Looking backwards: Baroque opera and the ending of the Orpheus myth
Identifieur interne : 000948 ( Main/Exploration ); précédent : 000947; suivant : 000949Looking backwards: Baroque opera and the ending of the Orpheus myth
Auteurs : L. Buller [Géorgie (pays)]Source :
- International Journal of the Classical Tradition [ 1073-0508 ] ; 1995-03-01.
Abstract
Abstract: Vergil and Ovid, the Latin authors most widely read during the Baroque Age, presented the legend of Orpheus as ending tragically: the singer lost Eurydice forever and then endured a horrible death at the hands of the Maenads. While this version of the story was widely known throughout the Baroque Age, most operas of that period contained an altered version of the legend with a happy ending (lieto fine). Orpheus was presented as exalted into the heavens, reunited with Eurydice on earth, or at least consoled for his sufferings by the god Apollo. An examination of Poliziano’sOrfeo (1480), Jacopo Peri’sEuridice (1600), Claudio Monteverdi’sLa favola di Orfeo (1607), Luigi Rossi’sOrfeo (1647), and Christoph Willibald Gluck’sOrfeo ed Euridice (1762) suggests that many different reasons—artistic, musical, social, and sometimes even personal—explain why Baroque composers so frequently changed the ending of this myth. Surveying those reasons is important because it helps to clarify the relationship between Baroque opera and Italian pastoral poetry. Additionally, such an analysis provides insight into the Baroque approach to the classical tradition as a whole.
Url:
DOI: 10.1007/BF02701937
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 000007
- to stream Istex, to step Curation: 000005
- to stream Istex, to step Checkpoint: 000910
- to stream Main, to step Merge: 000981
- to stream Main, to step Curation: 000973
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Looking backwards: Baroque opera and the ending of the Orpheus myth</title>
<author><name sortKey="Buller, L" sort="Buller, L" uniqKey="Buller L" first="L." last="Buller">L. Buller</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:506EF84431CD6E14DE71FAA288F4233280049966</idno>
<date when="1995" year="1995">1995</date>
<idno type="doi">10.1007/BF02701937</idno>
<idno type="url">https://api.istex.fr/document/506EF84431CD6E14DE71FAA288F4233280049966/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000007</idno>
<idno type="wicri:Area/Istex/Curation">000005</idno>
<idno type="wicri:Area/Istex/Checkpoint">000910</idno>
<idno type="wicri:doubleKey">1073-0508:1995:Buller L:looking:backwards:baroque</idno>
<idno type="wicri:Area/Main/Merge">000981</idno>
<idno type="wicri:Area/Main/Curation">000973</idno>
<idno type="wicri:Area/Main/Exploration">000948</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">Looking backwards: Baroque opera and the ending of the Orpheus myth</title>
<author><name sortKey="Buller, L" sort="Buller, L" uniqKey="Buller L" first="L." last="Buller">L. Buller</name>
<affiliation wicri:level="1"><country xml:lang="fr">Géorgie (pays)</country>
<wicri:regionArea>Associate Dean, Liberal Arts and Social Sciences, Georgia Southern University, Landrum Box 8142, 30460-8142, Statesboro</wicri:regionArea>
<wicri:noRegion>Statesboro</wicri:noRegion>
</affiliation>
</author>
</analytic>
<monogr></monogr>
<series><title level="j">International Journal of the Classical Tradition</title>
<title level="j" type="abbrev">IJCT</title>
<idno type="ISSN">1073-0508</idno>
<idno type="eISSN">1874-6292</idno>
<imprint><publisher>Springer Netherlands</publisher>
<pubPlace>Dordrecht</pubPlace>
<date type="published" when="1995-03-01">1995-03-01</date>
<biblScope unit="volume">1</biblScope>
<biblScope unit="issue">3</biblScope>
<biblScope unit="page" from="57">57</biblScope>
<biblScope unit="page" to="79">79</biblScope>
</imprint>
<idno type="ISSN">1073-0508</idno>
</series>
<idno type="istex">506EF84431CD6E14DE71FAA288F4233280049966</idno>
<idno type="DOI">10.1007/BF02701937</idno>
<idno type="ArticleID">Art4</idno>
<idno type="ArticleID">BF02701937</idno>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">1073-0508</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass></textClass>
<langUsage><language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">Abstract: Vergil and Ovid, the Latin authors most widely read during the Baroque Age, presented the legend of Orpheus as ending tragically: the singer lost Eurydice forever and then endured a horrible death at the hands of the Maenads. While this version of the story was widely known throughout the Baroque Age, most operas of that period contained an altered version of the legend with a happy ending (lieto fine). Orpheus was presented as exalted into the heavens, reunited with Eurydice on earth, or at least consoled for his sufferings by the god Apollo. An examination of Poliziano’sOrfeo (1480), Jacopo Peri’sEuridice (1600), Claudio Monteverdi’sLa favola di Orfeo (1607), Luigi Rossi’sOrfeo (1647), and Christoph Willibald Gluck’sOrfeo ed Euridice (1762) suggests that many different reasons—artistic, musical, social, and sometimes even personal—explain why Baroque composers so frequently changed the ending of this myth. Surveying those reasons is important because it helps to clarify the relationship between Baroque opera and Italian pastoral poetry. Additionally, such an analysis provides insight into the Baroque approach to the classical tradition as a whole.</div>
</front>
</TEI>
<affiliations><list><country><li>Géorgie (pays)</li>
</country>
</list>
<tree><country name="Géorgie (pays)"><noRegion><name sortKey="Buller, L" sort="Buller, L" uniqKey="Buller L" first="L." last="Buller">L. Buller</name>
</noRegion>
</country>
</tree>
</affiliations>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/MonteverdiV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000948 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000948 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= MonteverdiV1 |flux= Main |étape= Exploration |type= RBID |clé= ISTEX:506EF84431CD6E14DE71FAA288F4233280049966 |texte= Looking backwards: Baroque opera and the ending of the Orpheus myth }}
This area was generated with Dilib version V0.6.21. |