Adaptive Musical Expression from Automatic Realtime Orchestration and Performance
Identifieur interne : 000A67 ( Istex/Corpus ); précédent : 000A66; suivant : 000A68Adaptive Musical Expression from Automatic Realtime Orchestration and Performance
Auteurs : Axel Berndt ; Holger TheiselSource :
- Lecture Notes in Computer Science [ 0302-9743 ] ; 2008.
English descriptors
Abstract
Abstract: When scoring an interactive scene or narration music has to follow its events and development organically. Approaches toward musical nonlinearity are needed. Therefore, the means of orchestration and expressive performance provide a big potential that has not been tapped even a little yet. In this paper we will show how to translate them into the interactive context. But to change musical expression it is not feasible to simply switch hard between different instrumentations and performative styles. We introduce and discuss a new style-independent method for organic and musically believable transitions of compositional and performative expression characteristics.
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DOI: 10.1007/978-3-540-89454-4_20
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ISTEX:8E99CBB5C8151D27FE76A5873719466A50DE8230Le document en format XML
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Approaches toward musical nonlinearity are needed. Therefore, the means of orchestration and expressive performance provide a big potential that has not been tapped even a little yet. In this paper we will show how to translate them into the interactive context. But to change musical expression it is not feasible to simply switch hard between different instrumentations and performative styles. We introduce and discuss a new style-independent method for organic and musically believable transitions of compositional and performative expression characteristics.</div></front></TEI><istex><corpusName>springer</corpusName><author><json:item><name>Axel Berndt</name><affiliations><json:string>Department of Simulation and Graphics, Otto-von-Guericke University of Magdeburg, Universitätsplatz 2, 39106, Magdeburg, Germany</json:string><json:string>E-mail: aberndt@isg.cs.uni-magdeburg.de</json:string></affiliations></json:item><json:item><name>Holger Theisel</name><affiliations><json:string>Department of Simulation and Graphics, Otto-von-Guericke University of Magdeburg, Universitätsplatz 2, 39106, Magdeburg, Germany</json:string><json:string>E-mail: theisel@isg.cs.uni-magdeburg.de</json:string></affiliations></json:item></author><subject><json:item><lang><json:string>eng</json:string></lang><value>Interactive Media Music</value></json:item><json:item><lang><json:string>eng</json:string></lang><value>Music Adaption</value></json:item><json:item><lang><json:string>eng</json:string></lang><value>Orchestration</value></json:item><json:item><lang><json:string>eng</json:string></lang><value>Expressive Performance</value></json:item></subject><language><json:string>eng</json:string></language><abstract>Abstract: When scoring an interactive scene or narration music has to follow its events and development organically. Approaches toward musical nonlinearity are needed. Therefore, the means of orchestration and expressive performance provide a big potential that has not been tapped even a little yet. In this paper we will show how to translate them into the interactive context. But to change musical expression it is not feasible to simply switch hard between different instrumentations and performative styles. 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Approaches toward musical nonlinearity are needed. Therefore, the means of orchestration and expressive performance provide a big potential that has not been tapped even a little yet. In this paper we will show how to translate them into the interactive context. But to change musical expression it is not feasible to simply switch hard between different instrumentations and performative styles. We introduce and discuss a new style-independent method for organic and musically believable transitions of compositional and performative expression characteristics.