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H. Diack Johnstone | The Solo Cantata in Eighteenth-Century Britain: A Thematic Catalog. Ed. by Paul F. Rice. pp. xxi + 463 (Harmonie Park Press, Warren, Mich., 2003, $65. ISBN 0-8990-114-X.) |
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Julian Rushton | Nicolas-Etienne Framery and Lyric Theatre in Eighteenth-Century France. By Mark Darlow. pp. xi + 400. Studies on Voltaire and the Eighteenth Century, 2003: 11. (Voltaire Foundation, Oxford, 2003, £59. ISBN 0-7294-0836-1.) |
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James Smith Allen | Maurice Samuels. The Spectacular Past: Popular History and the Novel in Nineteenth-Century France. Ithaca: Cornell University Press. 2004. Pp. xi, 280. Cloth $49.95, paper $22.95 |
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Philip Olleson | Concert Life in Eighteenth-Century Britain. Ed. by Susan Wollenberg and Simon McVeigh. pp. xvi + 299. (Ashgate, Aldershot and Burlington, Vt., 2004, £52.50. ISBN 0-7546-3868-5.) |
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Lawrence Archbold | Review: Motets for One Voice by Franck, Gounod, and Saint-Saëns: The Organ-Accompanied Solo Motet in Nineteenth-Century France |
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Alexander Murdoch [Royaume-Uni] ; Kathy Smith ; Marisa Linton | VIII Eighteenth Century |
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Alex Murdoch ; Catherine Smith ; Marisa Linton | VIII Eighteenth Century |
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Joseph Smith | VIII The Eighteenth Century (i) British History (a) 1714–1783 |
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Jeremy Barlow | Catch and Glee Culture in Eighteenth‐Century England – By Brian RobinsMusic‐Making in North‐East England during the Eighteenth Century – By Roz Southey |
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Roger Lane | A Pickpocket's Tale: The Criminal World of Nineteenth‐Century New York – By Timothy Gilfoyle |
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Jolanta T. Pekacz | Michael R. Steinberg. Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music. Princeton: Princeton University Press. 2004. Pp. xiv, 246. $29.95 |
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Gavin Budge ; Freya Johnston ; James A. J. Wilson ; Marjean Purinton | XI The Eighteenth Century |
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Matthew Riley | The ‘Harmonic Major’ Mode in Nineteenth‐Century Theory and Practice |
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Reinhold Brinkmann [États-Unis] | A “Last Giant in Music”: Thoughts on Max Reger in the Twentieth Century |
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Neil Sorrell | Review: Music of the Raj: A Social and Economic History of Music in Late Eighteenth‐Century Anglo‐Indian Society |
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Winton Dean | Review: Italian Opera in Late Eighteenth‐Century London, ii: The Pantheon Opera and its Aftermath 1789–1795 |
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William Weber | Music at Oxford in the Eighteenth and Nineteenth Centuries |
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Barbara Milewski | Review: Polish Music in the Twentieth Century |
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James Garratt | Performing Renaissance Church Music in Nineteenth‐Century Germany: Issues and Challenges in the Study of Performative Reception |
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Daniel Harrison | Nonconformist Notions of Nineteenth–Century Enharmonicism |
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Keith Laybourn ; Simon Davis | IX Twentieth Century |
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Cristian Biagioni [Italie] ; Yves Moëlo [France] ; Georges Favreau [France] ; Vincent Bourgoin [France] ; Jean-Claude Boulliard [France] | Structure of Pb-rich chabournéite from Jas Roux, France. |
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Karl Holubar [Autriche] | A historical interlock: Danube and Fuji‐San, early 19th to late 20th century |
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Emily Washington | The Humane Metropolis: People and Nature in the 21st Century City – Edited by Rutherford H. Platt |
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Bonnelle Lewis Strickling | The idea of a moral psychology: the impact of psychoanalysis on philosophy in Britain by Lear, Jonathan |
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William Pidduck | The Microfilming of Manuscripts in Great Britain |
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P. M. Jones | The Terror: The Merciless War for Freedom in Revolutionary France – By David Andress |
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John Mcbratney | The Absent‐Minded Imperialists: Empire, Society, and Culture in Britain – By Bernard Porter |
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| Twentieth annual symposia on etiology, pathogenesis, and treatment of Parkinson's disease and other movement disorders |
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James Campbell [États-Unis] | Authorship, incentives for creation, and copyright in the digital 21st century |
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Jeppe Kristensen | “In Essence still a British Country”: Britain's withdrawal from East of Suez |
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| Julian Bourg, editor. After the Deluge: New Perspectives on the Intellectual and Cultural History of Postwar France. (After the Empire: The Francophone World and Postcolonial France.) Lanham, Md.: Lexington Books. 2004. Pp. vii, 426. Cloth $90.00, paper $29.95 |
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Roy Flannagan | IMS 8: The Eighth International Milton Symposium Grenoble, France, June 7–11, 2005 |
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Geoffrey Baker | 18th-century Peru |
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Leslie A. Sprout | Messiaen, Jolivet, and the Soldier–Composers of Wartime France |
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Claudia Schweitzer [France] | Madame Ravissa de Turin: a forgotten woman composer of the 18th century |
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Brian Brooks | Étienne Nau, Breslau 114 and the early 17th-century solo violin fantasia |
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Clair Rowden | Review: Reading Critics Reading: Opera and Ballet Criticism in France from the Revolution to 1848 |
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| Dirac in 20th century physics: a centenary assessment |
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Barbara Milewski | Review: Krzysztof Penderecki's Music in the Context of 20th‐Century Theatre: Studies, Essays and Material |
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Peter Bloom | Review: Contribution à l'histoire sociale de la musique en France. Hector Berlioz et Edme‐Marie‐Ernest Deldevez: formation et insertion dans la société du XIXe siècle (1803–1897) |
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A. Erfurth ; P. Hoff [Allemagne] | Mad scenes in early 19th‐century opera |
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Paul Salem | Politics and Culture: Toward an Arab Agenda for the 21st Century |
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Darren Newbury | Photography and the Visualization of Working Class Lives in Britain |
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John Polito [États-Unis] ; M. Daida [États-Unis] ; F. Bersano-Begey [États-Unis] | Musica ex machina: Composing 16th-century counterpoint with genetic programming and symbiosis |
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Sandy C. Marks Jr. | Information technology, medical education, and anatomy for the twenty‐first century |
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Jennifer Stern | VERSAILLES ET LES TABLES ROYALES EN EUROPE SEVENTEENTH TO NINETEENTH CENTURIES |
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Robert Lilienfeld | Music and society in the 20th century: Georg Lukacs, Ernst Bloch, and Theodor Adorno |
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Roderick Munday | The girl they named Manhattan: the law of forenames in France and England |
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Tim Claydon ; Michael Partridge ; Simon Ville | List of Publications on the Economic and Social History of Great Britain and Ireland PUBLISHED IN 1984 |
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Thomas Crow | THE OATH OF THE HORATII IN 1785: Painting and pre‐Revolutionary radicalism in France |
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