| 001A30 (2005) |
David Charlton | Review: Étienne-Nicolas Méhul and Opera: Source and Archival Studies of Lyric Theatre during the French Revolution, Consulate and Empire |
| 002000 (2003) |
Gabriella Dideriksen | Review: Opera and Drama in Eighteenth‐Century London: The King's Theatre, Garrick, and the Business of Performance |
| 001D41 (2004) |
Eleanor Selfridge-Field | Review: Italian Opera and European Theatre, 1680–1720: Plots, Performers, Dramaturgies |
| 002010 (2003) |
Winton Dean | Review: Italian Opera in Late Eighteenth‐Century London, ii: The Pantheon Opera and its Aftermath 1789–1795 |
| 002270 (2002) |
Charles Dill | Review: Women Writing Opera: Creativity and Controversy in the Age of the French Revolution |
| 000B44 (2009) |
David Chandler | “What Do We Mean by Opera, Anyway?”: Lloyd Webber's Phantom of the Opera and “High‐Pop” Theatre |
| 001529 (2007) |
Janet D. Stone | Ending the French Revolution: Violence, Justice, and Repression from the Terror to Napoleon – By Howard G. Brown |
| 001761 (2006) |
Bjo Rn Heile | Recent Approaches to Experimental Music Theatre and Contemporary Opera |
| 001775 (2006) |
Julian Rushton | Nicolas-Etienne Framery and Lyric Theatre in Eighteenth-Century France. By Mark Darlow. pp. xi + 400. Studies on Voltaire and the Eighteenth Century, 2003: 11. (Voltaire Foundation, Oxford, 2003, £59. ISBN 0-7294-0836-1.) |
| 001813 (2006) |
Julian Rushton | From Garrick to Gluck: Essays on Opera in the Age of Enlightenment. By Daniel Heartz and ed. by John A. Rice. pp. xvi + 335. Opera Series, 1. (Pendragon, Hillsdale, NY, 2004, $54. ISBN 1-57647-081-4.) |
| 001824 (2006) |
Marcia J. Citron | Encyclopedia of Opera on Screen: A Guide to More than 100 Years of Opera Films, Videos, and DVDs. By Ken Wlaschin. 2nd, rev. edn. pp. xiv + 872. (Yale University Press, New Haven and London, 2004, £45. ISBN 0-300-10263-1.) Cinema’s Illusions, Opera’s Allure: The Operatic Impulse in Film. By David Schroeder. pp. xii + 372. (Continuum, New York and London, 2003, £12.99. ISBN 0-8264-1536-9.) |
| 001A06 (2005) |
John Merriman | Robert Alexander. Re-Writing the French Revolutionary Tradition. (New Studies in European History.) New York: Cambridge University Press. 2003. Pp. xi, 385. $80.00 |
| 001A28 (2005) |
Malcolm S. Cole | Review: From Garrick to Gluck: Essays on Opera in the Age of Enlightenment |
| 001F98 (2003) |
Clair Rowden | Review: Reading Critics Reading: Opera and Ballet Criticism in France from the Revolution to 1848 |
| 002288 (2002) |
Barbara Milewski | Review: Krzysztof Penderecki's Music in the Context of 20th‐Century Theatre: Studies, Essays and Material |
| 002A56 (2000) |
A. Cocchi [Italie] ; M. Garai [Italie] ; C. Tavernelli [Italie] | BOXES AND SOUND QUALITY IN AN ITALIAN OPERA HOUSE |
| 007A97 (1941) |
C. H. Handschin [États-Unis] | Readings in French, German, Spanish, and Italian Biography for Students |
| 000423 (2012) |
| How Nordic walking and Mozart may improve heart health. Studies show alternative therapies can aid in managing conditions such as heart failure and high blood pressure. |
| 000425 (2012) |
Shinichiro Nagamitsu [Japon] ; Yushiro Yamashita [Japon] ; Hidetaka Tanaka [Japon] ; Toyojiro Matsuishi [Japon] | Functional near-infrared spectroscopy studies in children |
| 000446 (2012) |
Masateru Uchiyama [Japon] ; Xiangyuan Jin [Japon, République populaire de Chine] ; Qi Zhang [Japon] ; Toshihito Hirai [Japon] ; Atsushi Amano [Japon] ; Hisashi Bashuda [Japon] ; Masanori Niimi [Japon] | Auditory stimulation of opera music induced prolongation of murine cardiac allograft survival and maintained generation of regulatory CD4+CD25+ cells |
