PHARMACY FOR THE BODY AND SOUL: DUTCH SONGBOOKS IN THE SEVENTEENTH CENTURY
Identifieur interne : 000136 ( Main/Merge ); précédent : 000135; suivant : 000137PHARMACY FOR THE BODY AND SOUL: DUTCH SONGBOOKS IN THE SEVENTEENTH CENTURY
Auteurs : Natascha Veldhorst [Pays-Bas]Source :
- Early Music History [ 0261-1279 ] ; 2008.
Abstract
Mention sixteenth- and seventeenth-century Dutch vocal music and the knowledgeable music lover usually thinks immediately of the brilliant polyphonic creations of famous Flemish masters like Josquin des Prez, Adrian Willaert and Orlande de Lassus. And they did indeed write compositions that still appeal to the imagination. Take Josquin’s polyphonic, chirping El Grillo, a relatively simple but effective piece that can entice even the most a-musical twenty-first-century student into the world of the Renaissance. Those familiar with the Baroque will recall Jan Pietersz Sweelinck, the organist of the Oude Kerk in Amsterdam and a composer of bewitching instrumental and vocal music, including his four books of polyphonic Pseaumes de David (1604–21) to the texts of Clément Marot and Theodore Bèze, which are still being performed regularly. Perhaps, too, the French, Latin and Italian arias by Constantijn Huygens from his Pathodia sacra et profana (1647). But it is then that the singing seems to stop in the Low Countries. The names of the composers, at least, are barely known beyond our borders.
Url:
DOI: 10.1017/S0261127908000326
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 000B63
- to stream Istex, to step Curation: 000B61
- to stream Istex, to step Checkpoint: 000132
Links to Exploration step
ISTEX:337E262B49C1B8221EE5EF34EE905E98BC552448Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title>PHARMACY FOR THE BODY AND SOUL: DUTCH SONGBOOKS IN THE SEVENTEENTH CENTURY</title>
<author><name sortKey="Veldhorst, Natascha" sort="Veldhorst, Natascha" uniqKey="Veldhorst N" first="Natascha" last="Veldhorst">Natascha Veldhorst</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:337E262B49C1B8221EE5EF34EE905E98BC552448</idno>
<date when="2008" year="2008">2008</date>
<idno type="doi">10.1017/S0261127908000326</idno>
<idno type="url">https://api.istex.fr/document/337E262B49C1B8221EE5EF34EE905E98BC552448/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000B63</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000B63</idno>
<idno type="wicri:Area/Istex/Curation">000B61</idno>
<idno type="wicri:Area/Istex/Checkpoint">000132</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000132</idno>
<idno type="wicri:doubleKey">0261-1279:2008:Veldhorst N:pharmacy:for:the</idno>
<idno type="wicri:Area/Main/Merge">000136</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a">PHARMACY FOR THE BODY AND SOUL: DUTCH SONGBOOKS IN THE SEVENTEENTH CENTURY</title>
<author><name sortKey="Veldhorst, Natascha" sort="Veldhorst, Natascha" uniqKey="Veldhorst N" first="Natascha" last="Veldhorst">Natascha Veldhorst</name>
<affiliation wicri:level="3"><country>Pays-Bas</country>
<placeName><settlement type="city">Nimègue</settlement>
<region type="province" nuts="2">Gueldre</region>
</placeName>
<wicri:orgArea>Radboud University</wicri:orgArea>
</affiliation>
</author>
</analytic>
<monogr></monogr>
<series><title level="j">Early Music History</title>
<title level="j" type="abbrev">Early Music History</title>
<idno type="ISSN">0261-1279</idno>
<idno type="eISSN">1474-0559</idno>
<imprint><publisher>Cambridge University Press</publisher>
<pubPlace>Cambridge, UK</pubPlace>
<date type="published" when="2008">2008</date>
<biblScope unit="volume">27</biblScope>
<biblScope unit="page" from="217">217</biblScope>
<biblScope unit="page" to="286">286</biblScope>
</imprint>
<idno type="ISSN">0261-1279</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">0261-1279</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass></textClass>
<langUsage><language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front><div type="abstract">Mention sixteenth- and seventeenth-century Dutch vocal music and the knowledgeable music lover usually thinks immediately of the brilliant polyphonic creations of famous Flemish masters like Josquin des Prez, Adrian Willaert and Orlande de Lassus. And they did indeed write compositions that still appeal to the imagination. Take Josquin’s polyphonic, chirping El Grillo, a relatively simple but effective piece that can entice even the most a-musical twenty-first-century student into the world of the Renaissance. Those familiar with the Baroque will recall Jan Pietersz Sweelinck, the organist of the Oude Kerk in Amsterdam and a composer of bewitching instrumental and vocal music, including his four books of polyphonic Pseaumes de David (1604–21) to the texts of Clément Marot and Theodore Bèze, which are still being performed regularly. Perhaps, too, the French, Latin and Italian arias by Constantijn Huygens from his Pathodia sacra et profana (1647). But it is then that the singing seems to stop in the Low Countries. The names of the composers, at least, are barely known beyond our borders.</div>
</front>
</TEI>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/LassusV2/Data/Main/Merge
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000136 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Merge/biblio.hfd -nk 000136 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= LassusV2 |flux= Main |étape= Merge |type= RBID |clé= ISTEX:337E262B49C1B8221EE5EF34EE905E98BC552448 |texte= PHARMACY FOR THE BODY AND SOUL: DUTCH SONGBOOKS IN THE SEVENTEENTH CENTURY }}
![]() | This area was generated with Dilib version V0.6.33. | ![]() |