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Gabriella Dideriksen | Review: Opera and Drama in Eighteenth‐Century London: The King's Theatre, Garrick, and the Business of Performance |
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Richard Rodger | Notorious Murders, Black Lanterns, & Moveable Goods: The Transformation of Edinburgh's Underworld in the Early Nineteenth Century – By Deborah A. Symonds |
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Allen Forte | Alban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music |
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Julian Rushton | Nicolas-Etienne Framery and Lyric Theatre in Eighteenth-Century France. By Mark Darlow. pp. xi + 400. Studies on Voltaire and the Eighteenth Century, 2003: 11. (Voltaire Foundation, Oxford, 2003, £59. ISBN 0-7294-0836-1.) |
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Winton Dean | Review: Italian Opera in Late Eighteenth‐Century London, ii: The Pantheon Opera and its Aftermath 1789–1795 |
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A. Erfurth ; P. Hoff [Allemagne] | Mad scenes in early 19th‐century opera |
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Eric Mckee [États-Unis] | Influences of the Early Eighteenth‐Century Social Minuet on the Minuets From J. S. Bach’s French Suites, BWV 812‐17 |
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Bernard Zelechow | The Opera: The Meeting of Popular and Elite Culture in the Nineteenth Century |
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Géza Fodor | Outlook of eighteenth-century opera |
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Jose Martinez-Badía ; Jose Martinez-Raga | Who says this is a modern disorder? The early history of attention deficit hyperactivity disorder |
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Karl Holubar [Autriche] | A historical interlock: Danube and Fuji‐San, early 19th to late 20th century |
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Linde Katritzky | Puppetry in Eighteenth-Century England and Germany, and in the Nachtwachen von Bonaventura |
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Norbert Lennartz [Allemagne] | “I want a hero …” – Deconstructions of the Hero in Late 19th- and Early 20th-Century British and Irish Fiction |
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David Chandler | “What Do We Mean by Opera, Anyway?”: Lloyd Webber's Phantom of the Opera and “High‐Pop” Theatre |
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Jeremy Barlow | Catch and Glee Culture in Eighteenth‐Century England – By Brian RobinsMusic‐Making in North‐East England during the Eighteenth Century – By Roz Southey |
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Amy Rebok Rosenthal | The Devil and Demonism in Early Modern England – By Nathan Johnstone |
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Stephen M. Garrett | Nonconformist Theology in the Twentieth Century – By Alan P.F. Sell |
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Robert Mcgregor | Nature and the Environment in Nineteenth‐Century Life – By Brian Black |
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Thomas H. Brobjer | NIETZSCHE'S RELATION TO HISTORICAL METHODS AND NINETEENTH‐CENTURY GERMAN HISTORIOGRAPHY |
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Roger Lane | A Pickpocket's Tale: The Criminal World of Nineteenth‐Century New York – By Timothy Gilfoyle |
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H. Diack Johnstone | The Solo Cantata in Eighteenth-Century Britain: A Thematic Catalog. Ed. by Paul F. Rice. pp. xxi + 463 (Harmonie Park Press, Warren, Mich., 2003, $65. ISBN 0-8990-114-X.) |
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Bjo Rn Heile | Recent Approaches to Experimental Music Theatre and Contemporary Opera |
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David Charlton | Review: Étienne-Nicolas Méhul and Opera: Source and Archival Studies of Lyric Theatre during the French Revolution, Consulate and Empire |
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Jolanta T. Pekacz | Michael R. Steinberg. Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music. Princeton: Princeton University Press. 2004. Pp. xiv, 246. $29.95 |
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James Smith Allen | Maurice Samuels. The Spectacular Past: Popular History and the Novel in Nineteenth-Century France. Ithaca: Cornell University Press. 2004. Pp. xi, 280. Cloth $49.95, paper $22.95 |
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| Leendert F. Groenendijk and Benjamin B. Roberts, editors. Losbandige jeugd: Jongeren en moraal in de Nederlanden tijdens de late Middeleeuwen en de Vroegmoderne Tijd [Rebellious Youth: Youth and Morality in the Netherlands during the Late Middle Ages and the Early Modern Period]. Foreword by Ilana Krausman Ben-Amos. Hilversum: Verloren. 2004. Pp. 115 |
