1741-7260 < 1741-8399 < 1742-5468

Facettes :

List of bibliographic references

Number of relevant bibliographic references: 359.
[0-20] [0 - 20][0 - 50][20-40]

Ident.	Authors (with country if any)	Title
000264 (2008)	Charles Edward Mcguire	Edward Elgar: Modern or Modernist? Construction of an Aesthetic Identity in the British Music Press, 18951934
000389 (2005)	Lynn Hooker	Modernism on the Periphery: Béla Bartók and the New Hungarian Music Society of 1911–1912
000440 (2004)	Leslie A. Sprout	Messiaen, Jolivet, and the Soldier–Composers of Wartime France
000526 (2002)	Jane F. Fulcher	The Politics of Transcendence: Ideology in the Music of Messiaen in the 1930s
000542 (2002)	Jesse Rosenberg	Abramo Basevi: A Music Critic in Search of a Context
000544 (2001)	David J. Levin	“Father Knows Best”: Paternity and Mise-en-Scene in Hans Pfitzner's Palestrina
000572 (2001)	John Byrt	Alteration in Handel: A Fresh Approach
000615 (2000)	Kim H. Kowalke	Burying the Past: Carl Orff and His Brecht Connection
000677 (1999)	Anne Macneil	A Portrait of the Artist as a Young Woman
000753 (1997)	Beth L. Glixon	New Light on the Life and Career of Barbara Strozzi
000790 (1996)	Silke Leopold ; Irene Zedlacher	The Orchestra in Early Opera
000818 (1996)	John Spitzer	Metaphors of the Orchestra— The Orchestra as a Metaphor
000868 (1995)	Edgar H. Sparks	REVIEWS OF RECORDS
000894 (1995)	Jürg Stenzl	In Search of a History of Musical Interpretation
000898 (1995)	Nors S. Josephson	Cyclical Structures in the Late Music of Leoš Janáček
000917 (1994)	Neal Zaslaw	The New Grove Dictionary of Opera
000944 (1994)	Timothy A. Johnson	Minimalism: Aesthetic, Style, or Technique?
000952 (1994)	Mark Swed	Editor's Introduction to “Synergetic Dynamics in John Cage's Europeras 1 & 2”
000964 (1994)	Marc Perlman	American Gamelan in the Garden of Eden: Intonation in a Cross-Cultural Encounter
000A62 (1992)	David Montgomery	Views, Reviews, and Nonviews: Two Studies in Historical Performance Practice
000B18 (1991)	Eric Salzman	Whither American Music Theater?

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