: A PET Study
000024 (2015) Buddhamas Kriengwatana [Pays-Bas] ; Paola Escudero [Australie] ; Carel Ten Cate [Pays-Bas]Revisiting vocal perception in non-human animals: a review of vowel discrimination, speaker voice recognition, and speaker normalization
000032 (2015) Rhodri Cusack [Canada] ; Conor Wild [Canada] ; Annika C. Linke [Canada] ; Tomoki Arichi [Royaume-Uni] ; David S. C. Lee [Canada] ; Victor K. Han [Canada]Optimizing Stimulation and Analysis Protocols for Neonatal fMRI
000036 (2015) Prabhjot Dhami [Canada] ; Sylvain Moreno [Canada] ; Joseph F. X. Desouza [Canada]New framework for rehabilitation – fusion of cognitive and physical rehabilitation: the hope for dancing
000037 (2015) Mark Reybrouck [Belgique] ; Elvira Brattico [Finlande]Neuroplasticity beyond Sounds: Neural Adaptations Following Long-Term Musical Aesthetic Experiences
000038 (2015) Rafael Ramirez [Espagne] ; Manel Palencia-Lefler [Espagne] ; Sergio Giraldo [Espagne] ; Zacharias Vamvakousis [Espagne]Musical neurofeedback for treating depression in elderly people
000042 (2015) Irene Sturm [Allemagne] ; Sven D Hne [Allemagne] ; Benjamin Blankertz [Allemagne] ; Gabriel Curio [Allemagne]Multi-Variate EEG Analysis as a Novel Tool to Examine Brain Responses to Naturalistic Music Stimuli
000054 (2015) Sravanti L. Sanivarapu [Inde]India's rich musical heritage has a lot to offer to modern psychiatry
000070 (2015) Maxim S. Kuschpel [Allemagne] ; Shuyan Liu [Allemagne] ; Daniel J. Schad [Allemagne] ; Stephan Heinzel [Allemagne] ; Andreas Heinz [Allemagne] ; Michael A. Rapp [Allemagne]Differential effects of wakeful rest, music and video game playing on working memory performance in the n-back task
000079 (2015) Ken Rosslau [Allemagne] ; Daniel Steinwede [Allemagne] ; C. Schröder [Allemagne] ; Sibylle C. Herholz [Allemagne] ; Claudia Lappe [Allemagne] ; Christian Dobel [Allemagne] ; Eckart Altenmüller [Allemagne]Clinical investigations of receptive and expressive musical functions after stroke
000088 (2015) Naeem Komeilipoor [Italie, Pays-Bas] ; Matthew W. M. Rodger ; Cathy M. Craig ; Paola Cesari [Italie](Dis-)Harmony in movement: effects of musical dissonance on movement timing and form
000100 (2014) Sara Bottiroli [Italie] ; Alessia Rosi [Italie] ; Riccardo Russo [Italie, Royaume-Uni] ; Tomaso Vecchi [Italie] ; Elena Cavallini [Italie]The cognitive effects of listening to background music on older adults: processing speed improves with upbeat music, while memory seems to benefit from both upbeat and downbeat music
000103 (2014) Daniel Müllensiefen [Royaume-Uni] ; Bruno Gingras [Autriche] ; Jason Musil [Royaume-Uni] ; Lauren Stewart [Royaume-Uni]The Musicality of Non-Musicians: An Index for Assessing Musical Sophistication in the General Population
000109 (2014) Peter Daniel Klein [Corée du Sud]Sergei Prokofiev’s Children’s Pieces, Op. 65: a comprehensive approach to learning about a composer and his works: biography, style, form and analysis
000111 (2014) Annapurna Devi Allu [Allemagne] ; Aleksandra Maria Soja [Allemagne] ; Anhui Wu [Allemagne] ; Jedrzej Szymanski [Allemagne] ; Salma Balazadeh [Allemagne]Salt stress and senescence: identification of cross-talk regulatory components
