The Penumbra of Neorealism
Identifieur interne : 003736 ( Istex/Corpus ); précédent : 003735; suivant : 003737The Penumbra of Neorealism
Auteurs : Roger HillmanSource :
- Forum for Modern Language Studies [ 0015-8518 ] ; 2002-04.
Abstract
Melodrama and politics converged in Neorealism, and via melodrama the influence of the movement extended far beyond debates about a more documentary brand of cinematic realism. A comparable convergence held for opera, and in particular for Verdi, a flexible icon of identity politics, whose direct application to the actuality of postwar Italian history was contested by Bertolucci, for one. This article explores Neorealism and opera as identity issues in postwar Italian Cinema, tracing stages of their interrelationship from Roma città aperta via Bertolucci through to La notte di San Lorenzo.
Url:
DOI: 10.1093/fmls/38.2.221
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