| 000254 (2013) |
Morwaread M. Farbood ; Finn Upham | Interpreting expressive performance through listener judgments of musical tension |
| 000520 (2011) |
Bing Shue [États-Unis] ; Ayan Chatterjee ; Scott Fudemberg ; L Jay Katz ; Marlene R. Moster ; Maria J. Navarro ; Michael Pro ; Courtland Schmidt ; George L. Spaeth ; Oana Stirbu ; Arman Yalcin ; Jonathan S. Myers | The effects of Mozart's music on the performance of glaucoma patients on automated perimetry. |
| 000A47 (2009) |
Junia Cabral Marques ; Adriana Chaves Oliveira Vanessa ; Macedo Batista Fiorelli ; Niro Kasahara | Improved Automated Perimetry Performance in Elderly Subjects after Listening To Mozart |
| 001274 (2007) |
Celissa C. Verpaelst [Canada] ; Lionel G. Standing | Demand characteristics of music affect performance on the Wonderlic Personnel Test Of Intelligence. |
| 001783 (2006) |
Rafael Ramirez [Espagne] ; Emilia Gomez [Espagne] ; Veronica Vicente [Espagne] ; Montserrat Puiggros [Espagne] ; Amaury Hazan [Espagne] ; Esteban Maestre [Espagne] | Modeling Expressive Music Performance in Bassoon Audio Recordings |
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V. Macedo Batista Fiorelli [Brésil] ; N. Kasahara [Brésil] ; R. Cohen [Brésil] ; A. Santucci França [Brésil] ; M. Della Paolera [Brésil] ; C. Mandia [Brésil] ; G. Vicente De Almeida [Brésil] | Improved automated perimetry performance following exposure to Mozart |
| 001952 (2005) |
Rafael Ramirez [Espagne] ; Amaury Hazan [Espagne] | Understanding Expressive Music Performance Using Genetic Algorithms |
| 002466 (2001) |
Gerhard Widmer [Autriche] | Discovering Strong Principles of Expressive Music Performance with the PLCG Rule Learning Strategy |
| 002762 (2000) |
D J Bridgett [États-Unis] ; J. Cuevas | Effects of listening to Mozart and Bach on the performance of a mathematical test. |
| 003245 (1997) |
Sergio Canazza [Italie] ; Giovanni De Poli [Italie] ; Alvise Vidolin [Italie] | Perceptual analysis of the musical expressive intention in a clarinet performance |
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C B Carstens [États-Unis] ; E. Huskins ; G W Hounshell | Listening to Mozart may not enhance performance on the revised Minnesota Paper Form Board Test. |
| 000018 (2015) |
Muzaffer Çorlu ; Pieter-Jan Maes ; Chris Muller ; Katty Kochman ; Marc Leman | The impact of cognitive load on operatic singers' timing performance |
| 000070 (2015) |
Maxim S. Kuschpel [Allemagne] ; Shuyan Liu [Allemagne] ; Daniel J. Schad [Allemagne] ; Stephan Heinzel [Allemagne] ; Andreas Heinz [Allemagne] ; Michael A. Rapp [Allemagne] | Differential effects of wakeful rest, music and video game playing on working memory performance in the n-back task |
| 000079 (2015) |
Ken Rosslau [Allemagne] ; Daniel Steinwede [Allemagne] ; C. Schröder [Allemagne] ; Sibylle C. Herholz [Allemagne] ; Claudia Lappe [Allemagne] ; Christian Dobel [Allemagne] ; Eckart Altenmüller [Allemagne] | Clinical investigations of receptive and expressive musical functions after stroke |
| 000152 (2014) |
Desmond C. Sergeant ; Evangelos Himonides | Gender and the performance of music |
| 000173 (2014) |
Steven J. Morrison [États-Unis] ; Harry E. Price [États-Unis] ; Eric M. Smedley [États-Unis] ; Cory D. Meals [États-Unis] | Conductor gestures influence evaluations of ensemble performance |
| 000178 (2014) |
Robert Harris [Pays-Bas] ; Bauke M. De Jong [Pays-Bas] | Cerebral Activations Related to Audition-Driven Performance Imagery in Professional Musicians |
| 000185 (2014) |
Erika Borella ; Barbara Carretti ; Massimo Grassi ; Massimo Nucci ; Roberta Sciore | Are age-related differences between young and older adults in an affective working memory test sensitive to the music effects? |
| 000196 (2014) |
Milorad Bojic [Serbie] ; Kévyn Johannes [France] ; Frédéric Kuznik [France] | Optimizing energy and environmental performance of passive Trombe wall |
| 000219 (2013) |
Michael C. Wiseman [États-Unis] | The Mozart effect on task performance in a laparoscopic surgical simulator. |
| 000246 (2013) |
Arnaud Cabanac [Canada] ; Leonid Perlovsky ; Marie-Claude Bonniot-Cabanac ; Michel Cabanac | Music and academic performance. |
