List of bibliographic references indexed by music
Number of relevant bibliographic references: 19.
| Ident. | Authors (with country if any) | Title |
|---|
| 000000 (2016) |
Stefan Koelsch [Allemagne, Norvège] ; Albrecht Boehlig [Allemagne] ; Maximilian Hohenadel [Allemagne] ; Ines Nitsche [Allemagne] ; Katrin Bauer [Allemagne] ; Ulrich Sack [Allemagne] | The impact of acute stress on hormones and cytokines, and how their recovery is affected by music-evoked positive mood |
| 000002 (2013) |
Myriam V. Thoma [États-Unis, Suisse] ; Roberto La Marca [Suisse] ; Rebecca Brönnimann [Suisse] ; Linda Finkel [Suisse] ; Ulrike Ehlert [Suisse] ; Urs M. Nater [Allemagne] | The Effect of Music on the Human Stress Response |
| 000024 (2011) |
Stefan Koelsch [Allemagne] ; Julian Fuermetz [Allemagne] ; Ulrich Sack [Allemagne] ; Katrin Bauer [Allemagne] ; Maximilian Hohenadel [Allemagne] ; Martin Wiegel [Allemagne] ; Udo X. Kaisers [Allemagne] ; Wolfgang Heinke [Allemagne] | Effects of Music Listening on Cortisol Levels and Propofol Consumption during Spinal Anesthesia |
| 000068 (2009) |
Anne Doggett [Australie] | “The Old Vexed Question:” Divergent Attitudes and Practices in the Sacred Music of Early Ballarat |
| 000254 (2006) |
Joseph Dyer | The Echo of Music: Essays in Honor of Marie Louise Göllner. Ed. by Blair Sullivan. pp. xiv + 185. (Harmonie Park Press, Warren, Mich., 2004, $40. ISBN 0-89990-119-0.) |
| 000256 (2006) |
Hugh Benham | Robert Fayrfax, Masses Tecum principium and O quam glorifica, ed. Roger Bray. Early English Church Music, 45. Stainer & Bell, London, 2004, £55. ISBN 0-85249-883-7.) |
| 000257 (2006) |
Hugh Benham | Nicholas Ludford, Mass Inclina cor meum deus and Antiphons, ed. David Skinner. Early English Church Music, 44. (Stainer & Bell, London, 2003, £47.50. ISBN 0-85249-869-1.) |
| 000258 (2006) |
Liz Garnett | New Historical Anthology of Music by Women, ed. James R. Briscoe. Plus Companion CDs. (Indiana University Press, Bloomington and Indianapolis, 2004, $39.95. ISBN 0-253-21683-4, CDs: 0-253-34406-9.) |
| 000275 (2005) |
Stephen Rice | Review: Music of the Catholic monarchs |
| 000286 (2005) |
Michael J. Levin [États-Unis] ; Steven Zohn [États-Unis] | Don Juan de Austria and the Venetian music trade |
| 000292 (2005) |
Owen Rees [Royaume-Uni] | Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850 |
| 000301 (2004) |
Roger Bowers | Review: The Monteverdi Vespers of 1610: Music, Context, Performance |
| 000361 (2002) |
Bethany Lowe | Work Published in Music Analysis 1982–2001 (Vols. 1–20) |
| 000367 (2002) |
David Mateer | Review: Music and Musicians in Renaissance Cities and Towns |
| 000369 (2002) |
Elizabeth Eva Leach | Review: Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music |
| 000437 (2000) |
James Macmillan | God, Theology and Music* |
| 000867 (1990) |
Helfried C. Zrzavy | Issues of Incoherence and Cohesion in New Age Music |
| 000A54 (1986) |
Jocelyn L. Low [États-Unis] | American Choral Music of the Nineteenth and Twentieth Centuries Reference Services |
| 001649 (1743-01-01) |
William Tans'Ur | A compleat melody: or, the harmony of Sion. In three books. Containing, I. A New, and Compleat Introduction to the Grounds of Music, Theoretical and Practical, Vocal and Instrumental: Teaching all its Rudiments, and Composition in all its Branches, by way of Dialogue, in a New and easy Method. With all the usual Terms used in Music, as deriv'd from the Greek, Latin, French, Italian, &c. - In Twelve Chapters. II. The Psalms of David New Tun'd: Which Music expresses the true Sense and Sound of the Words, more than any extant. With a Table of all the Tunes, and what Psalms are proper to each Tune; and a Table of Psalms suited to the Feasts and Fasts of the Church of England, &c. With Gloria Patri's suited to the Measures of every Psalm in the Book. III. A New, and Select Number of Divine Hymns, and Easy Anthems, on various Occasions: With a Scale of Music proper for either Voice, Organ, Virginals, Harpsicord, or Spinnet. With several Canons of Two, Three, and Four Parts in One. To which is added, Te Deum, and Magnificat, and a Chanting-Tune for the Reading-Psalms. The Whole is Composed in Two, Three, and Four Musical Parts, according to the most Authentic Rules; and set down in Score, (and Figur'd) for either Voice or Organ, &c. By William Tans'ur, Author of The Melody of the Heart. And the Beauty of Holiness. according to his Original Manuscript: With large Additions. |
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