List of bibliographic references indexed by musical
Number of relevant bibliographic references: 32.
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| Ident. | Authors (with country if any) | Title |
|---|
| 000004 (2013) |
Peter Pesic [États-Unis] | Euler’s Musical Mathematics |
| 000011 (2012) |
Richard Wistreich [Royaume-Uni] | Musical materials and cultural spaces |
| 000016 (2012) |
Laurent Guillo [France] ; Jean-Michel Noailly [France] ; Pierre Pidoux [France] | Un recueil parisien de psaumes, de chansons spirituelles et de motets (ca. 1565) : Genève BGE Ms. Mus. 572. |
| 000018 (2011) |
Daniele V. Filippi | Earthly Music, Interior Hearing, and Celestial Harmonies: Philippe de Monte’s First Book of Spiritual Madrigals (1581) |
| 000023 (2011) |
John Turci-Escobar [États-Unis] | Keeping Up with the Words: Expressive Phrase Overlapping in the Late Italian Madrigal |
| 000025 (2011) |
Elisabeth Klecker | Virginio grates carmine grata canam: Elisabeth Westonia an Philippe de Monte |
| 000027 (2011) |
Eckart David Schmidt [Allemagne] | Jesu, meine Freude. Zu einer theologischen und pragmatischen Hermeneutik von Text und Musik in J.S. Bachs Motette BWV 227 |
| 000040 (2010) |
Flora Dennis [Royaume-Uni] | Scattered knives and dismembered song: cutlery, music and the rituals of dining |
| 000043 (2010) |
Tomasz Jasi Ski | Bartłomiej Pękiel's Style of polyphony a cappella |
| 000147 (2008) |
Candace Brower | Paradoxes of Pitch Space |
| 000180 (2006) |
Renata Pieragostini | UNEXPECTED CONTEXTS: VIEWS OF MUSIC IN A NARRATIVE OF THE GREAT SCHISM |
| 000184 (2006) |
Philippe Canguilhem | LORENZO CORSINI'S ‘LIBRI DI CANZONE’ AND THE MADRIGAL IN MID-SIXTEENTH-CENTURY FLORENCE |
| 000186 (2006) |
Richard Freedman | Jean Guyot de Chatelet. Chansons, ed. Annie Coeurdevey and Philippe Vendrix. Collection Épitome musicale. (Minerve, Paris, 2001, €23. ISBN 2-86931-099-4.) Le Rossignol musical des chansons (Antwerp, 1597), ed. Gerald R. Hoekstra. Recent Researches in the Music of the Renaissance, 138. (A–R Editions, Middleton, Wis., 2004, $94. ISBN 0-89579-555-8.) |
| 000203 (2005) |
Laurie Stras | ‘AL GIOCO SI CONOSCE IL GALANTUOMO’: ARTIFICE, HUMOUR AND PLAY IN THE ENIGMI MUSICALI OF DON LODOVICO AGOSTINI |
| 000205 (2005) |
Roland Vaubel [Allemagne] | The Role of Competition in the Rise of Baroque and Renaissance Music |
| 000214 (2005) |
Sarah M. Stoycos | Making an Initial Impression: Lassus’s First Book of Five-Part Madrigals |
| 000218 (2005) |
John Griffiths | Fronimo de Vincenzo Galilei. By Philippe Canguilhem. pp. 235. Centre d’Études Supérieures de la Renaissance: Collection ‘Épitome musical’. (Minerve, Paris and Tours, 2001, €40. ISBN 2-86931-101-X.) |
| 000221 (2005) |
Michael J. Levin [États-Unis] ; Steven Zohn [États-Unis] | Don Juan de Austria and the Venetian music trade |
| 000224 (2005) |
Owen Rees [Royaume-Uni] | Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850 |
| 000257 (2003) |
Marco Della Sciucca | ‘S'Amor Non È’: Cesare Tudino and the Birth of the Purely Musical Dialogue |
| 000259 (2003) |
Jeanice Brooks | O QUELLE ARMONYE: DIALOGUE SINGING IN LATE RENAISSANCE FRANCE |
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