</Para></Abstract><KeywordGroup Language="En"><Heading>Keywords</Heading><Keyword>Interactive Media Music</Keyword><Keyword>Music Adaption</Keyword><Keyword>Orchestration</Keyword><Keyword>Expressive Performance</Keyword></KeywordGroup></ChapterHeader><NoBody></NoBody></Chapter></Part></Book></Series></Publisher></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Adaptive Musical Expression from Automatic Realtime Orchestration and Performance</title></titleInfo><titleInfo type="alternative" contentType="CDATA" lang="en"><title>Adaptive Musical Expression from Automatic Realtime Orchestration and Performance</title></titleInfo><name type="personal"><namePart type="given">Axel</namePart><namePart type="family">Berndt</namePart><affiliation>Department of Simulation and Graphics, Otto-von-Guericke University of Magdeburg, Universitätsplatz 2, 39106, Magdeburg, Germany</affiliation><affiliation>E-mail: aberndt@isg.cs.uni-magdeburg.de</affiliation><role><roleTerm type="text">author</roleTerm></role></name><name type="personal"><namePart type="given">Holger</namePart><namePart type="family">Theisel</namePart><affiliation>Department of Simulation and Graphics, Otto-von-Guericke University of Magdeburg, Universitätsplatz 2, 39106, Magdeburg, Germany</affiliation><affiliation>E-mail: theisel@isg.cs.uni-magdeburg.de</affiliation><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre type="Book Chapter">OriginalPaper</genre><originInfo><publisher>Springer Berlin Heidelberg</publisher><place><placeTerm type="text">Berlin, Heidelberg</placeTerm></place><copyrightDate encoding="w3cdtf">2008</copyrightDate></originInfo><language><languageTerm type="code" authority="rfc3066">en</languageTerm><languageTerm type="code" authority="iso639-2b">eng</languageTerm></language><physicalDescription><internetMediaType>text/html</internetMediaType></physicalDescription><abstract lang="en">Abstract: When scoring an interactive scene or narration music has to follow its events and development organically. Approaches toward musical nonlinearity are needed. Therefore, the means of orchestration and expressive performance provide a big potential that has not been tapped even a little yet. In this paper we will show how to translate them into the interactive context. But to change musical expression it is not feasible to simply switch hard between different instrumentations and performative styles. We introduce and discuss a new style-independent method for organic and musically believable transitions of compositional and performative expression characteristics.</abstract><subject lang="en"><genre>Keywords</genre><topic>Interactive Media Music</topic><topic>Music Adaption</topic><topic>Orchestration</topic><topic>Expressive Performance</topic></subject><relatedItem type="host"><titleInfo><title>Interactive Storytelling</title><subTitle>First Joint International Conference on Interactive Digital Storytelling, ICIDS 2008 Erfurt, Germany, November 26-29, 2008 Proceedings</subTitle></titleInfo><name type="personal"><namePart type="given">Ulrike</namePart><namePart type="family">Spierling</namePart><affiliation>FH Erfurt, University of Applied Sciences, Altonaerstr. 25, 99085, Erfurt, Germany</affiliation><affiliation>E-mail: spierling@fh-erfurt.de</affiliation><role><roleTerm type="text">editor</roleTerm></role></name><name type="personal"><namePart type="given">Nicolas</namePart><namePart type="family">Szilas</namePart><affiliation>TECFA, FPSE, University of Geneva, CH 1211, Genève 4, Switzerland</affiliation><affiliation>E-mail: Nicolas.Szilas@tecfa.unige.ch</affiliation><role><roleTerm type="text">editor</roleTerm></role></name><genre type="book series">Proceedings</genre><originInfo><copyrightDate encoding="w3cdtf">2008</copyrightDate><issuance>monographic</issuance></originInfo><subject><genre>Book Subject Collection</genre><topic authority="SpringerSubjectCodes" authorityURI="SUCO11645">Computer Science</topic></subject><subject><genre>Book Subject Group</genre><topic authority="SpringerSubjectCodes" authorityURI="I">Computer Science</topic><topic authority="SpringerSubjectCodes" authorityURI="I22013">Computer Graphics</topic><topic authority="SpringerSubjectCodes" authorityURI="I21017">Artificial Intelligence (incl. 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type="personal"><namePart type="given">Bernhard</namePart><namePart type="family">Steffen</namePart><role><roleTerm type="text">editor</roleTerm></role></name><name type="personal"><namePart type="given">Madhu</namePart><namePart type="family">Sudan</namePart><role><roleTerm type="text">editor</roleTerm></role></name><name type="personal"><namePart type="given">Demetri</namePart><namePart type="family">Terzopoulos</namePart><role><roleTerm type="text">editor</roleTerm></role></name><name type="personal"><namePart type="given">Doug</namePart><namePart type="family">Tygar</namePart><role><roleTerm type="text">editor</roleTerm></role></name><name type="personal"><namePart type="given">Moshe</namePart><namePart type="given">Y.</namePart><namePart type="family">Vardi</namePart><role><roleTerm type="text">editor</roleTerm></role></name><name type="personal"><namePart type="given">Gerhard</namePart><namePart type="family">Weikum</namePart><role><roleTerm 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