Toward a Theory of Tonal Coherence: The Motets of Jacob Obrecht
Identifieur interne : 000111 ( Istex/Corpus ); précédent : 000110; suivant : 000112Toward a Theory of Tonal Coherence: The Motets of Jacob Obrecht
Auteurs : Ronald D. RossSource :
- The Musical Quarterly [ 0027-4631 ] ; 1981-04.
Url:
DOI: 10.1093/mq/LXVII.2.143
Links to Exploration step
ISTEX:F4E11BF7477C4672806D90F85ECE3BE1F02F9D0FLe document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title>Toward a Theory of Tonal Coherence: The Motets of Jacob Obrecht</title>
<author wicri:is="90%"><name sortKey="Ross, Ronald D" sort="Ross, Ronald D" uniqKey="Ross R" first="Ronald D." last="Ross">Ronald D. Ross</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:F4E11BF7477C4672806D90F85ECE3BE1F02F9D0F</idno>
<date when="1981" year="1981">1981</date>
<idno type="doi">10.1093/mq/LXVII.2.143</idno>
<idno type="url">https://api.istex.fr/document/F4E11BF7477C4672806D90F85ECE3BE1F02F9D0F/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000111</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000111</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a">Toward a Theory of Tonal Coherence: The Motets of Jacob Obrecht</title>
<author wicri:is="90%"><name sortKey="Ross, Ronald D" sort="Ross, Ronald D" uniqKey="Ross R" first="Ronald D." last="Ross">Ronald D. Ross</name>
</author>
</analytic>
<monogr></monogr>
<series><title level="j">The Musical Quarterly</title>
<idno type="ISSN">0027-4631</idno>
<idno type="eISSN">1741-8399</idno>
<imprint><publisher>Oxford University Press</publisher>
<date type="published" when="1981-04">1981-04</date>
<biblScope unit="volume">LXVII</biblScope>
<biblScope unit="issue">2</biblScope>
<biblScope unit="page" from="143">143</biblScope>
<biblScope unit="page" to="164">164</biblScope>
</imprint>
<idno type="ISSN">0027-4631</idno>
</series>
<idno type="istex">F4E11BF7477C4672806D90F85ECE3BE1F02F9D0F</idno>
<idno type="DOI">10.1093/mq/LXVII.2.143</idno>
<idno type="ArticleID">LXVII.2.143</idno>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">0027-4631</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass></textClass>
<langUsage><language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
</TEI>
<istex><corpusName>oup</corpusName>
<author><json:item><name>RONALD D. ROSS</name>
</json:item>
</author>
<subject><json:item><lang><json:string>eng</json:string>
</lang>
<value>Articles</value>
</json:item>
</subject>
<language><json:string>eng</json:string>
</language>
<qualityIndicators><score>5.012</score>
<pdfVersion>1.3</pdfVersion>
<pdfPageSize>446 x 671 pts</pdfPageSize>
<refBibsNative>false</refBibsNative>
<keywordCount>1</keywordCount>
<abstractCharCount>0</abstractCharCount>
<pdfWordCount>6069</pdfWordCount>
<pdfCharCount>34505</pdfCharCount>
<pdfPageCount>22</pdfPageCount>
<abstractWordCount>1</abstractWordCount>
</qualityIndicators>
<title>Toward a Theory of Tonal Coherence: The Motets of Jacob Obrecht</title>
<genre><json:string>research-article</json:string>
</genre>
<host><volume>LXVII</volume>
<pages><last>164</last>
<first>143</first>
</pages>
<issn><json:string>0027-4631</json:string>
</issn>
<issue>2</issue>
<genre></genre>
<language><json:string>unknown</json:string>
</language>
<eissn><json:string>1741-8399</json:string>
</eissn>
<title>The Musical Quarterly</title>
</host>
<categories><wos><json:string>MUSIC</json:string>
</wos>
</categories>
<publicationDate>1981</publicationDate>
<copyrightDate>1981</copyrightDate>
<doi><json:string>10.1093/mq/LXVII.2.143</json:string>
</doi>
<id>F4E11BF7477C4672806D90F85ECE3BE1F02F9D0F</id>
<fulltext><json:item><original>true</original>
<mimetype>application/pdf</mimetype>
<extension>pdf</extension>
<uri>https://api.istex.fr/document/F4E11BF7477C4672806D90F85ECE3BE1F02F9D0F/fulltext/pdf</uri>
</json:item>
<json:item><original>false</original>
<mimetype>application/zip</mimetype>
<extension>zip</extension>
<uri>https://api.istex.fr/document/F4E11BF7477C4672806D90F85ECE3BE1F02F9D0F/fulltext/zip</uri>
</json:item>
<istex:fulltextTEI uri="https://api.istex.fr/document/F4E11BF7477C4672806D90F85ECE3BE1F02F9D0F/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a">Toward a Theory of Tonal Coherence: The Motets of Jacob Obrecht</title>
</titleStmt>
<publicationStmt><authority>ISTEX</authority>
<publisher>Oxford University Press</publisher>
<availability><p>OUP</p>
</availability>
<date>1981</date>
</publicationStmt>
<sourceDesc><biblStruct type="inbook"><analytic><title level="a">Toward a Theory of Tonal Coherence: The Motets of Jacob Obrecht</title>
<author><persName><forename type="first">RONALD D.</forename>
<surname>ROSS</surname>
</persName>
</author>
</analytic>
<monogr><title level="j">The Musical Quarterly</title>
<idno type="pISSN">0027-4631</idno>
<idno type="eISSN">1741-8399</idno>
<imprint><publisher>Oxford University Press</publisher>
<date type="published" when="1981-04"></date>
