List of bibliographic references
Number of relevant bibliographic references: 20.
| Ident. | Authors (with country if any) | Title |
|---|
| 000003 (2002) |
Rebecca Wagner Oettinger [États-Unis] | RICHARD FREEDMAN, The Chansons of Orlando di Lasso and their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France. Eastman Studies in Music. Rochester, NY, University of Rochester Press. 2000. xxiv + 259 pp. |
| 000008 (2002) |
Christian Thomas Leitmeir [Allemagne] | CATHOLIC MUSIC IN THE DIOCESE OF AUGSBURG c.1600: A RECONSTRUCTED TRICINIUM ANTHOLOGY AND ITS CONFESSIONAL IMPLICATIONS |
| 000016 (2001) |
Rebecca Wagner Oettinger [États-Unis] | LUDWIG SENFL AND THE JUDAS TROPE: COMPOSITION AND RELIGIOUS TOLERATION AT THE BAVARIAN COURT |
| 000052 (2011) |
Nele Gabriëls | Dedicating Music: The Case of Philippus de Monte’s Motet Prints |
| 000067 (2007) |
Eric Rice | Two Liturgical Responses to the Protestant Reformation at the Collegiate Church of Saint Mary in Aachen, 1570–1580 |
| 000111 (2006) |
Kate Van Orden [États-Unis] | CHILDREN'S VOICES: SINGING AND LITERACY IN SIXTEENTH-CENTURY FRANCE |
| 000149 (2003) |
Marco Della Sciucca | ‘S'Amor Non È’: Cesare Tudino and the Birth of the Purely Musical Dialogue |
| 000205 (1983) |
Richard J. Agee | The Venetian privilege and music-printing in the sixteenth century |
| 000382 (2011) |
Daniele V. Filippi | Earthly Music, Interior Hearing, and Celestial Harmonies: Philippe de Monte’s First Book of Spiritual Madrigals (1581) |
| 000425 (2006) |
Philippe Canguilhem | LORENZO CORSINI'S ‘LIBRI DI CANZONE’ AND THE MADRIGAL IN MID-SIXTEENTH-CENTURY FLORENCE |
| 000456 (1983) |
Martin Morell [États-Unis] | New evidence for the biographies of Andrea and Giovanni Gabrieli |
| 000488 (2005) |
Laurie Stras | ‘AL GIOCO SI CONOSCE IL GALANTUOMO’: ARTIFICE, HUMOUR AND PLAY IN THE ENIGMI MUSICALI OF DON LODOVICO AGOSTINI |
| 000675 (2003) |
Jeanice Brooks | O QUELLE ARMONYE: DIALOGUE SINGING IN LATE RENAISSANCE FRANCE |
| 000715 (2010) |
Flora Dennis [Royaume-Uni] | Scattered knives and dismembered song: cutlery, music and the rituals of dining |
| 000850 (2004) |
Ruth I. Deford | Review: Music and Women of the Commedia dell'Arte in the Late Sixteenth Century |
| 000958 (2002) |
Stefano La Via | EROS AND THANATOS: A FICINIAN AND LAURENTIAN READING OF VERDELOT'S SÌ LIETA E GRATA MORTE |
| 000976 (2002) |
Robert Nosow [États-Unis] | THE DEBATE ON SONG IN THE ACCADEMIA FIORENTINA |
| 000B23 (1964) |
John C. G. Waterhouse | The Italian Avant-Garde and National Tradition |
| 000B74 (2011) |
John Turci-Escobar [États-Unis] | Keeping Up with the Words: Expressive Phrase Overlapping in the Late Italian Madrigal |
| 000C27 (1984) |
G. Benecke ; P. Broadhead | The Sixteenth Century |
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