Attributions to Giovanni Rovetta
Identifieur interne : 000239 ( Istex/Corpus ); précédent : 000238; suivant : 000240Attributions to Giovanni Rovetta
Auteurs : Jonathan DrennanSource :
- Early Music [ 0306-1078 ] ; 2005-08.
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Abstract
The article examines the authorship of two a cappella Masses, both of which have been attributed to the Venetian musician Giovanni Rovetta (c.1596–1668). One Mass, it is concluded, might be the work of Rovetta; the other setting is identified as by Clément Janequin. Given that Rovetta was maestro of San Marco, Venice, relevant aspects of this church's performance and liturgical practices are discussed.
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DOI: 10.1093/em/cah101
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ISTEX:2DAC1EAAC82A388FD93E7EF69F02F0A2C3813CF1Le document en format XML
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Since than he has produced a critical edition of Rovetta's Masses for A-R Editions, and has compiled and edited the extant Masses of Rovetta's assistant and successor at San Marco, Natale Monferatto (a project funded by the British Academy). jrjdrennan@lineone.net</mods:affiliation></affiliation></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:2DAC1EAAC82A388FD93E7EF69F02F0A2C3813CF1</idno><date when="2005" year="2005">2005</date><idno type="doi">10.1093/em/cah101</idno><idno type="url">https://api.istex.fr/document/2DAC1EAAC82A388FD93E7EF69F02F0A2C3813CF1/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">000239</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">Attributions to Giovanni Rovetta</title><author wicri:is="90%"><name sortKey="Drennan, Jonathan" sort="Drennan, Jonathan" uniqKey="Drennan J" first="Jonathan" last="Drennan">Jonathan Drennan</name><affiliation><mods:affiliation>Jonathan Drennan was awarded a PhD in 2002 for his dissertation on the Masses of Giovanni Rovetta. Since than he has produced a critical edition of Rovetta's Masses for A-R Editions, and has compiled and edited the extant Masses of Rovetta's assistant and successor at San Marco, Natale Monferatto (a project funded by the British Academy). jrjdrennan@lineone.net</mods:affiliation></affiliation></author></analytic><monogr></monogr><series><title level="j">Early Music</title><title level="j" type="abbrev">Early Music</title><idno type="ISSN">0306-1078</idno><idno type="eISSN">1741-7260</idno><imprint><publisher>Oxford University Press</publisher><date type="published" when="2005-08">2005-08</date><biblScope unit="volume">33</biblScope><biblScope unit="issue">3</biblScope><biblScope unit="page" from="413">413</biblScope><biblScope unit="page" to="424">424</biblScope></imprint><idno type="ISSN">0306-1078</idno></series><idno type="istex">2DAC1EAAC82A388FD93E7EF69F02F0A2C3813CF1</idno><idno type="DOI">10.1093/em/cah101</idno></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0306-1078</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Janequin</term><term>Mass</term><term>Rovetta</term><term>San Marco</term><term>Venice</term><term>performance practice</term></keywords></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">The article examines the authorship of two a cappella Masses, both of which have been attributed to the Venetian musician Giovanni Rovetta (c.1596–1668). 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Since than he has produced a critical edition of Rovetta's Masses for A-R Editions, and has compiled and edited the extant Masses of Rovetta's assistant and successor at San Marco, Natale Monferatto (a project funded by the British Academy). jrjdrennan@lineone.net</affiliation></author></analytic><monogr><title level="j">Early Music</title><title level="j" type="abbrev">Early Music</title><idno type="JournalID">earlyj</idno><idno type="pISSN">0306-1078</idno><idno type="eISSN">1741-7260</idno><imprint><publisher>Oxford University Press</publisher><date type="published" when="2005-08"></date><biblScope unit="volume">33</biblScope><biblScope unit="issue">3</biblScope><biblScope unit="page" from="413">413</biblScope><biblScope unit="page" to="424">424</biblScope></imprint></monogr><idno type="istex">2DAC1EAAC82A388FD93E7EF69F02F0A2C3813CF1</idno><idno type="DOI">10.1093/em/cah101</idno></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>2005</date></creation><langUsage><language ident="en">en</language></langUsage><abstract xml:lang="en"><p>The article examines the authorship of two a cappella Masses, both of which have been attributed to the Venetian musician Giovanni Rovetta (c.1596–1668). 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Since than he has produced a critical edition of Rovetta's Masses for A-R Editions, and has compiled and edited the extant Masses of Rovetta's assistant and successor at San Marco, Natale Monferatto (a project funded by the British Academy)</italic>. <ext-link xlink:href="jrjdrennan@lineone.net" ext-link-type="email">jrjdrennan@lineone.net</ext-link></aff></contrib-group><pub-date pub-type="ppub"><month>August</month><year>2005</year></pub-date><volume>33</volume><issue>3</issue><fpage>413</fpage><lpage>424</lpage><permissions><copyright-statement><italic>Early Music</italic>, Vol. <sc>xxxiii</sc>, No.3 © The Author 2005. Published by Oxford University Press. All rights reserved.</copyright-statement><copyright-year>2005</copyright-year></permissions><abstract xml:lang="en"><p>The article examines the authorship of two <italic>a cappella</italic> Masses, both of which have been attributed to the Venetian musician Giovanni Rovetta (<italic>c</italic>.1596–1668). One Mass, it is concluded, might be the work of Rovetta; the other setting is identified as by Clément Janequin. 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