| 000471 (2012) |
Rubén Gallo | Wireless Modernity: Mexican Estridentistas, Italian and Russian Futurism |
| 000524 (2011) |
Alex R. Cook ; Shanice W. L. Teo | The Communicability of Graphical Alternatives to Tabular Displays of Statistical Simulation Studies |
| 000601 (2011) |
Johanna Jobst [Allemagne] ; Sabine Boerner [Allemagne] | Understanding customer satisfaction in opera: first steps toward a model |
| 000603 (2011) |
Roberto Ignacio Díaz | Transatlantic Deficits; or, Alberto Vilar at the Royal Opera House |
| 000618 (2011) |
Robert K. Wallace | The Ache of Longing and the Song of Redemption: An Interview with Jake Heggie, Composer of the Opera Moby‐Dick |
| 000635 (2011) |
Alfred Margulies [États-Unis] | Reading French Psychoanalysis |
| 000651 (2011) |
Russell Spears ; Olivier Klein [Belgique] | On Epistemological Shifts and Good Old French Wine (in New Bottles): Commentary on Elcheroth, Doise, and Reicher |
| 000708 (2011) |
Paul Thom | Aesthetics of Opera |
| 000895 (2010) |
Paul Brazier | The Lord of the Rings: Scholarship in Honor of Richard E. Blackwelder. Edited by Wayne G. Hammond and Christina Scull, Shadows and Chivalry: Pain, Suffering, Evil and Goodness in the Works of George MacDonald and C.S. Lewis (Studies in Christian History & Thought). By Jeff McInnis and Inklings of Heaven: C. S. Lewis and Eschatology. By Sean Connolly |
| 000921 (2010) |
Maria Todorova | Paula Sutter Fichtner. Terror and Toleration: The Habsburg Empire Confronts Islam, 1526–1850. London: Reaktion Books. 2008. Pp 205. $45.00 |
| 000924 (2010) |
Shing W. Wong [Australie] ; Richard Smith [Australie] ; Phil Crowe [Australie] | Optimizing the operating theatre environment |
| 000925 (2010) |
Solveig M. Heinz | Opera in the Foreign Language Classroom: Learning German with Mozart, Wagner, Weber, and Johann Strauss |
| 000989 (2010) |
Emma Vincent Macleod | British Pamphlets on the American Revolution, 1763‐1783, Part 1: 1763‐1776 – Edited by Harry T. Dickinson |
| 000C67 (2009) |
Thomas Irvine | Mozart's Viennese Instrumental Music: A Study of Stylistic Re‐Invention – By Simon P. Keefe Mozart Studies – Edited by Simon P. Keefe |
| 000C76 (2009) |
Dorinda Outram | Massimo Mazzotti. The World of Maria Gaetana Agnesi, Mathematician of God. (Johns Hopkins Studies in the History of Mathematics.) Baltimore: Johns Hopkins University Press. 2007. Pp. xx, 217. $49.95 |
| 000C78 (2009) |
Claudia Schnurmann | Margrit Schulte Beerbuhl. Deutsche Kaufleute in London: Welthandel und Einburgerung (1600–1818). (Veroffentlichungen des Deutschen Historischen Instituts London/Publications of the German Historical Institute London, number 61.) Munich: R. Oldenbourg. 2007. Pp. x, 512. €54.80. |
| 000D44 (2009) |
Peggy Daub | C. P. E. Bach Studies – Edited by Annette Richards |
| 000D46 (2009) |
Peter H. Smith | Brahms's Motivic Harmonies and Contemporary Tonal Theory: Three Case Studies from the Chamber Music |
| 000F72 (2008-06-05) |
Peter Lauwers [Belgique] | The nominalization of adjectives in French: From morphological conversion to categorial mismatch |
| 001431 (2007) |
Barbara Ryan [Singapour] | Sons of Providence: The Brown Brothers, the Slave Trade, and the American Revolution – By Charles Rappleye |
| 001436 (2007) |
Mark E. Kann [États-Unis] | Sex Among the Rabble: An Intimate History of Gender and Power in the Age of Revolution, Philadelphia, 1730–1830 – By Clare A. Lyons |