| 000248 (2013) |
Carolina Pape-Koehler [Allemagne] ; Marc Immenroth [Allemagne] ; Stefan Sauerland [Allemagne] ; Rolf Lefering [Allemagne] ; Cornelia Lindlohr [Allemagne] ; Jens Toaspern [Allemagne] ; Markus Heiss [Allemagne] | Multimedia-based training on Internet platforms improves surgical performance: a randomized controlled trial |
| 000449 (2012) |
Fuhua Zhai | Academic Performance of Subsequent Schools and Impacts of Early Interventions: Evidence from a Randomized Controlled Trial in Head Start Settings |
| 000621 (2011) |
Renato P. Munhoz [Brésil] ; Hélio A. G. Teive [Brésil] | Tandem gait performance in essential tremor |
| 000631 (2011) |
Elan D. Louis [États-Unis] ; Ashwini K. Rao [États-Unis] | Reply: Tandem gait performance in essential tremor |
| 000696 (2011) |
Denis Hilton [France] ; Isabelle Régner [France] ; Laure Cabantous [Royaume-Uni] ; Laetitia Charalambides [France] ; Stéphane Vautier [France] | Do positive illusions predict overconfidence in judgment? A test using interval production and probability evaluation measures of miscalibration |
| 000739 (2011) |
Han-Seok Seo [Allemagne] ; Volker Gudziol [Allemagne] ; Antje H Hner [Allemagne] ; Thomas Hummel [Allemagne] | Background sound modulates the performance of odor discrimination task |
| 000998 (2010) |
Robert S. Hatten [États-Unis] | Aesthetically Warranted Emotion and Composed Expressive Trajectories in Music |
| 000B66 (2009) |
David Tomas | Toward an anthropology of sight: Ritual performance and the photographic process |
| 000B72 (2009) |
Tzachi Zamir [Israël] | Theatrical Repetition and Inspired Performance |
| 000B75 (2009) |
R. Keith Sawyer | The semiotics of improvisation: The pragmatics of musical and verbal performance |
| 000B85 (2009) |
James R. Hamilton | The Senses in Performance edited by banes, sally and andré lepecki |
| 000C07 (2009) |
Stephen K. Land | THE CARTESIAN LANGUAGE TEST AND PROFESSOR CHOMSKY |
| 001132 (2008) |
Jordan Schildcrout | The Performance of Nonconformity on The Muppet Show—or, How Kermit Made Me Queer |
| 001135 (2008) |
Edward T. Potter | The Clothes Make the Man: Cross‐Dressing, Gender Performance, and Female Desire in Johann Elias Schlegel's Der Triumph der guten Frauen |
| 001230 (2008) |
Axel Berndt [Allemagne] ; Holger Theisel [Allemagne] | Adaptive Musical Expression from Automatic Realtime Orchestration and Performance |
| 001430 (2007) |
David Osipovich [États-Unis] | Staging Philosophy: Intersections of Theater, Performance and Philosophy edited by krasner, david, and david z. saltz |
| 001552 (2007) |
Mark Marotto [Suisse] ; Johan Roos ; Bart Victor | Collective Virtuosity in Organizations: A Study of Peak Performance in an Orchestra |
| 001718 (2006) |
Andrew Johnstone | ‘High’ clefs in composition and performance |
| 001831 (2006) |
Roger Dobson | Doctors will test whether Mozart can reduce stress in babies |
| 001900 (2005) |
Renee Timmers [Autriche] | Predicting the similarity between expressive performances of music from measurements of tempo and dynamics. |
| 001975 (2005) |
Virginia Penhune [Canada] ; Donald Watanabe [Canada] ; Tal Savion Emieux [Canada] | The Effect of Early Musical Training on Adult Motor Performance |
| 001984 (2005) |
Martin Bernreuther [Allemagne] ; Markus Brenk [Allemagne] ; Hans-Joachim Bungartz [Allemagne] ; Ralf-Peter Mundani [Allemagne] ; Lucian Muntean [Allemagne] | Teaching High-Performance Computing on a High-Performance Cluster |
| 001999 (2005) |
William Forde Thompson ; Phil Graham ; Frank A. Russo | Seeing music performance: Visual influences on perception and experience |
| 001A24 (2005) |
D. L.-W. | Review: History, Imagination and the Performance of Music |
| 001A68 (2005) |
Jeremy Montagu | Musical Instruments: History, Technology, and Performance of Instruments of Western Music. By Murray Campbell, Clive Greated, and Arnold Myers. pp. x + 510. (Oxford University Press, Oxford and New York, 2004, £100. ISBN 0-19-816504-8.) |
| 001B07 (2005) |
Leon Botstein | History and Performance Practices |
| 001B26 (2005) |
