List of bibliographic references indexed by Music and Letters
Number of relevant bibliographic references: 23.
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| Ident. | Authors (with country if any) | Title |
|---|
| 000170 (2006) |
Jonathan Le Cocq | Pierre I Ballard et Robert III Ballard: Imprimeurs du roy pour la musique (1599–1673) |
| 000172 (2006) |
Sarah Hibberd | Murder in the Cathedral? Stradella, Musical Power, and Performing the Past in 1830s Paris |
| 000186 (2006) |
Richard Freedman | Jean Guyot de Chatelet. Chansons, ed. Annie Coeurdevey and Philippe Vendrix. Collection Épitome musicale. (Minerve, Paris, 2001, €23. ISBN 2-86931-099-4.) Le Rossignol musical des chansons (Antwerp, 1597), ed. Gerald R. Hoekstra. Recent Researches in the Music of the Renaissance, 138. (A–R Editions, Middleton, Wis., 2004, $94. ISBN 0-89579-555-8.) |
| 000202 (2005) |
| ‘Music & Letters’ Awards and Authors of Articles in This Issue |
| 000207 (2005) |
G. Yvonne Kendall | Review: The Almain in Britain, c.1549–c.1675: A Dance Manual from Manuscript Sources |
| 000208 (2005) |
Peter Bergquist | Review: Philipp de Monte (1521–1603): Komponist, Kapellmeister, Korrespondent |
| 000209 (2005) |
Anna Maria Busse Berger | Review: Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music |
| 000210 (2005) |
Arnold Whittall [Royaume-Uni] | Review: Death-Devoted Heart: Sex and the Sacred in Wagner’s Tristan and Isolde |
| 000214 (2005) |
Sarah M. Stoycos | Making an Initial Impression: Lassus’s First Book of Five-Part Madrigals |
| 000218 (2005) |
John Griffiths | Fronimo de Vincenzo Galilei. By Philippe Canguilhem. pp. 235. Centre d’Études Supérieures de la Renaissance: Collection ‘Épitome musical’. (Minerve, Paris and Tours, 2001, €40. ISBN 2-86931-101-X.) |
| 000219 (2005) |
Donna G. Cardamone | Erotic Jest and Gesture in Roman Anthologies of Neapolitan Dialect Songs |
| 000224 (2005) |
Owen Rees [Royaume-Uni] | Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850 |
| 000233 (2004) |
Thorsten Hindrichs | Review: The Guitar and its Music: From the Renaissance to the Classical Era |
| 000234 (2004) |
Peter Bergquist | Review: Roland de Lassus |
| 000235 (2004) |
Ruth I. Deford | Review: Music and Women of the Commedia dell'Arte in the Late Sixteenth Century |
| 000236 (2004) |
Kristine K. Forney | Review: Liber sextus sacrarum cantionum |
| 000237 (2004) |
Stephen Self | Review: Fortuna desperata: Thirty‐six Settings of an Italian Song |
| 000238 (2004) |
Stephen Self | Review: De tous biens plaine: Twenty‐eight Settings of Hayne van Ghizeghem's Chanson |
| 000243 (2004) |
| Books Received |
| 000244 (2004) |
Richard Charteris [Australie] | A New Keyboard Work by Giovanni Gabrieli and the Relevance of Its Compositional Technique |
| 000257 (2003) |
Marco Della Sciucca | ‘S'Amor Non È’: Cesare Tudino and the Birth of the Purely Musical Dialogue |
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