La fin de Don Giovanni : L'entrée en scène du libertin chez Mozart et Stravinsky
Identifieur interne : 001248 ( Main/Exploration ); précédent : 001247; suivant : 001249La fin de Don Giovanni : L'entrée en scène du libertin chez Mozart et Stravinsky
Auteurs : Nicoletta Diasio [France]Source :
- Frontières [ 1916-0976 ] ; 2008.
Descripteurs français
- Pascal (Inist)
- Wicri :
English descriptors
- KwdEn :
- Anthropology, Death, Europe, Music, Myth, Offence, Opera, Transformation.
Abstract
In analysing two stage entrance occurences of the libertine, Mozart and Da Ponte's Don Giovanni (1787) and Stravinsky and Auden's The Rake's Progress (1951), the article highlights transformations in the relationship towards death and the dead in Europe. Both operas also represent the rise and fall of the myth of Dom Juan and of this connection between the themes of the inconstancy of love and that of the insult and invitation to the dead.
Affiliations:
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Le document en format XML
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