The Italian Avant-Garde and National Tradition
Identifieur interne : 000A01 ( Main/Merge ); précédent : 000A00; suivant : 000A02The Italian Avant-Garde and National Tradition
Auteurs : John C. G. WaterhouseSource :
- Tempo [ 0040-2982 ] ; 1964.
Abstract
Musical nationalism is sometimes looked on as a transient phenomenon, characteristic of the nineteenth and early twentieth centuries and closely associated with political nationalism. But such a view is only a half-truth: national characteristics have had a way of turning up in the music of most ages, and we find them not only in periods of militant political nationalism and parochialism, but also, often to a striking degree, at times when frontiers seemed to imply no cultural barriers. Medieval civilization was international to an extent that would have been inconceivable in the nineteenth century; yet there is no mistaking the quintessential italianità of, say, Landini. The Italian and English madrigal schools of the late sixteenth and early seventeenth centuries could be regarded as closely-related phases of one great cultural flowering; yet one need not look at the words to assign madrigals by Marenzio and Weelkes, or Gastoldi and Morley, to their respective countries.
Url:
DOI: 10.1017/S0040298200036512
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 000B25
- to stream Istex, to step Curation: 000B23
- to stream Istex, to step Checkpoint: 000994
Links to Exploration step
ISTEX:24A5D94DC90EA2AD9689A014ADF813EF20A726BDLe document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">The Italian Avant-Garde and National Tradition</title>
<author><name sortKey="Waterhouse, John C G" sort="Waterhouse, John C G" uniqKey="Waterhouse J" first="John C. G." last="Waterhouse">John C. G. Waterhouse</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:24A5D94DC90EA2AD9689A014ADF813EF20A726BD</idno>
<date when="1964" year="1964">1964</date>
<idno type="doi">10.1017/S0040298200036512</idno>
<idno type="url">https://api.istex.fr/document/24A5D94DC90EA2AD9689A014ADF813EF20A726BD/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000B25</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000B25</idno>
<idno type="wicri:Area/Istex/Curation">000B23</idno>
<idno type="wicri:Area/Istex/Checkpoint">000994</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000994</idno>
<idno type="wicri:doubleKey">0040-2982:1964:Waterhouse J:the:italian:avant</idno>
<idno type="wicri:Area/Main/Merge">000A01</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">The Italian Avant-Garde and National Tradition</title>
<author><name sortKey="Waterhouse, John C G" sort="Waterhouse, John C G" uniqKey="Waterhouse J" first="John C. G." last="Waterhouse">John C. G. Waterhouse</name>
</author>
</analytic>
<monogr></monogr>
<series><title level="j">Tempo</title>
<title level="j" type="abbrev">Tempo</title>
<idno type="ISSN">0040-2982</idno>
<idno type="eISSN">1478-2286</idno>
<imprint><publisher>Cambridge University Press</publisher>
<pubPlace>Cambridge, UK</pubPlace>
<date type="published" when="1964">1964</date>
<biblScope unit="issue">68</biblScope>
<biblScope unit="page" from="14">14</biblScope>
<biblScope unit="page" to="25">25</biblScope>
</imprint>
<idno type="ISSN">0040-2982</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">0040-2982</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass></textClass>
<langUsage><language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">Musical nationalism is sometimes looked on as a transient phenomenon, characteristic of the nineteenth and early twentieth centuries and closely associated with political nationalism. But such a view is only a half-truth: national characteristics have had a way of turning up in the music of most ages, and we find them not only in periods of militant political nationalism and parochialism, but also, often to a striking degree, at times when frontiers seemed to imply no cultural barriers. Medieval civilization was international to an extent that would have been inconceivable in the nineteenth century; yet there is no mistaking the quintessential italianità of, say, Landini. The Italian and English madrigal schools of the late sixteenth and early seventeenth centuries could be regarded as closely-related phases of one great cultural flowering; yet one need not look at the words to assign madrigals by Marenzio and Weelkes, or Gastoldi and Morley, to their respective countries.</div>
</front>
</TEI>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/LassusV2/Data/Main/Merge
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000A01 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Merge/biblio.hfd -nk 000A01 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= LassusV2 |flux= Main |étape= Merge |type= RBID |clé= ISTEX:24A5D94DC90EA2AD9689A014ADF813EF20A726BD |texte= The Italian Avant-Garde and National Tradition }}
![]() | This area was generated with Dilib version V0.6.33. | ![]() |