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Philip Olleson | Concert Life in Eighteenth-Century Britain. Ed. by Susan Wollenberg and Simon McVeigh. pp. xvi + 299. (Ashgate, Aldershot and Burlington, Vt., 2004, £52.50. ISBN 0-7546-3868-5.) |
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Gavin Budge ; Freya Johnston ; James A. J. Wilson ; Marjean Purinton | XI The Eighteenth Century |
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Matthew Riley | The ‘Harmonic Major’ Mode in Nineteenth‐Century Theory and Practice |
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Lawrence Archbold | Review: Motets for One Voice by Franck, Gounod, and Saint-Saëns: The Organ-Accompanied Solo Motet in Nineteenth-Century France |
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Eleanor Selfridge-Field | Review: Italian Opera and European Theatre, 1680–1720: Plots, Performers, Dramaturgies |
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Brian Brooks | Étienne Nau, Breslau 114 and the early 17th-century solo violin fantasia |
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Reinhold Brinkmann [États-Unis] | A “Last Giant in Music”: Thoughts on Max Reger in the Twentieth Century |
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Neil Sorrell | Review: Music of the Raj: A Social and Economic History of Music in Late Eighteenth‐Century Anglo‐Indian Society |
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William Weber | Music at Oxford in the Eighteenth and Nineteenth Centuries |
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Barbara Milewski | Review: Polish Music in the Twentieth Century |
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Ingrid J. Sykes | Review: Organists and Organ Playing in Nineteenth‐Century France and Belgium |
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Suzanne Aspden | Review: Music in Eighteenth‐Century Britain |
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Barbara Milewski | Review: Krzysztof Penderecki's Music in the Context of 20th‐Century Theatre: Studies, Essays and Material |
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James Garratt | Performing Renaissance Church Music in Nineteenth‐Century Germany: Issues and Challenges in the Study of Performative Reception |
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Daniel Harrison | Nonconformist Notions of Nineteenth–Century Enharmonicism |
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Catherine Rollet [France] | The cost of educating children: The accounts of a nineteenth century girls' boarding school in Orléans, France |
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Keith Laybourn ; Simon Davis | IX Twentieth Century |
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Rosemary Sweet ; Malcolm Crook | VII Eighteenth Century |
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Alex Murdoch ; Catherine Smith ; Marisa Linton | VIII Eighteenth Century |
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Mike Von Joel | An eighteenth‐century romance |
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Joseph Smith | VIII The Eighteenth Century (i) British History (a) 1714–1783 |
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Sravanti L. Sanivarapu [Inde] | India's rich musical heritage has a lot to offer to modern psychiatry |
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Michal Hrdlicka [République tchèque] ; Iva Dudova [République tchèque] | Atypical antipsychotics in the treatment of early-onset schizophrenia |
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Jonathan O'Muircheartaigh [États-Unis, Royaume-Uni] ; Douglas C. Dean Iii [États-Unis] ; Cedric E. Ginestet ; Lindsay Walker [États-Unis] ; Nicole Waskiewicz [États-Unis] ; Katie Lehman [États-Unis] ; Holly Dirks [États-Unis] ; Irene Piryatinsky [États-Unis] ; Sean Cl Deoni [États-Unis] | White matter development and early cognition in babies and toddlers |
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Sinéad L. Mullally [Royaume-Uni] ; Eleanor A. Maguire [Royaume-Uni] | Learning to remember: The early ontogeny of episodic memory☆ |
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Lung-Chang Lin [Taïwan] ; Chen-Sen Ouyang [Taïwan] ; Ching-Tai Chiang [Taïwan] ; Hui-Chuan Wu [Taïwan] ; Rei-Cheng Yang [Taïwan] | Early evaluation of the therapeutic effectiveness in children with epilepsy by quantitative EEG: a model of Mozart K.448 listening--a preliminary study. |
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Lung-Chang Lin [Taïwan] ; Chen-Sen Ouyang [Taïwan] ; Ching-Tai Chiang [Taïwan] ; Hui-Chuan Wu [Taïwan] ; Rei-Cheng Yang [Taïwan] | Early evaluation of the therapeutic effectiveness in children with epilepsy by quantitative EEG: A model of Mozart K.448 listening-a preliminary study |
