| 000235 (2004) |
Ruth I. Deford | Review: Music and Women of the Commedia dell'Arte in the Late Sixteenth Century |
| 000209 (2005) |
Anna Maria Busse Berger | Review: Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music |
| 000233 (2004) |
Thorsten Hindrichs | Review: The Guitar and its Music: From the Renaissance to the Classical Era |
| 000277 (2002) |
Rebecca Wagner Oettinger [États-Unis] | RICHARD FREEDMAN, The Chansons of Orlando di Lasso and their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France. Eastman Studies in Music. Rochester, NY, University of Rochester Press. 2000. xxiv + 259 pp. |
| 000278 (2002) |
James Garratt | Performing Renaissance Church Music in Nineteenth‐Century Germany: Issues and Challenges in the Study of Performative Reception |
| 000679 (1983) |
Richard J. Agee | The Venetian privilege and music-printing in the sixteenth century |
| 000045 (2009) |
Thomas Schmidt-Beste | Private or Institutional—Small or Big? Towards a Typology of Polyphonic Sources of Renaissance Music |
| 000184 (2006) |
Philippe Canguilhem | LORENZO CORSINI'S ‘LIBRI DI CANZONE’ AND THE MADRIGAL IN MID-SIXTEENTH-CENTURY FLORENCE |
| 000186 (2006) |
Richard Freedman | Jean Guyot de Chatelet. Chansons, ed. Annie Coeurdevey and Philippe Vendrix. Collection Épitome musicale. (Minerve, Paris, 2001, €23. ISBN 2-86931-099-4.) Le Rossignol musical des chansons (Antwerp, 1597), ed. Gerald R. Hoekstra. Recent Researches in the Music of the Renaissance, 138. (A–R Editions, Middleton, Wis., 2004, $94. ISBN 0-89579-555-8.) |
| 000189 (2006) |
Kate Van Orden [États-Unis] | CHILDREN'S VOICES: SINGING AND LITERACY IN SIXTEENTH-CENTURY FRANCE |
| 000190 (2006) |
W. Jay Dowling | Book Review: Conceptualizing Music: Cognitive Structure, Theory and Analyses |
| 000205 (2005) |
Roland Vaubel [Allemagne] | The Role of Competition in the Rise of Baroque and Renaissance Music |
| 000652 (1984) |
G. Benecke ; P. Broadhead | The Sixteenth Century |
| 000653 (1984) |
Carroll Gonzo [États-Unis] | Source Readings in Music Education History |
| 000795 (1978) |
| Music in the Renaissance |
| 000796 (1978) |
Terence J. O'Grady | Medieval and Renaissance Riches: Overlooked Early Music for Small Ensembles |
| 000911 (1971) |
Ernest F. Livingston | The Place of Music in German Education Around 1600 |
| 000927 (1970) |
Roderick Dean Gordon | Doctoral Dissertations in Music and Music Education |
| 000969 (1966) |
Robert Vaguer | A Selective List of Choral and Vocal Music with Wind and Percussion Accompaniments |
| 000A12 (1961) |
Justin Gray [États-Unis] | A Personal Philosophy of Music Education |
| 000A53 (1957) |
| Bibliography of Research Studies in Music Education 1949–1956 |
| 000A64 (1955) |
William A. Larson | Research Studies in Music Education |
| 000A73 (1954) |
George Bielow | Music in the Renaissance |
| 000B56 (1939) |
| Choral Music |
| 000B64 (1938) |
| Choral Music |
| 000B76 (1937) |
| Choral Music |
| 000B90 (1935) |
Huldah Jane Kenley | Choral Octavo |
| 000B91 (1935) |
| Choral Octavo |
| 000C01 (1934) |
| More Choral Octavo |
| 000C06 (1934) |
| Choral Octavo |
| 000C07 (1934) |
| Choral Music |
| 000C20 (1932) |
| Choral Octavo |
| 000C38 (1929) |
Huldah Jane Kenley | Choral Octavo |
| 000018 (2011) |
Daniele V. Filippi | Earthly Music, Interior Hearing, and Celestial Harmonies: Philippe de Monte’s First Book of Spiritual Madrigals (1581) |
| 000024 (2011) |
Nele Gabriëls | Dedicating Music: The Case of Philippus de Monte’s Motet Prints |
| 000040 (2010) |
Flora Dennis [Royaume-Uni] | Scattered knives and dismembered song: cutlery, music and the rituals of dining |
| 000066 (2009) |
Melanie L. Marshall | Warrior, Courtier, Singer: Giulio Cesare Brancaccio and the Performance of Identity in the Late Renaissance ‐ by Richard Wistreich |
| 000069 (2009) |
Katia Madsen [États-Unis] | Effect of aural and visual presentation modes on Argentine and US musicians' evaluations of conducting and choral performance |
| 000127 (2008) |
Richard Charteris | Some Early Music Editions in Brussels and Regensburg: their historical connections unveiled |
| 000164 (2007) |
Frank Dobbins | Music, Discipline and Arms in Early Modern France ‐ By Kate van Orden |
| 000166 (2007) |
