A New Keyboard Work by Giovanni Gabrieli and the Relevance of Its Compositional Technique
Identifieur interne : 000246 ( Main/Merge ); précédent : 000245; suivant : 000247A New Keyboard Work by Giovanni Gabrieli and the Relevance of Its Compositional Technique
Auteurs : Richard Charteris [Australie]Source :
- Music and Letters [ 0027-4224 ] ; 2004-02.
English descriptors
- Teeft :
- Andrea, Andrea gabrieli, Arnaldo morelli, Bars tabulatura nova, Berlin kulturbesitz, Biblioteka jagiellonska, Canzon, Canzoni alla francese, Charteris, Christian erbach, Claudio, Claudio merulo, Coda, Composite leaf, Compositional technique, Critical notes, Crotchet, Early motet, Early prints, Eighteenth century, English variation form, Erbach, First note, Further discoveries, Gabrieli, Gabrieli work, German organ tablature, Gioseffo zarlino, Giovanni, Giovanni gabrieli, Giovanni output, Giovanni ricercar primi toni, Girolamo diruta, Harald vogel, Hassler, Instrumental ensemble works, Istitutioni harmoniche, Jacques buus, John caldwell, Kayser carolo, Keyboard, Keyboard canzon, Keyboard compositions, Keyboard music, Keyboard ricercar, Keyboard ricercars, Keyboard works, Kind permission, Kulturbesitz, Libro, Libro primo, Lower leaf, Lower part, Main text, Manuscript work, Marco, Melodic lines, Merulo, Modern edition, Monothematic, Monothematic organ ricercars, Monothematic works, Musica, Northern germany, Ogni sorte, Online version, Opening subjects, Organ ricercars, Organ works, Organist, Original source, Other composers, Other hand, Parallel thirds, Peinlichen gerichts, Pierre pidoux, Pieterszoon sweelinck, Present article, Present piece, Primo, Primo tono, Primo tuono, Quattro libri, Recent decades, Recto, Rhythmic pattern, Ricercar, Ricercar decimo tono, Ricercar ottavo tono, Ricercar primi toni, Ricercar quinti toni, Ricercare, Ricercari ariosi, Ricercars, Richard charteris, Rism, Samuel scheidt, Scuola grande, Second episode, Second organ, Seconda parte, Secondo tono, Semibreve bars, Single subject, Sonar sopra istromenti, Sswv, Staatsbibliothek, Such pieces, Sweelinck, Symphoniae sacrae, Tablature, Tabulatura nova, Terzo libro, Thematic catalogue, Title page, Toccata, Toni, Tono, Transilvano dialogo diviso, Triple time, Upper leaf, Upper part, Uppermost note, Venice, Verso, Vols.
Abstract
There is much evidence that our picture of Giovanni Gabrieli's output is incomplete, and the frequency with which new works have emerged in recent decades suggests that there is still scope for further discoveries. This article focuses on a new keyboard ricercar by Giovanni Gabrieli preserved in the Staatsbibliothek zu Berlin Preußischer Kulturbesitz. The composition, which has previously not been mentioned in the literature, ranks among the most eloquent and impressive of Gabrieli's keyboard works. Until recently, it was located in the binding of an eighteenth‐century book. The sources of the work, and its provenance, compositional technique, and relationships to contemporary keyboard pieces are discussed.
Url:
DOI: 10.1093/ml/85.1.1
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<term>Biblioteka jagiellonska</term>
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<term>Canzoni alla francese</term>
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<term>Christian erbach</term>
<term>Claudio</term>
<term>Claudio merulo</term>
<term>Coda</term>
<term>Composite leaf</term>
<term>Compositional technique</term>
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<term>Crotchet</term>
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<term>Early prints</term>
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<term>Marco</term>
<term>Melodic lines</term>
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<term>Modern edition</term>
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<term>Monothematic organ ricercars</term>
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<term>Present article</term>
<term>Present piece</term>
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<term>Primo tono</term>
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<term>Secondo tono</term>
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<term>Staatsbibliothek</term>
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<term>Symphoniae sacrae</term>
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<term>Tabulatura nova</term>
<term>Terzo libro</term>
<term>Thematic catalogue</term>
<term>Title page</term>
<term>Toccata</term>
<term>Toni</term>
<term>Tono</term>
<term>Transilvano dialogo diviso</term>
<term>Triple time</term>
<term>Upper leaf</term>
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<front><div type="abstract" xml:lang="en">There is much evidence that our picture of Giovanni Gabrieli's output is incomplete, and the frequency with which new works have emerged in recent decades suggests that there is still scope for further discoveries. This article focuses on a new keyboard ricercar by Giovanni Gabrieli preserved in the Staatsbibliothek zu Berlin Preußischer Kulturbesitz. The composition, which has previously not been mentioned in the literature, ranks among the most eloquent and impressive of Gabrieli's keyboard works. Until recently, it was located in the binding of an eighteenth‐century book. The sources of the work, and its provenance, compositional technique, and relationships to contemporary keyboard pieces are discussed.</div>
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