List of bibliographic references indexed by 0261-1279
Number of relevant bibliographic references: 37.
Ident. | Authors (with country if any) | Title |
---|
000034 (2010) |
Kate Van Orden [États-Unis] ; Alfredo Vitolo [Italie] | PADRE MARTINI, GAETANO GASPARI AND THE ‘PAGLIARINI COLLECTION’: A RENAISSANCE MUSIC LIBRARY REDISCOVERED |
000059 (2009) |
Anthony Newcomb [États-Unis] | LUZZASCHI'S SETTING OF DANTE: ‘QUIVI SOSPIRI, PIANTI, ED ALTI GUAI’ |
000131 (2008) |
Alexis Luko [Canada] | TINCTORIS ON VARIETAS |
000134 (2008) |
Natascha Veldhorst [Pays-Bas] | PHARMACY FOR THE BODY AND SOUL: DUTCH SONGBOOKS IN THE SEVENTEENTH CENTURY |
000180 (2006) |
Renata Pieragostini | UNEXPECTED CONTEXTS: VIEWS OF MUSIC IN A NARRATIVE OF THE GREAT SCHISM |
000181 (2006) |
Donna G. Cardamone ; Cesare Corsi | THE CANZONE VILLANESCA AND COMIC CULTURE: THE GENESIS AND EVOLUTION OF A MIXED GENRE (1537–1557) |
000182 (2006) |
Richard Wistreich | PHILIPPE DE MONTE: NEW AUTOBIOGRAPHICAL DOCUMENTS |
000184 (2006) |
Philippe Canguilhem | LORENZO CORSINI'S ‘LIBRI DI CANZONE’ AND THE MADRIGAL IN MID-SIXTEENTH-CENTURY FLORENCE |
000189 (2006) |
Kate Van Orden [États-Unis] | CHILDREN'S VOICES: SINGING AND LITERACY IN SIXTEENTH-CENTURY FRANCE |
000203 (2005) |
Laurie Stras | ‘AL GIOCO SI CONOSCE IL GALANTUOMO’: ARTIFICE, HUMOUR AND PLAY IN THE ENIGMI MUSICALI OF DON LODOVICO AGOSTINI |
000259 (2003) |
Jeanice Brooks | O QUELLE ARMONYE: DIALOGUE SINGING IN LATE RENAISSANCE FRANCE |
000275 (2002) |
Robert Nosow [États-Unis] | THE DEBATE ON SONG IN THE ACCADEMIA FIORENTINA |
000277 (2002) |
Rebecca Wagner Oettinger [États-Unis] | RICHARD FREEDMAN, The Chansons of Orlando di Lasso and their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France. Eastman Studies in Music. Rochester, NY, University of Rochester Press. 2000. xxiv + 259 pp. |
000281 (2002) |
Stefano La Via | EROS AND THANATOS: A FICINIAN AND LAURENTIAN READING OF VERDELOT'S SÌ LIETA E GRATA MORTE |
000282 (2002) |
Christian Thomas Leitmeir [Allemagne] | CATHOLIC MUSIC IN THE DIOCESE OF AUGSBURG c.1600: A RECONSTRUCTED TRICINIUM ANTHOLOGY AND ITS CONFESSIONAL IMPLICATIONS |
000297 (2001) |
Rebecca Wagner Oettinger [États-Unis] | LUDWIG SENFL AND THE JUDAS TROPE: COMPOSITION AND RELIGIOUS TOLERATION AT THE BAVARIAN COURT |
000345 (1998) |
Christine Getz | The Sforza restoration and the founding of the ducal chapels at Santa Maria della Scala in Milan and Sant'Ambrogio in Vigevano |
000379 (1997) |
James Haar [États-Unis] | |
000402 (1995) |
Ruth I. Deford | Tempo relationships between duple and triple time in the sixteenth century |
000428 (1994) |
Howard Mayer Brown [États-Unis] | Ut musica poesis: Music and Poetry in France in the Late Sixteenth Century |
000442 (1994) |
Frank Dobbins [Royaume-Uni] | Music in French Theatre of the Late Sixteenth Century |
000449 (1994) |
Isabelle His | Italianism and Claude Le Jeune |
000486 (1992) |
Jeanice Brooks | Jean de Castro, the Pense partbooks and musical culture in sixteenth-century Lyons |
000493 (1991) |
Bojan Buji [Royaume-Uni] | ‘Figura poetica molto vaga’: structure and meaning in Rinuccini's Euridice |
000525 (1990) |
Tim Carter (musicologue) [Royaume-Uni] | Music-printing in late sixteenth- and early seventeenth-century Florence: Giorgio Marescotti, Cristofano Marescotti and Zanobi Pignoni |
000528 (1990) |
Craig Monson | Elena Malvezzi's keyboard manuscript: a new sixteenth-century source |
000534 (1990) |
David Bryant | |
000551 (1988) |
Giulio Ongaro | Sixteenth-century patronage at St Mark's, Venice |
000568 (1988) |
| Index to Volumes 4–8 |
000588 (1986) |
Stanley Boorman | Some non-conflicting attributions, and some newly anonymous compositions, from the early sixteenth century |
000614 (1985) |
William F. Prizer | Music and ceremonial in the Low Countries: Philip the Fair and the Order of the Golden Fleece |
000679 (1983) |
Richard J. Agee | The Venetian privilege and music-printing in the sixteenth century |
000680 (1983) |
Martin Morell [États-Unis] | New evidence for the biographies of Andrea and Giovanni Gabrieli |
000681 (1983) |
Frederick Smyth | Index to Volume 1–3 |
000683 (1983) |
Mario Fabbri ; John Nádas | A newly discovered Trecento fragment: scribal concordances in late-medieval Florentine manuscripts |
000704 (1982) |
Harold S. Powers [États-Unis] | Modal representation in polyphonic offertories |
000739 (1981) |
Jeremy Noble | |
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