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List of bibliographic references indexed by 1474-0559

Number of relevant bibliographic references: 37.
Ident.Authors (with country if any)Title
000034 (2010) Kate Van Orden [États-Unis] ; Alfredo Vitolo [Italie]PADRE MARTINI, GAETANO GASPARI AND THE ‘PAGLIARINI COLLECTION’: A RENAISSANCE MUSIC LIBRARY REDISCOVERED
000059 (2009) Anthony Newcomb [États-Unis]LUZZASCHI'S SETTING OF DANTE: ‘QUIVI SOSPIRI, PIANTI, ED ALTI GUAI’
000131 (2008) Alexis Luko [Canada]TINCTORIS ON VARIETAS
000134 (2008) Natascha Veldhorst [Pays-Bas]PHARMACY FOR THE BODY AND SOUL: DUTCH SONGBOOKS IN THE SEVENTEENTH CENTURY
000180 (2006) Renata PieragostiniUNEXPECTED CONTEXTS: VIEWS OF MUSIC IN A NARRATIVE OF THE GREAT SCHISM
000181 (2006) Donna G. Cardamone ; Cesare CorsiTHE CANZONE VILLANESCA AND COMIC CULTURE: THE GENESIS AND EVOLUTION OF A MIXED GENRE (1537–1557)
000182 (2006) Richard WistreichPHILIPPE DE MONTE: NEW AUTOBIOGRAPHICAL DOCUMENTS
000184 (2006) Philippe CanguilhemLORENZO CORSINI'S ‘LIBRI DI CANZONE’ AND THE MADRIGAL IN MID-SIXTEENTH-CENTURY FLORENCE
000189 (2006) Kate Van Orden [États-Unis]CHILDREN'S VOICES: SINGING AND LITERACY IN SIXTEENTH-CENTURY FRANCE
000203 (2005) Laurie Stras‘AL GIOCO SI CONOSCE IL GALANTUOMO’: ARTIFICE, HUMOUR AND PLAY IN THE ENIGMI MUSICALI OF DON LODOVICO AGOSTINI
000259 (2003) Jeanice BrooksO QUELLE ARMONYE: DIALOGUE SINGING IN LATE RENAISSANCE FRANCE
000275 (2002) Robert Nosow [États-Unis]THE DEBATE ON SONG IN THE ACCADEMIA FIORENTINA
000277 (2002) Rebecca Wagner Oettinger [États-Unis]RICHARD FREEDMAN, The Chansons of Orlando di Lasso and their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France. Eastman Studies in Music. Rochester, NY, University of Rochester Press. 2000. xxiv + 259 pp.
000281 (2002) Stefano La ViaEROS AND THANATOS: A FICINIAN AND LAURENTIAN READING OF VERDELOT'S SÌ LIETA E GRATA MORTE
000282 (2002) Christian Thomas Leitmeir [Allemagne]CATHOLIC MUSIC IN THE DIOCESE OF AUGSBURG c.1600: A RECONSTRUCTED TRICINIUM ANTHOLOGY AND ITS CONFESSIONAL IMPLICATIONS
000297 (2001) Rebecca Wagner Oettinger [États-Unis]LUDWIG SENFL AND THE JUDAS TROPE: COMPOSITION AND RELIGIOUS TOLERATION AT THE BAVARIAN COURT
000345 (1998) Christine GetzThe Sforza restoration and the founding of the ducal chapels at Santa Maria della Scala in Milan and Sant'Ambrogio in Vigevano
000379 (1997) James Haar [États-Unis]
000402 (1995) Ruth I. DefordTempo relationships between duple and triple time in the sixteenth century
000428 (1994) Howard Mayer Brown [États-Unis]Ut musica poesis: Music and Poetry in France in the Late Sixteenth Century
000442 (1994) Frank Dobbins [Royaume-Uni]Music in French Theatre of the Late Sixteenth Century
000449 (1994) Isabelle HisItalianism and Claude Le Jeune
000486 (1992) Jeanice BrooksJean de Castro, the Pense partbooks and musical culture in sixteenth-century Lyons
000493 (1991) Bojan Buji [Royaume-Uni]‘Figura poetica molto vaga’: structure and meaning in Rinuccini's Euridice
000525 (1990) Tim Carter (musicologue) [Royaume-Uni]Music-printing in late sixteenth- and early seventeenth-century Florence: Giorgio Marescotti, Cristofano Marescotti and Zanobi Pignoni
000528 (1990) Craig MonsonElena Malvezzi's keyboard manuscript: a new sixteenth-century source
000534 (1990) David Bryant
000551 (1988) Giulio OngaroSixteenth-century patronage at St Mark's, Venice
000568 (1988) Index to Volumes 4–8
000588 (1986) Stanley BoormanSome non-conflicting attributions, and some newly anonymous compositions, from the early sixteenth century
000614 (1985) William F. PrizerMusic and ceremonial in the Low Countries: Philip the Fair and the Order of the Golden Fleece
000679 (1983) Richard J. AgeeThe Venetian privilege and music-printing in the sixteenth century
000680 (1983) Martin Morell [États-Unis]New evidence for the biographies of Andrea and Giovanni Gabrieli
000681 (1983) Frederick SmythIndex to Volume 1–3
000683 (1983) Mario Fabbri ; John NádasA newly discovered Trecento fragment: scribal concordances in late-medieval Florentine manuscripts
000704 (1982) Harold S. Powers [États-Unis]Modal representation in polyphonic offertories
000739 (1981) Jeremy Noble

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