David Crook, Orlando di Lasso’s Imitation Magnificats for Counter‐Reformation Munich
Identifieur interne : 000341 ( Main/Exploration ); précédent : 000340; suivant : 000342David Crook, Orlando di Lasso’s Imitation Magnificats for Counter‐Reformation Munich
Auteurs : Russell E. Murray Jr.Source :
- Music Analysis [ 0262-5245 ] ; 1999-07.
English descriptors
- Teeft :
- American musicological society, Bavarian, Bavarian court, Blackwell, Blackwell publishers, Cadence, Cadential, Cadential structure, Cambridge university press, Canticle, Canticle tone, Cantus, Cantus firmus, Cantus firmus magnificats, Crook, Crook notes, Crook points, Fifth tone, Firmus, Genre, Harold powers, Imitation magnificat, Imitation magnificats, Imitation mass, Imitation pieces, Intertextuality, Lasso, Literary intertextuality, Liturgical, Magnificat, Magnificat aria, Magnificat settings, Mediant, Mediant cadences, Melodic formula, Melodic tone, Modallyordered sets, Music analysis, Musical structures, Orum, Other hand, Other tones, Parallel mode, Patrocinium musices, Patrona bavariae, Personal interest, Pietro pontio, Polyphonic, Polyphonic magnificat, Polyphony, Pontio, Psalm tone, Ragionamento, Ritical, Same time, Seventh tone, Simple polyphony, Tonal, Tonal practice, Tonal structure, Tonal type, Tonal types, Tonus peregrinus, Tridentine liturgy, Vespers, Vespers polyphony.
Url:
DOI: 10.1111/1468-2249.00094
Affiliations:
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Le document en format XML
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