0262-2750 < 0262-5245 < 0262-8856

Facettes :

List of bibliographic references

Number of relevant bibliographic references: 80.
[0-20] [0 - 20][0 - 50][20-40]

Ident.	Authors (with country if any)	Title
000009 (2011)	Roman Ivanovitch	Mozart's Art of Retransition
000046 (2005)	Eric Mckee	Mozart in the Ballroom: Minuet‐Trio Contrast and the Aristocracy in Self‐Portrait
000051 (2002)	Ludwig Holtmeier	Reconstructing Mozart
000069 (2010)	Robert S. Hatten [États-Unis]	Aesthetically Warranted Emotion and Composed Expressive Trajectories in Music
000095 (2010)	Robert O. Gjerdingen	Mozart's Obviously Corrupt Minuet
000110 (2005)	Heinrich Schenker ; William Drabkin	Über den Niedergang der Kompositionskunst: eine Technisch‐Kritische Untersuchung
000361 (2004)	Jonathan D. Kramer	The Concept of Disunity and Musical Analysis
000380 (2005)	Heinrich Schenker ; William Drabkin	The Decline of the Art of Composition: A Technical‐Critical Study
000402 (2008)	Paul Wingfield	Beyond‘Norms and Deformations’: Towards a Theory of Sonata Form as Reception History
000470 (2011)	Matthew Riley	Haydn's Missing Middles
000550 (2002)	Mark Delaere	Olivier Messiaen’s Analysis Seminar and the Development of Post–War Serial Music
000563 (2005)	William Drabkin	Schenker's‘Decline’: an Introduction
000709 (2008)	Catherine Losada	The Process of Modulation in Musical Collage
000790 (2009)	Anne M. Hyland	Rhetorical Closure in the First Movement of Schubert's Quartet in C major, D. 46: A Dialogue with Deformation
000799 (2007)	Erkki Huovinen [Finlande] ; Atte Tenkanen [Finlande]	Bird's‐Eye Views of the Musical Surface: Methods for Systematic Pitch‐Class Set Analysis
000813 (2003)	Robert P. Morgan	The Concept of Unity and Musical Analysis
000869 (2000)	Philip Wilby [Royaume-Uni]	Nicholas Cook, Analysis Through Composition
000948 (2005)	Michael Spitzer	Tovey's Evolutionary Metaphors
000A27 (2002)	Suzannah Clark [Royaume-Uni]	Schubert, Theory and Analysis
000A35 (2009)	Peter H. Smith	Brahms's Motivic Harmonies and Contemporary Tonal Theory: Three Case Studies from the Chamber Music
000E55 (2001)	Peter H. Smith	Brahms and Subject/Answer Rhetoric

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