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Nora Raschle [États-Unis] ; Jennifer Zuk [États-Unis] ; Silvia Ortiz-Mantilla [États-Unis] ; Danielle D. Sliva [États-Unis] ; Angela Franceschi [États-Unis] ; P. Ellen Grant [États-Unis] ; April A. Benasich [États-Unis] ; Nadine Gaab [États-Unis] | Pediatric neuroimaging in early childhood and infancy: challenges and practical guidelines |
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Joel B. Greenhouse | On Becoming a Bayesian: Early Correspondences between J Cornfield and LJ Savage |
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Anthony Brandt [États-Unis] ; Molly Gebrian [États-Unis] ; L. Robert Slevc [États-Unis] | Music and Early Language Acquisition |
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Dilara Deniz Can [États-Unis] ; Todd Richards [États-Unis] ; Patricia Kuhl [États-Unis] | Early gray-matter and white-matter concentration in infancy predict later language skills: A whole brain voxel-based morphometry study |
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Fuhua Zhai | Academic Performance of Subsequent Schools and Impacts of Early Interventions: Evidence from a Randomized Controlled Trial in Head Start Settings |
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Johanna Jobst [Allemagne] ; Sabine Boerner [Allemagne] | Understanding customer satisfaction in opera: first steps toward a model |
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Roberto Ignacio Díaz | Transatlantic Deficits; or, Alberto Vilar at the Royal Opera House |
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Robert K. Wallace | The Ache of Longing and the Song of Redemption: An Interview with Jake Heggie, Composer of the Opera Moby‐Dick |
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Mariana Valverde [Canada] | Seeing Like a City: The Dialectic of Modern and Premodern Ways of Seeing in Urban Governance |
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Paul Thom | Aesthetics of Opera |
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Emily Washington | The Humane Metropolis: People and Nature in the 21st Century City – Edited by Rutherford H. Platt |
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Shing W. Wong [Australie] ; Richard Smith [Australie] ; Phil Crowe [Australie] | Optimizing the operating theatre environment |
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Solveig M. Heinz | Opera in the Foreign Language Classroom: Learning German with Mozart, Wagner, Weber, and Johann Strauss |
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Nora S. Newcombe ; Andrea Frick | Early Education for Spatial Intelligence: Why, What, and How |
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Angela F. Keaton | Backyard Desperadoes: American Attitudes Concerning Toy Guns in the Early Cold War Era |
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Anne Doggett [Australie] | “The Old Vexed Question:” Divergent Attitudes and Practices in the Sacred Music of Early Ballarat |
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Anna Christina Ribeiro | Poetics Before Plato: Interpretation and Authority in Early Greek Theories of Poetry by ledbetter, grace m. |
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Martina Lüke | Modern Classics: Reflections on Rammstein in the German Class |
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Scott Barry Kaufman ; James C. Kaufman | Ten Years to Expertise, Many More to Greatness: An Investigation of Modern Writers |
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Ann Frank Wake | Political Ideas in the Romantic Age: Their Rise and Influence on Modern Thought – By Isaiah Berlin |
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Robert Middlekauff [États-Unis] | Benjamin Franklin's Printing Network: Disseminating Virtue in Early America – By Ralph Frasca |
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Peter Stiefelhagen | [Many illnesses, early death. The ailments of young Mozart]. |
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| Twentieth annual symposia on etiology, pathogenesis, and treatment of Parkinson's disease and other movement disorders |
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Matthew Bribitzer Tull | The End of Die Feen and Wagner's Beginnings: Multiple Approaches to an Early Example of Double‐Tonic Complex, Associative Theme and Wagnerian Form |
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Hugh Benham | Robert Fayrfax, Masses Tecum principium and O quam glorifica, ed. Roger Bray. Early English Church Music, 45. Stainer & Bell, London, 2004, £55. ISBN 0-85249-883-7.) |
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Julian Rushton | From Garrick to Gluck: Essays on Opera in the Age of Enlightenment. By Daniel Heartz and ed. by John A. Rice. pp. xvi + 335. Opera Series, 1. (Pendragon, Hillsdale, NY, 2004, $54. ISBN 1-57647-081-4.) |