| 001447 (2007) |
Nancy November [États-Unis] | Register in Haydn's String Quartets: Four Case Studies |
| 001455 (2007) |
Daniel Garner [Royaume-Uni] | Philosophic Mysticism: Studies in Rational Religion – By David R. Blumenthal |
| 001523 (2007) |
David Taylor | Gender and Petty Violence in London, 1680–1720 – By Jennine Hurl‐Eamon |
| 001546 (2007) |
Tony Chafer | Cultural Force: Makers and Defenders of the French Colonial Empire – By Barnett Singer and John Langdon |
| 001729 (2006) |
Brian Hart | Vincent D’Indy and the Development of the French Symphony |
| 001740 (2006) |
Kenneth Birkin | The Richard Strauss Companion. Ed. by Mark-Daniel Schmid. pp. xvi + 466. (Praeger, Westport, Conn. and London, 2003, £65. ISBN 0-313-27901-2.) |
| 001758 (2006) |
Hugh Benham | Robert Fayrfax, Masses Tecum principium and O quam glorifica, ed. Roger Bray. Early English Church Music, 45. Stainer & Bell, London, 2004, £55. ISBN 0-85249-883-7.) |
| 001787 (2006) |
Peter Dickinson | Mavericks and Other Traditions in American Music. By Michael Broyles. pp. x + 388. (Yale University Press, New Haven and London, 2004, £25. ISBN 0-300-10045-0.) |
| 001815 (2006) |
Laura Tunbridge | From Count to Chimney Sweep: Byron’s ‘Manfred’ in London Theatres |
| 001988 (2005) |
M. E. Henstock | Susana Salgado: The Teatro Solís: 150 Years of Opera, Concert, and Ballet in Montevideo |
| 001A21 (2005) |
R. H. Stewart-Macdonald | Review: Mendelssohn’s ‘Italian’ Symphony |
| 001A29 (2005) |
Christopher Hatch | Review: First Nights at the Opera |
| 001B24 (2005) |
Pauline Fairclough | Facts, Fantasies, and Fictions: Recent Shostakovich Studies |
| 001B42 (2005) |
Franc Ois De Me Dicis | Darius Milhaud and the Debate on Polytonality in the French Press of the 1920s |
| 001C80 (2004) |
Tamar El R | Tickets to the Opera: A Negotiation of Western Knowledge—Beyond Resistance or Reproduction |
| 001D28 (2004) |
W. Dean Sutcliffe | Review: Muzio Clementi: Studies and Prospects |
| 001D36 (2004) |
R. H. Stewart-Macdonald | Review: London und der Klassizismus in der Musik: Die Idee der ‘absoluten Musik’ und Muzio Clementis Klavierwerke |
| 001D47 (2004) |
James Garratt | Review: Carl Maria von Weber and the Search for a German Opera |
| 001D51 (2004) |
Tom Kaufman | Review: A Short History of Opera |
| 001D64 (2004) |
Caryl Clark | Reading and Listening: Viennese Frauenzimmer Journals and the Sociocultural Context of Mozartean Opera Buffa |
| 001D77 (2004) |
Daniel F. Tritter | Opera and the Law: Dramma Giocosa |
| 001D86 (2004) |
Michael J. Aminoff | Neurology of the Arts: Painting, Music, Literature, edited by F. Clifford Rose, 438 pp., ill., London, Imperial College Press, 2004, $88 |
| 001D95 (2004) |
Michael Cowles [Canada] | Michael Bulmer. Francis Galton—Pioneer of Heredity and Biometry. Baltimore and London: The Johns Hopkins University Press, 2003. 357 pp. (cloth). ISBN 0‐8018‐7403‐3 |
| 001D99 (2004) |
Harold Bruder | Mahler's Decade in Vienna: Singers of the Court Opera, 1897–1907 |
| 001E69 (2004) |
Joe K. Law | At the Opera: Tales of the Great Operas |
| 001E71 (2004) |
Sabine Boerner [Allemagne] | Artistic quality in an opera company: Toward the development of a concept |
| 001F66 (2003) |
George Martin | The Metropolitan Opera's Sunday Evening Concerts and Verdi |
| 001F78 (2003) |
John Rothenberg [Royaume-Uni] | Structures of the unspoken: the theatre of Nathalie Sarraute |
| 001F99 (2003) |
