List of bibliographic references
Number of relevant bibliographic references: 35.
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20-34][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000011 (2005) |
Antonio Cascelli | Review: Divining the Oracle: Monteverdi’s Seconda Prattica |
| 000025 (2005) |
Rachel A. Lewis | Love as Persuasion in Monteverdi’s ‘L’incoronazione di Poppea’: New Thoughts on the Authorship Question |
| 000062 (2004) |
Roger Bowers | Review: The Monteverdi Vespers of 1610: Music, Context, Performance |
| 000224 (2004) |
Stephen Rose | Publication and the Anxiety of Judgement in German Musical Life of the Seventeenth Century |
| 000251 (2005) |
Rachel Golden Carlson | Review: The Aquitanian Kyrie Repertory of the Tenth and Eleventh Centuries |
| 000279 (2005) |
Carolyn Gianturco | Review: Polymath of the Baroque: Agostino Steffani and his Music |
| 000293 (2004) |
Ruth I. Deford | Review: Music and Women of the Commedia dell'Arte in the Late Sixteenth Century |
| 000739 (2005) |
Lucy Walker | Opera: The Art of Dying. By Linda Hutcheon and Michael Hutcheon. pp. x + 239. (Harvard University Press, Cambridge, Mass. and London, 2004, £18.95. ISBN 0-674-01326-3.) |
| 000809 (2006) |
Michael Talbot | Cavalier Giovanni Battista Buonamente: Franciscan Violinist. By Peter Allsop. pp. xii + 252. (Ashgate, Aldershot and Burlington, Vt., 2005, £55. ISBN 1-84014-627-3.) |
| 000811 (2005) |
Lawrence Archbold | The Interpretation of Romantic and Late-Romantic Music: Papers Read at the International Organ Symposium Stockholm, 3–12 September 1998. Ed. by Erik Kjellberg, Erik Lundkvist, and Jan Roström. pp. 165; CD. (Uppsala University Press, Uppsala, 2002. ISSN 1102-6960.) |
| 000820 (2005) |
Colin Lawson | The Birth of the Orchestra: History of an Institution, 1650–1815. By John Spitzer and Neal Zaslaw. pp. xx + 614. (Oxford University Press, Oxford and New York, 2004, £95. ISBN 0-19-916434-3.) |
| 000833 (2003) |
Wendy Heller [États-Unis] | ‘A Present for the Ladies’: Ovid, Montaigne, and the Redemption of Purcell's Dido |
| 000844 (2006) |
Stephen Walsh | György Kurtág: The Sayings of Péter Bornemisza, Op. 7: A Concerto for Soprano and Piano. By Rachel Beckles Willson. pp. xvi + 192; CD. Landmarks in Music since 1950. (Ashgate, Aldershot and Burlington, Vt., 2004, £35. ISBN 0-7546-0809-3.) |
| 000886 (2006) |
Sarah Hibberd | Murder in the Cathedral? Stradella, Musical Power, and Performing the Past in 1830s Paris |
| 000904 (2006) |
Andrew H. Weaver | Music in the Service of Counter-Reformation Politics: The Immaculate Conception at the Habsburg Court of Ferdinand III (1637–1657) |
| 000988 (2003) |
Helen M. Greenwald | Review: Opera: A History in Documents |
| 000A10 (2005) |
Kenneth Gloag | Review: From the Erotic to the Demonic: On Critical Musicology |
| 000A26 (2005) |
Erik Levi | Review: Music and Nazism: Art under Tyranny, 1933–1945 |
| 000A99 (2004) |
Davide Daolmi | Review: La Galatea |
| 000B38 (2005) |
Richard Langham Smith | A la Recherche “des” Requiem de Fauré, ou L’Authenticité musicale en questions. By Mutien-Omer Houziaux. pp. xxiii + 249. Revue de la Société Liégeoise de Musicologie, 15–16 (2000). (Société Liégeoise de Musicologie, Liège, and Librairie Klincksieck, Paris, 2000, €25. ISBN 32-252-03344-4.) |
| 000B86 (2004) |
Keith Polk | Review: Gegeven den sangeren: Meerstemmige muziek bij de Illustre Lieve Vrouwe Broederschap te 's-Hertogenbosch in de zestiende eeuw |
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