Erotic Jest and Gesture in Roman Anthologies of Neapolitan Dialect Songs
Identifieur interne : 000221 ( Main/Merge ); précédent : 000220; suivant : 000222Erotic Jest and Gesture in Roman Anthologies of Neapolitan Dialect Songs
Auteurs : Donna G. CardamoneSource :
- Music and Letters [ 0027-4224 ] ; 2005-08.
English descriptors
- Teeft :
- Adjective, Alla, Anthology, Antonio barr, Antonio marzo, Burlesque, Burlesque poetry, Burlesque poets, Canzon villanesche alla napolitana, Canzone, Canzoni alla napolitana, Causa della morte, Cerco morire, Chris holcomb, Cinquecento, Classical antiquity, Considerable amount, Contextual sense, Copious lexicon, Cortigiane honeste, Courtesan, Cultural identity, Deception, Dorico, Double entendres, Double meanings, Eccellenti musici libro secondo, Ecclesiastical career, Ella, Ella sciolta, Equivocal, Equivocal language, Erotic humour, Erotic jest, Erotic lexicon, Erotic songs, Erotica, Extant roman anthologies, Female interlocutor, Festum voluptatis, Final line, Focus attention, Francesco, Francesco guidobono, Further information, Giovanni della casa, Incipit, Interlocutor, Interpretative approaches, Italian conduct manuals, Jean toscan, Jest, Lament, Lassus, Lattice window, Laura macy, Laurie stras, Lexicon, Libro, Linguistic research, Literary erotica, Love object, Lynn hunt, Martyred, Marzo, Morire, Moro, Multiple meanings, Music letters, Naples, Napolitana, Neapolitan, Neapolitan dialect, Neapolitan songs, Neapolitan songwriters, Nicola vicentino, Note sulla poesia erotica, Numerous examples, Obscene words, Past decades, Perch, Performative gestures, Perna riale, Pian, Pian gnhor, Piango, Pigliati quanto, Popular music, Prime targets, Prominent places, Punch line, Renaissance italy, Renaissance rome, Rism, Roman anthologies, Roman court, Roman printers, Roman repertory, Roman villanelle, Roman villanesche, Royal pearl, Same time, Secondo, Secondo libro burlesche, Secondo libro delle muse, Serenade, Sexual euphemisms, Sexual practices, Sexual tension, Sixteenth century, Social functions, Social practice, Sodomy, Solmization syllables, Songwriter, Stai, Subtext, Suitor, Surface level, Topos, Trans, Valerio dorico, Villanella, Villanelle, Villanesca, Villanesche, Vincenzo galilei, Vita, Vita sessuale, Vital role, Voria, Widespread distribution.
Abstract
This study calls attention to the vital role that the villanesca played in the erotic comic culture of the Cinquecento. Neapolitan songwriters, influenced by the equivocal language of burlesque poets, appropriated their copious lexicon of sexual euphemisms to raise laughter through erotic jesting. Given the considerable amount of semiotic and linguistic research devoted to literary erotica in the past decades, the villanesca can now be fully served by new interpretative approaches and theories of reception that address the production of multiple meanings. Erotic humour worked effectively in Roman villanesche because the prime targets of jests are figures who occupied prominent places in Rome’s cultural identity—courtesans, clerics, and noblemen in the service of the Church. Readings of villanesche, selected from three extant Roman anthologies, demonstrate the ways in which songwriters eroticized licit and illicit sexual encounters, thereby motivating singers to clarify equivocal terms with performative gestures or vocal nuances.
Url:
DOI: 10.1093/ml/gci066
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