<biblScope unit="volume">LXVII</biblScope>
<biblScope unit="issue">2</biblScope>
<biblScope unit="page" from="143">143</biblScope>
<biblScope unit="page" to="164">164</biblScope>
</imprint>
</monogr>
<idno type="istex">F4E11BF7477C4672806D90F85ECE3BE1F02F9D0F</idno>
<idno type="DOI">10.1093/mq/LXVII.2.143</idno>
<idno type="ArticleID">LXVII.2.143</idno>
</biblStruct>
</sourceDesc>
</fileDesc>
<profileDesc><creation><date>1981</date>
</creation>
<langUsage><language ident="en">en</language>
</langUsage>
<textClass><keywords scheme="keyword"><list><item><term>Articles</term>
</item>
</list>
</keywords>
</textClass>
</profileDesc>
<revisionDesc><change when="1981-04">Published</change>
</revisionDesc>
</teiHeader>
</istex:fulltextTEI>
<json:item><original>false</original>
<mimetype>text/plain</mimetype>
<extension>txt</extension>
<uri>https://api.istex.fr/document/F4E11BF7477C4672806D90F85ECE3BE1F02F9D0F/fulltext/txt</uri>
</json:item>
</fulltext>
<metadata><istex:metadataXml wicri:clean="corpus oup" wicri:toSee="no header"><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.3 20070202//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType>
<istex:document><article article-type="research-article"><front><journal-meta><journal-id journal-id-type="hwp">musqtl</journal-id>
<journal-id journal-id-type="publisher-id">musqtl</journal-id>
<journal-id journal-id-type="pmc">musqtl</journal-id>
<journal-title>The Musical Quarterly</journal-title>
<issn pub-type="epub">1741-8399</issn>
<issn pub-type="ppub">0027-4631</issn>
<publisher><publisher-name>Oxford University Press</publisher-name>
</publisher>
</journal-meta>
<article-meta><article-id pub-id-type="publisher-id">LXVII.2.143</article-id>
<article-id pub-id-type="doi">10.1093/mq/LXVII.2.143</article-id>
<article-categories><subj-group><subject>Articles</subject>
</subj-group>
</article-categories>
<title-group><article-title>Toward a Theory of Tonal Coherence: The Motets of Jacob Obrecht</article-title>
</title-group>
<contrib-group><contrib contrib-type="author"><name><surname>ROSS</surname>
<given-names>RONALD D.</given-names>
</name>
</contrib>
</contrib-group>
<pub-date pub-type="ppub"><month>4</month>
<year>1981</year>
</pub-date>
<volume>LXVII</volume>
<issue>2</issue>
<fpage>143</fpage>
<lpage>164</lpage>
<copyright-statement>© 1981 by G. Schirmer, Inc.</copyright-statement>
<copyright-year>1981</copyright-year>
</article-meta>
</front>
</article>
</istex:document>
</istex:metadataXml>
<mods version="3.6"><titleInfo><title>Toward a Theory of Tonal Coherence: The Motets of Jacob Obrecht</title>
</titleInfo>
<titleInfo type="alternative" contentType="CDATA"><title>Toward a Theory of Tonal Coherence: The Motets of Jacob Obrecht</title>
</titleInfo>
<name type="personal"><namePart type="given">RONALD D.</namePart>
<namePart type="family">ROSS</namePart>
</name>
<typeOfResource>text</typeOfResource>
<genre type="research-article" displayLabel="research-article"></genre>
<subject><topic>Articles</topic>
</subject>
<originInfo><publisher>Oxford University Press</publisher>
<dateIssued encoding="w3cdtf">1981-04</dateIssued>
<copyrightDate encoding="w3cdtf">1981</copyrightDate>
</originInfo>
<language><languageTerm type="code" authority="iso639-2b">eng</languageTerm>
<languageTerm type="code" authority="rfc3066">en</languageTerm>
</language>
<physicalDescription><internetMediaType>text/html</internetMediaType>
</physicalDescription>
<relatedItem type="host"><titleInfo><title>The Musical Quarterly</title>
</titleInfo>
<genre type="Journal">journal</genre>
<identifier type="ISSN">0027-4631</identifier>
<identifier type="eISSN">1741-8399</identifier>
<identifier type="PublisherID">musqtl</identifier>
<identifier type="PublisherID-hwp">musqtl</identifier>
<part><date>1981</date>
<detail type="volume"><caption>vol.</caption>
<number>LXVII</number>
</detail>
<detail type="issue"><caption>no.</caption>
<number>2</number>
</detail>
<extent unit="pages"><start>143</start>
<end>164</end>
</extent>
</part>
</relatedItem>
<identifier type="istex">F4E11BF7477C4672806D90F85ECE3BE1F02F9D0F</identifier>
<identifier type="DOI">10.1093/mq/LXVII.2.143</identifier>
<identifier type="ArticleID">LXVII.2.143</identifier>
<accessCondition type="use and reproduction" contentType="copyright">© 1981 by G. Schirmer, Inc.</accessCondition>
<recordInfo><recordContentSource>OUP</recordContentSource>
</recordInfo>
</mods>
</metadata>
<serie></serie>
</istex>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/MagnificatV1/Data/Istex/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000111 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Istex/Corpus/biblio.hfd -nk 000111 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= MagnificatV1 |flux= Istex |étape= Corpus |type= RBID |clé= ISTEX:F4E11BF7477C4672806D90F85ECE3BE1F02F9D0F |texte= Toward a Theory of Tonal Coherence: The Motets of Jacob Obrecht }}
This area was generated with Dilib version V0.6.31. |