List of bibliographic references
Number of relevant bibliographic references: 32.
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| Ident. | Authors (with country if any) | Title |
|---|
| 000003 (2002) |
Rebecca Wagner Oettinger [États-Unis] | RICHARD FREEDMAN, The Chansons of Orlando di Lasso and their Protestant Listeners: Music, Piety, and Print in Sixteenth-Century France. Eastman Studies in Music. Rochester, NY, University of Rochester Press. 2000. xxiv + 259 pp. |
| 000008 (2002) |
Christian Thomas Leitmeir [Allemagne] | CATHOLIC MUSIC IN THE DIOCESE OF AUGSBURG c.1600: A RECONSTRUCTED TRICINIUM ANTHOLOGY AND ITS CONFESSIONAL IMPLICATIONS |
| 000016 (2001) |
Rebecca Wagner Oettinger [États-Unis] | LUDWIG SENFL AND THE JUDAS TROPE: COMPOSITION AND RELIGIOUS TOLERATION AT THE BAVARIAN COURT |
| 000052 (2011) |
Nele Gabriëls | Dedicating Music: The Case of Philippus de Monte’s Motet Prints |
| 000067 (2007) |
Eric Rice | Two Liturgical Responses to the Protestant Reformation at the Collegiate Church of Saint Mary in Aachen, 1570–1580 |
| 000111 (2006) |
Kate Van Orden [États-Unis] | CHILDREN'S VOICES: SINGING AND LITERACY IN SIXTEENTH-CENTURY FRANCE |
| 000134 (2006) |
Andrew Johnstone | ‘High’ clefs in composition and performance |
| 000149 (2003) |
Marco Della Sciucca | ‘S'Amor Non È’: Cesare Tudino and the Birth of the Purely Musical Dialogue |
| 000205 (1983) |
Richard J. Agee | The Venetian privilege and music-printing in the sixteenth century |
| 000301 (2005) |
Owen Rees [Royaume-Uni] | Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850 |
| 000382 (2011) |
Daniele V. Filippi | Earthly Music, Interior Hearing, and Celestial Harmonies: Philippe de Monte’s First Book of Spiritual Madrigals (1581) |
| 000425 (2006) |
Philippe Canguilhem | LORENZO CORSINI'S ‘LIBRI DI CANZONE’ AND THE MADRIGAL IN MID-SIXTEENTH-CENTURY FLORENCE |
| 000456 (1983) |
Martin Morell [États-Unis] | New evidence for the biographies of Andrea and Giovanni Gabrieli |
| 000488 (2005) |
Laurie Stras | ‘AL GIOCO SI CONOSCE IL GALANTUOMO’: ARTIFICE, HUMOUR AND PLAY IN THE ENIGMI MUSICALI OF DON LODOVICO AGOSTINI |
| 000546 (2002) |
James Garratt | Performing Renaissance Church Music in Nineteenth‐Century Germany: Issues and Challenges in the Study of Performative Reception |
| 000573 (2010) |
Tomasz Jasi Ski | Bartłomiej Pękiel's Style of polyphony a cappella |
| 000616 (2011) |
Eckart David Schmidt [Allemagne] | Jesu, meine Freude. Zu einer theologischen und pragmatischen Hermeneutik von Text und Musik in J.S. Bachs Motette BWV 227 |
| 000669 (2005) |
Anna Maria Busse Berger | Review: Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music |
| 000675 (2003) |
Jeanice Brooks | O QUELLE ARMONYE: DIALOGUE SINGING IN LATE RENAISSANCE FRANCE |
| 000708 (2004) |
Richard Charteris [Australie] | A New Keyboard Work by Giovanni Gabrieli and the Relevance of Its Compositional Technique |
| 000715 (2010) |
Flora Dennis [Royaume-Uni] | Scattered knives and dismembered song: cutlery, music and the rituals of dining |
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