centuries < century < cerebral

Facettes : Author.f AffPays.f AffRegion.f AffVille.f AffOrg.f KwdFr.f Mesh.f MeshFr.f Teeft.f

List of bibliographic references indexed by century

Number of relevant bibliographic references: 32.
[0-20] [0 - 20][0 - 32][20-31][20-40]

Ident.	Authors (with country if any)	Title
000018 (2011)	Daniele V. Filippi	Earthly Music, Interior Hearing, and Celestial Harmonies: Philippe de Monte’s First Book of Spiritual Madrigals (1581)
000023 (2011)	John Turci-Escobar [États-Unis]	Keeping Up with the Words: Expressive Phrase Overlapping in the Late Italian Madrigal
000024 (2011)	Nele Gabriëls	Dedicating Music: The Case of Philippus de Monte’s Motet Prints
000027 (2011)	Eckart David Schmidt [Allemagne]	Jesu, meine Freude. Zu einer theologischen und pragmatischen Hermeneutik von Text und Musik in J.S. Bachs Motette BWV 227
000040 (2010)	Flora Dennis [Royaume-Uni]	Scattered knives and dismembered song: cutlery, music and the rituals of dining
000043 (2010)	Tomasz Jasi Ski	Bartłomiej Pękiel's Style of polyphony a cappella
000147 (2008)	Candace Brower	Paradoxes of Pitch Space
000149 (2007)	Eric Rice	Two Liturgical Responses to the Protestant Reformation at the Collegiate Church of Saint Mary in Aachen, 1570–1580
000178 (2006)	Andrew Johnstone	‘High’ clefs in composition and performance
000184 (2006)	Philippe Canguilhem	LORENZO CORSINI'S ‘LIBRI DI CANZONE’ AND THE MADRIGAL IN MID-SIXTEENTH-CENTURY FLORENCE
000189 (2006)	Kate Van Orden [États-Unis]	CHILDREN'S VOICES: SINGING AND LITERACY IN SIXTEENTH-CENTURY FRANCE
000203 (2005)	Laurie Stras	‘AL GIOCO SI CONOSCE IL GALANTUOMO’: ARTIFICE, HUMOUR AND PLAY IN THE ENIGMI MUSICALI OF DON LODOVICO AGOSTINI
000209 (2005)	Anna Maria Busse Berger	Review: Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music
000224 (2005)	Owen Rees [Royaume-Uni]	Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850
000229 (2005)	Peter Holman	17th-century England
000235 (2004)	Ruth I. Deford	Review: Music and Women of the Commedia dell'Arte in the Late Sixteenth Century
000244 (2004)	Richard Charteris [Australie]	A New Keyboard Work by Giovanni Gabrieli and the Relevance of Its Compositional Technique
000257 (2003)	Marco Della Sciucca	‘S'Amor Non È’: Cesare Tudino and the Birth of the Purely Musical Dialogue
000259 (2003)	Jeanice Brooks	O QUELLE ARMONYE: DIALOGUE SINGING IN LATE RENAISSANCE FRANCE
000274 (2002)	Anne Macneil [États-Unis]	The nature of commitment: Vincenzo Gonzaga's patronage strategies in the wake of the fall of Ferrara
000275 (2002)	Robert Nosow [États-Unis]	THE DEBATE ON SONG IN THE ACCADEMIA FIORENTINA

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