000112 (2014) Peter Vuust [Danemark] ; Maria A. G. Witek [Danemark]Rhythmic complexity and predictive coding: a novel approach to modeling rhythm and meter perception in music
000114 (2014) Valerie A. Street [États-Unis] ; Sharon G. Kujawa [États-Unis] ; Ani Manichaikul [États-Unis] ; Karl W. Broman [États-Unis] ; Jeremy C. Kallman [États-Unis] ; Dustin J. Shilling [États-Unis] ; Ayaka J. Iwata [États-Unis] ; Linda C. Robinson [États-Unis] ; Carol A. Robbins [États-Unis] ; Jin Li [États-Unis] ; M. Charles Liberman [États-Unis] ; Bruce L. Tempel [États-Unis]Resistance to Noise-Induced Hearing Loss in 129S6 and MOLF Mice: Identification of Independent, Overlapping, and Interacting Chromosomal Regions
000152 (2014) Desmond C. Sergeant ; Evangelos HimonidesGender and the performance of music
000162 (2014) Adam G. Emfield ; Mark B. NeiderEvaluating visual and auditory contributions to the cognitive restoration effect
000163 (2014) Sareh Shirvani ; Zahra Jafari ; Abdolreza Sheibanizadeh ; Masoud Motasaddi Zarandy ; Shohre JalaieEmotional Perception of Music in Children with Unilateral Cochlear Implants
000173 (2014) Steven J. Morrison [États-Unis] ; Harry E. Price [États-Unis] ; Eric M. Smedley [États-Unis] ; Cory D. Meals [États-Unis]Conductor gestures influence evaluations of ensemble performance
000178 (2014) Robert Harris [Pays-Bas] ; Bauke M. De Jong [Pays-Bas]Cerebral Activations Related to Audition-Driven Performance Imagery in Professional Musicians
000188 (2014) Maarten Bak [Pays-Bas] ; Annemarie Fransen [Pays-Bas] ; Jouke Janssen [Pays-Bas] ; Jim Van Os [Pays-Bas, Royaume-Uni] ; Marjan Drukker [Pays-Bas]Almost All Antipsychotics Result in Weight Gain: A Meta-Analysis
000189 (2014) Leonid PerlovskyAesthetic emotions, what are their cognitive functions?
000196 (2014) Milorad Bojic [Serbie] ; Kévyn Johannes [France] ; Frédéric Kuznik [France]Optimizing energy and environmental performance of passive Trombe wall
000211 (2013) Samuel A. Mehr [États-Unis] ; Adena Schachner [États-Unis] ; Rachel C. Katz [États-Unis] ; Elizabeth S. Spelke [États-Unis]Two Randomized Trials Provide No Consistent Evidence for Nonmusical Cognitive Benefits of Brief Preschool Music Enrichment
000219 (2013) Michael C. Wiseman [États-Unis]The Mozart effect on task performance in a laparoscopic surgical simulator.
000220 (2013) Sean Hutchins [Canada] ; Sylvain Moreno [Canada]The Linked Dual Representation model of vocal perception and production
000231 (2013) Jeremy C. Borniger ; Adeel Chaudhry ; Michael P. MuehlenbeinRelationships among Musical Aptitude, Digit Ratio and Testosterone in Men and Women
000246 (2013) Arnaud Cabanac [Canada] ; Leonid Perlovsky ; Marie-Claude Bonniot-Cabanac ; Michel CabanacMusic and academic performance.
000248 (2013) Carolina Pape-Koehler [Allemagne] ; Marc Immenroth [Allemagne] ; Stefan Sauerland [Allemagne] ; Rolf Lefering [Allemagne] ; Cornelia Lindlohr [Allemagne] ; Jens Toaspern [Allemagne] ; Markus Heiss [Allemagne]Multimedia-based training on Internet platforms improves surgical performance: a randomized controlled trial
000249 (2013) Leonid Perlovsky [États-Unis] ; Arnaud Cabanac ; Marie-Claude Bonniot-Cabanac ; Michel CabanacMozart effect, cognitive dissonance, and the pleasure of music.