Helen M. Greenwald | Review: Opera: A History in Documents |
| 002037 (2003) |
Christopher Hatch | Opera: A History in Documents |
| 002038 (2003) |
Joe K. Law | Opera, Sex, and Other Vital Matters |
| 002049 (2003) |
William Weber | Music and Theatre in Handel's World: The Family Papers of James Harris, 1732–80 |
| 002079 (2003) |
| Hector Berlioz: Opera Opinions |
| 002096 (2003) |
James Ross | D'Indy's ‘Fervaal’: Reconstructing French Identity at the ‘Fin de Siècle’ |
| 002241 (2002) |
| The Opera Quarterly |
| 002242 (2002) |
| The Opera Quarterly |
| 002274 (2002) |
Susanne Dunlap | Review: Siren Songs: Representations of Gender and Sexuality in Opera |
| 002284 (2002) |
| Review: Memory and Survival: The French Cinema of Krysztof Kieslowski Emma Wilson |
| 002291 (2002) |
| Review: French Fiction in the Mitterrand Rears. Memory, Narrative, Desire Colin Davis, Elizabeth Fallaize |
| 002310 (2002) |
Jonathan P. J. Stock | Place and Music: Institutions and Cosmopolitanism in ‘Shenqu’, Shanghai Traditional Local Opera, 1912–1949 |
| 002316 (2002) |
Tom Kaufman | Opera: A Research and Information Guide, 2nd ed. |
| 002317 (2002) |
Joseph K. So | Opera Viva: Canadian Opera Company: The First Fifty Years |
| 002336 (2002) |
Stephen Blier | Mike Richter’s Opera Recordings |
| 002352 (2002) |
Miguel Mera | Is Funny Music Funny? Contexts and Case Studies of Film Music Humor |
| 002369 (2002) |
Edward L. Affleck | Forsaken Phantoms of the Opera |
| 002417 (2002) |
Eugene H. Cropsey | A Conversation with William Mason, General Director of Lyric Opera of Chicago |
| 002622 (2001) |
Jennifer Kuan [États-Unis] | The Phantom Profits of the Opera: Nonprofit Ownership in the Arts as a Make‐Buy Decision |
| 002623 (2001) |
Andreas Dorschel | The Paradox of Opera |
| 002646 (2001) |
David T. Blewett [États-Unis] ; B. Ray Hawke [États-Unis] | Remote sensing and geological studies of the Hadley‐Apennine region of the Moon |
| 002655 (2001) |
John Harris [Royaume-Uni] | One principle and three fallacies of disability studies |
| 002673 (2001) |
Adam Krims | Marxism, Urban Geography and Classical Recording: An Alternative to Cultural Studies |
| 002994 (2000) |
David Rawlings [Australie] ; Neus Barrantes I Vidal [Espagne] ; Adrian Furnham [Royaume-Uni] | Personality and aesthetic preference in Spain and England: two studies relating sensation seeking and openness to experience to liking for paintings and music |
| 002A08 (2000) |
A. Erfurth ; P. Hoff [Allemagne] | Mad scenes in early 19th‐century opera |
| 002D13 (1999) |
Eric Mckee [États-Unis] | Influences of the Early Eighteenth‐Century Social Minuet on the Minuets From J. S. Bach’s French Suites, BWV 812‐17 |
| 002D21 (1999) |
M. Orgill [États-Unis] ; B. L. Baker [États-Unis] ; N. L. Owen [États-Unis] | FTIR studies of conformational isomerism in acrylates and acrylic acids |
| 002D33 (1999) |
Reginald Magee [Australie] | DERIVING OPERA FROM OPERATION |
| 002D44 (1999) |
Zoltan Dienes | Book Review: Handbook of implicit learning. M. A. Stadler and P. A. Frensch (Eds). Sage Publications, London, 1998. No. of pages 636. ISBN 0‐7619‐0197‐3. Price £59.00 (Hardback) |
| 002F59 (1998) |
John A. Walker | Visual Culture and Visual Culture Studies |
| 002F77 (1998) |
Gabrielle Beaumier-Gallon [France] ; Christophe Dubois [France] ; Henri Portugal [France] ; Denis Lairon [France] | Postprandial studies on dietary cholesterol in human subjects using stable isotopes and gas chromatography–mass spectrometry analysis |