Krzysztof Guczalski [Pologne] | Expressive Meaning in Music: Generality Versus Particularity |
| 001B32 (2005) |
Sander L. Gilman | Einstein’s Violin: Jews and The Performance of Identity |
| 001C48 (2004) |
Asmir Tobudic [Autriche] ; Gerhard Widmer [Autriche] | Case-Based Relational Learning of Expressive Phrasing in Classical Music |
| 001D23 (2004) |
Cynthia J. Cyrus | Review: Schubert the Progressive: History, Performance Practice, Analysis |
| 001F92 (2003) |
John Potter | Review: Treatise on Vocal Performance and Ornamentation by Johann Adam Hiller |
| 002000 (2003) |
Gabriella Dideriksen | Review: Opera and Drama in Eighteenth‐Century London: The King's Theatre, Garrick, and the Business of Performance |
| 002229 (2002) |
Stephen A. Willier | Verdi in Performance |
| 002318 (2002) |
Peter Kivy [États-Unis] | On the Historically Informed Performance |
| 002363 (2002) |
Gilead Bar Lli [Israël] | Ideal Performance |
| 002724 (2001) |
Robert K. Wallace | Avoiding Melville's Vortex: A Conversation With Performance Artist Rinde Eckert |
| 002988 (2000) |
Heather A. Wild ; Susan E. Barrett ; Melanie J. Spence ; Alice J. O'Toole ; Yi D. Cheng ; Jessica Brooke | Recognition and Sex Categorization of Adults' and Children's Faces: Examining Performance in the Absence of Sex-Stereotyped Cues |
| 002A20 (2000) |
Graham V. Lees ; Edward G. Jones ; Eric Kandel | Expressive Genes Record Memories |
| 002A26 (2000) |
Patrick Ismond | Cricket—“Passing the Test”? Analysis of a Interview with David “Syd” Lawrence |
| 002A27 (2000) |
Dean Keith Simonton | Creative Development as Acquired Expertise: Theoretical Issues and an Empirical Test |
| 002A31 (2000) |
Frances H. Rauscher [États-Unis] ; Mary Anne Zupan [États-Unis] | Classroom keyboard instruction improves kindergarten children’s spatial-temporal performance: A field experiment |
| 002A60 (2000) |
A. Edidin [États-Unis] | Artistry in classical musical performance |
| 002B05 (1999) |
B E Rideout [États-Unis] | Performance suppression from control procedures is not the basis of the Mozart effect. |
| 002F76 (1998) |
Susan Hallam ; John Price | Research Section: Can the use of background music improve the behaviour and academic performance of children with emotional and behavioural difficulties? |
| 003043 (1997) |
K M Steele [États-Unis] ; T N Ball ; R. Runk | Listening to Mozart does not enhance backwards digit span performance. |
| 003236 (1997) |
Andranick Tanguiane [Allemagne] | Technology of interpretation and expressive pulses |
| 003297 (1997) |
S. Carlson [Finlande] ; P. R M [Finlande] ; D. Artchakov [Finlande] ; L. Linnankoski [Finlande] | Effects of music and white noise on working memory performance in monkeys |
| 003313 (1996) |
V. Ruggieri [Italie] ; A. Katsnelson | An analysis of a performance by the violinist D. Oistrakh: the hypothetical role of postural tonic-static and entourage movements. |
| 003555 (1995) |
J. Newman [États-Unis] ; J H Rosenbach ; K L Burns ; B C Latimer ; H R Matocha ; E R Vogt | An experimental test of "the mozart effect": does listening to his music improve spatial ability? |
| 003B20 (1994) |
Enrico Macii [États-Unis] ; R. Meo [Italie] | A test generation program for sequential circuits |
| 003D75 (1993) |
Jane O'Dea | Phronesis in Musical Performance |
| 004540 (1991) |
Aron Edidin | Look What They've Done to My Song: “Historical Authenticity” and the Aesthetics of Musical Performance |
| 004A82 (1989) |
O'Connor | THE 1988 JANSSON MEMORIAL LECTURE: The performance of the idiot‐savant‘: Implicit and explicit |
| 005339 (1985) |
| Test‐Tube Babies: More Cases, More Marketing, More Worries |
| 005772 (1983) |
Alf Gabrielsson [Suède] ; Ingmar Bengtsson [Suède] ; Barbro Gabrielsson [Suède] | Performance of musical rhythm in 3/4 and 6/8 meter |
| 006210 (1975) |
H. E. Stanton | MUSIC AND TEST ANXIETY: FURTHER EVIDENCE FOR AN INTERACTION |
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G. A. Foulds | TEMPERAMENTAL DIFFERENCES IN MAZE PERFORMANCE |
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E. Anstey ; R. F. Dowse ; M. Duguid | A NEW “GENERAL INFORMATION” TEST |