000259 (2013) Katrina S. Mcferran [Australie] ; Helen Shoemark [Australie]How musical engagement promotes well-being in education contexts: The case of a young man with profound and multiple disabilities
000267 (2013) Roni Y. Granot [Israël] ; Florina Uzefovsky [Israël] ; Helena Bogopolsky [Israël] ; Richard P. Ebstein [Singapour]Effects of arginine vasopressin on musical working memory
000278 (2013) Nobuo Masataka [Japon] ; Leonid Perlovsky [États-Unis]Cognitive interference can be mitigated by consonant music and facilitated by dissonant music
000285 (2013) Leonid PerlovskyA challenge to human evolution—cognitive dissonance
000363 (2013) Leonid Perlovsky [États-Unis] ; Arnaud Cabanac [Canada] ; Marie-Claude Bonniot-Cabanac [Canada] ; Michel Cabanac [Canada]Mozart effect, cognitive dissonance, and the pleasure of music
000367 (2013) Sofronios E. Papoutsoglou [Grèce] ; Nafsika Karakatsouli [Grèce] ; Christos Skouradakis [Grèce] ; Eustratios S. Papoutsoglou [Grèce] ; Alkistis Batzina [Grèce] ; Georgios Leondaritis [Grèce] ; Nikolaos Sakellaridis [Grèce]Effect of musical stimuli and white noise on rainbow trout (Oncorhynchus mykiss) growth and physiology in recirculating water conditions
000381 (2012) C. Wespes [États-Unis] ; L. Emmons [États-Unis] ; D. P. Edwards [États-Unis] ; J. Hannigan [États-Unis] ; Daniel Hurtmans [Belgique] ; M. Saunois [États-Unis] ; Pierre-François Coheur [Belgique] ; Cathy Clerbaux [France] ; M. T. Coffey [États-Unis] ; R. Batchelor [États-Unis] ; R. Lindenmaier [Canada] ; K. Strong [Canada] ; A. J. Weinheimer [États-Unis] ; J. B. Nowak [États-Unis] ; T. B. Ryerson [États-Unis] ; J. D. Crounse [États-Unis] ; P. O. Wennberg [États-Unis]Analysis of ozone and nitric acid in spring and summer Arctic pollution using aircraft, ground-based, satellite observations and MOZART-4 model: source attribution and partitioning
000392 (2012) Eduardo A. Garza Villarreal [Danemark] ; Elvira Brattico [Finlande] ; Lene Vase [Danemark] ; Leif Stergaard [Danemark] ; Peter Vuust [Danemark]Superior Analgesic Effect of an Active Distraction versus Pleasant Unfamiliar Sounds and Music: The Influence of Emotion and Cognitive Style
000405 (2012) Daniel J. Levitin [Canada] ; Parag Chordia ; Vinod MenonMusical rhythm spectra from Bach to Joplin obey a 1/f power law
000421 (2012) Pramod K. SrivastavaIdentification of chaperones as essential components of the tumor rejection moieties of cancers
000449 (2012) Fuhua ZhaiAcademic Performance of Subsequent Schools and Impacts of Early Interventions: Evidence from a Randomized Controlled Trial in Head Start Settings
000479 (2012) Michael J. Apter [États-Unis] ; Mitzi DessellesDisclosure humor and distortion humor: A reversal theory analysis
000509 (2011-03-28) Adam Meissner [Pologne]Experimental analysis of some computation rules in a simple parallel reasoning system for the ALC description logic
000517 (2011) Stefan Koelsch [Allemagne]Toward a Neural Basis of Music Perception – A Review and Updated Model
000520 (2011) Bing Shue [États-Unis] ; Ayan Chatterjee ; Scott Fudemberg ; L Jay Katz ; Marlene R. Moster ; Maria J. Navarro ; Michael Pro ; Courtland Schmidt ; George L. Spaeth ; Oana Stirbu ; Arman Yalcin ; Jonathan S. MyersThe effects of Mozart's music on the performance of glaucoma patients on automated perimetry.
000535 (2011) Nicholas J. Hudson [Australie]Musical beauty and information compression: Complex to the ear but simple to the mind?

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