Marvin Carlson | Book Review: L'arte del buffone. Maschere e spettacolo tra Italia e Baviera nel XVI secolo |
| 000180 (2006) |
Renata Pieragostini | UNEXPECTED CONTEXTS: VIEWS OF MUSIC IN A NARRATIVE OF THE GREAT SCHISM |
| 000202 (2005) |
| ‘Music & Letters’ Awards and Authors of Articles in This Issue |
| 000207 (2005) |
G. Yvonne Kendall | Review: The Almain in Britain, c.1549–c.1675: A Dance Manual from Manuscript Sources |
| 000208 (2005) |
Peter Bergquist | Review: Philipp de Monte (1521–1603): Komponist, Kapellmeister, Korrespondent |
| 000210 (2005) |
Arnold Whittall [Royaume-Uni] | Review: Death-Devoted Heart: Sex and the Sacred in Wagner’s Tristan and Isolde |
| 000211 (2005) |
Magnus Williamson | Renaissance polyphony |
| 000218 (2005) |
John Griffiths | Fronimo de Vincenzo Galilei. By Philippe Canguilhem. pp. 235. Centre d’Études Supérieures de la Renaissance: Collection ‘Épitome musical’. (Minerve, Paris and Tours, 2001, €40. ISBN 2-86931-101-X.) |
| 000221 (2005) |
Michael J. Levin [États-Unis] ; Steven Zohn [États-Unis] | Don Juan de Austria and the Venetian music trade |
| 000224 (2005) |
Owen Rees [Royaume-Uni] | Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850 |
| 000229 (2005) |
Peter Holman | 17th-century England |
| 000231 (2004) |
David Kidger | Willaert and Gabrieli secular music |
| 000232 (2004) |
Bernadette Nelson | The court of don Fernando de Aragón, Duke of Calabria in Valencia, c.1526–c.1550: music, letters and the meeting of cultures |
| 000234 (2004) |
Peter Bergquist | Review: Roland de Lassus |
| 000236 (2004) |
Kristine K. Forney | Review: Liber sextus sacrarum cantionum |
| 000237 (2004) |
Stephen Self | Review: Fortuna desperata: Thirty‐six Settings of an Italian Song |
| 000238 (2004) |
Stephen Self | Review: De tous biens plaine: Twenty‐eight Settings of Hayne van Ghizeghem's Chanson |
| 000239 (2004) |
Fabrice Fitch | Renaissance miscellany |
| 000240 (2004) |
Benjamin Ivry | Recordings in Review |
| 000242 (2004) |
Franz Ko Rndle | Orlando di Lasso's ‘Fireworks’ music |
| 000259 (2003) |
Jeanice Brooks | O QUELLE ARMONYE: DIALOGUE SINGING IN LATE RENAISSANCE FRANCE |
| 000276 (2002) |
Richard Freedman | Review: Four‐Voice Motets from the Motetti del fiore Series: Part II |
| 000282 (2002) |
Christian Thomas Leitmeir [Allemagne] | CATHOLIC MUSIC IN THE DIOCESE OF AUGSBURG c.1600: A RECONSTRUCTED TRICINIUM ANTHOLOGY AND ITS CONFESSIONAL IMPLICATIONS |
| 000358 (1998) |
Anita P. Davis | Performance Achievement and Analysis of Teaching during Choral Rehearsals |
| 000378 (1997) |
M. A. Katritzky [Royaume-Uni] | Harlequin in Renaissance pictures |
| 000423 (1995) |
Judith Blezzard | Monsters and Messages: The Willmott and Braikenridge Manuscripts of Latin Tudor Church Music, 1591 |
| 000511 (1991) |
| Record Review |
| 000547 (1989) |
Larry Wyatt [États-Unis] | High School Choral Literature Selection Composers, Genres and Country of Origin |
| 000826 (1977) |
Marvin Greenberg | Music for Young Children |
| 000902 (1972) |
| The Psychology of Music |
| 000903 (1972) |
William S. Newman | The Music Forum, Volume II |
| 000932 (1969) |
Ernest C. Krohn | The New Oxford History of Music |
| 000967 (1966) |
Erwin H. Schneider | Music Therapy for Handicapped Children |
| 000A09 (1961) |
| The Education of Teachers: Certification |
| 000A11 (1961) |
| Music Theory: A Syllabus for Teacher and Student |
| 000A18 (1960) |
Victor H. Baumann | Teen-Age Music Preferences |
| 000B32 (1943) |
Luis Sandi | Music Activities in Mexico |
| 000B37 (1941) |
| Music for American Unity |
| 000B54 (1939) |
| Orchestra Music |
| 000B55 (1939) |
| Ensemble Music: Wind Instruments |
| 000B63 (1938) |
| State and National School Music Competition-Festivals |
| 000B75 (1937) |
| Choral |
| 000B77 (1937) |
| Cantatas and Choral Cycles |
| 000B81 (1936) |
| Eastern Music Educators Conference |
| 000B89 (1935) |
| Eastern Music Educators Conference |
| 000C05 (1934) |
Susan T. Canfield | Choral: The Grasshopper |
| 000C10 (1933) |
| North Central Music Supervisors Conference |
| 000C15 (1932) |
Inez Field Damon | Notes on the National Orchestra and Chorus Music |
| 000C33 (1930) |
Susan T. Canfield | The Music Hour in the Kindergarten and First Grade |
