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List of bibliographic references

Number of relevant bibliographic references: 29.
[0-20] [0 - 20][0 - 29][20-28][20-40]
Ident.Authors (with country if any)Title
001262 (2005) William Kinderman“Ich bin der Welt abhanden gekommen”: Mahler’s Rückert Setting and the Aesthetics of Integration in the Fifth Symphony
001406 (2005) Lynn HookerModernism on the Periphery: Béla Bartók and the New Hungarian Music Society of 1911–1912
001414 (2005) Sarah Hamilton-TyrrellMário de Andrade, Mentor: Modernism and Musical Aesthetics in Brazil, 1920–1945
001423 (2005) Dana GooleyLa Commedia del Violino: Paganini’s Comic Strains
001424 (2005) Joy H. CalicoJüdische Chronik: The Third Space of Commemoration between East and West Germany
001431 (2005) Barbara BarryIn Beethoven’s Clock Shop: Discontinuity in the Opus 18 Quartets
001439 (2005) Leon BotsteinHistory and Performance Practices
001578 (2004) Leon BotsteinWhy Music Matters
001608 (2004) Pieter C. Van Den ToornStravinsky, Adorno, and the Art of Displacement
001667 (2004) Walter FrischReger’s Historicist Modernism
001668 (2004) Christopher AndersonReger in Bach’s Notes: On Self-Image and Authority in Max Reger’s Bach Playing
001675 (2004) Caryl ClarkReading and Listening: Viennese Frauenzimmer Journals and the Sociocultural Context of Mozartean Opera Buffa
001685 (2004) Richard WillPergolesi’s Stabat Mater and the Politics of Feminine Virtue
001708 (2004) Leslie A. SproutMessiaen, Jolivet, and the Soldier–Composers of Wartime France
001725 (2004) Berthold HoecknerHomage to Adorno’s “Homage to Zerlina”
001726 (2004) Leon BotsteinHistory and Max Reger
001780 (2004) Thomas BaumanBecoming Original: Haydn and the Cult of Genius
001787 (2004) Reinhold Brinkmann [États-Unis]A “Last Giant in Music”: Thoughts on Max Reger in the Twentieth Century
001B14 (2002) Laura E. DemarcoThe Fact of the Castrato and the Myth of the Countertenor
001B28 (2002) Severine Neff [États-Unis]Schoenberg's Kristallnacht Fugue: Contrapuntal Exercise or Unknown Piece?
001B29 (2002) Leon BotsteinSchenker the Regressive: Observations on the Historical Schenker

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