Book Review: L'arte del buffone. Maschere e spettacolo tra Italia e Baviera nel XVI secolo
Identifieur interne : 000487 ( Istex/Curation ); précédent : 000486; suivant : 000488Book Review: L'arte del buffone. Maschere e spettacolo tra Italia e Baviera nel XVI secolo
Auteurs : Marvin CarlsonSource :
- Forum italicum [ 0014-5858 ] ; 2007.
English descriptors
- Teeft :
- Actual crafts, Addition ofthe, Aiso, Aiso centrai, Anaiysis, Anelli, Anelli christopher newport university daniele vianello, Atellan, Austrian courts, Baviera, Bellissima, Book reviews, Book reviews tradition, Buffone, Buffoni, Bulzoni, Bulzoni editore, Caravia, Carefui, Carnivai, Centrai, Ciassic, Ciassic atellan farce, Civic celebrations, Commedia, Commedia companies, Commedia images, Commedia performers, Commedia themes, Commedia tradition, Contlated, Dance performance, Daniele, Daniele vianello, Dazziing, Dazziing array, Descriptions oftheir activity show, Dialoghi, Dialogic, Dialogic lazzi, Documentary information, Domenego, Domenego tagliocalze, Domenico, Domenico tagliocalze, Early renaissance venice, Early venice, Editore, Eisewhere, Entertainrnent, Entertainrnents, Evolutionary model, Fertile ground, Festivais, First part ofhis, First time, Flemish master ofspectacles, Foundational, Foundational study, Frequent appearance, Fresh perspectives, Generai, German court festivais, Gonzaga, Gonzaga courts, Grand narrative, Grand narrative model, Historia, Historia bellissima, History ofeuropean theater, Iconographic, Iconographic material, Improvisation, Individuai, Innovative, Innovative contribution, Innovative study, Intermezzo, Italia, Italian studies, Lamento, Late medievalchurch, Lazzi, Lebrations, Longdiscredited, Longdiscredited theory ofthe rise ofthe renaissance drama, Ltalian, Ltalian entertainrnents, Many generations, Many ltalian entertainrnents, Many types, Many years, Marin diary, Marriage celebrations, Marvin carlson graduate center, Maschere, Medievalchurch, More generai ltalian influence, Much ofthe, Munich court, Munich entertainments, Nuanced, Nuanced understanding, Occiuded, Ofbavaria, Ofeuropean, Ofhis, Ofincreasing, Ofincreasing elaboration ofreligious tropes, Ofmaterial, Ofreligious, Ofspectacles, Ofthat, Ofthat evidence, Ofthe, Oftheir, Ofthese, Ofwhich, Ottava, Ottava rima compositions, Particular performance manifestations, Performance tradition, Performance world, Personal contact, Preciselythis, Preciselythis fate, Primary evidence, Professional companies, Renata, Reperto, Rich performance culture, Rima, Roma, Same carefui anaiysis, Scenari, Schiavonesca, Secolo, Second part, Seri, Significant performance cultures, Sogno, Specific commedia masks, Specific commedia performances, Spettacolo, Standard source, Stringed instrument, Such performances, Suppression ofmaterial, Tagliocalze, Terrorism, Testamento, Theater historians, Theater history, Themes films, Themseives, Third part, Thoughtfui, Totalizing, Totalizing narrative, Traditional scholarship, Troiano, Trope, Understanding ofthe, Unique details, Unique source, Unstudied, Unstudied documents, Value ofthe study, Venetian buffoni, Vianeho, Vianello, Visuai, Zuan, Zuan polo, Zuan polo alla schiavonesca.
Url:
DOI: 10.1177/001458580704100235
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: Pour aller vers cette notice dans l'étape Curation :000489
Links to Exploration step
ISTEX:A6010FE8FCE9ED3BA4FC274E6640BC2785D9312ECuration
No country items
Marvin Carlson<affiliation><mods:affiliation>Graduate Center, C.U.N.Y</mods:affiliation>
<wicri:noCountry code="subField">C.U.N.Y</wicri:noCountry>
</affiliation>
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Book Review: L'arte del buffone. Maschere e spettacolo tra Italia e Baviera nel XVI secolo</title>
<author wicri:is="90%"><name sortKey="Carlson, Marvin" sort="Carlson, Marvin" uniqKey="Carlson M" first="Marvin" last="Carlson">Marvin Carlson</name>
<affiliation><mods:affiliation>Graduate Center, C.U.N.Y</mods:affiliation>
<wicri:noCountry code="subField">C.U.N.Y</wicri:noCountry>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:A6010FE8FCE9ED3BA4FC274E6640BC2785D9312E</idno>
<date when="2007" year="2007">2007</date>
<idno type="doi">10.1177/001458580704100235</idno>
<idno type="url">https://api.istex.fr/document/A6010FE8FCE9ED3BA4FC274E6640BC2785D9312E/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000489</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000489</idno>
<idno type="wicri:Area/Istex/Curation">000487</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">Book Review: L'arte del buffone. Maschere e spettacolo tra Italia e Baviera nel XVI secolo</title>
<author wicri:is="90%"><name sortKey="Carlson, Marvin" sort="Carlson, Marvin" uniqKey="Carlson M" first="Marvin" last="Carlson">Marvin Carlson</name>
<affiliation><mods:affiliation>Graduate Center, C.U.N.Y</mods:affiliation>
<wicri:noCountry code="subField">C.U.N.Y</wicri:noCountry>
</affiliation>
</author>
</analytic>
<monogr></monogr>
<series><title level="j">Forum italicum</title>
<idno type="ISSN">0014-5858</idno>
<idno type="eISSN">2168-989X</idno>
<imprint><publisher>SAGE Publications</publisher>
<pubPlace>Sage UK: London, England</pubPlace>
<date type="published" when="2007">2007</date>
<biblScope unit="volume">41</biblScope>
<biblScope unit="issue">2</biblScope>
<biblScope unit="page" from="563">563</biblScope>
<biblScope unit="page" to="564">564</biblScope>
</imprint>
<idno type="ISSN">0014-5858</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">0014-5858</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass><keywords scheme="Teeft" xml:lang="en"><term>Actual crafts</term>
<term>Addition ofthe</term>
<term>Aiso</term>
<term>Aiso centrai</term>
<term>Anaiysis</term>
<term>Anelli</term>
<term>Anelli christopher newport university daniele vianello</term>
<term>Atellan</term>
<term>Austrian courts</term>
<term>Baviera</term>
<term>Bellissima</term>
<term>Book reviews</term>
<term>Book reviews tradition</term>
<term>Buffone</term>
<term>Buffoni</term>
<term>Bulzoni</term>
<term>Bulzoni editore</term>
<term>Caravia</term>
<term>Carefui</term>
<term>Carnivai</term>
<term>Centrai</term>
<term>Ciassic</term>
<term>Ciassic atellan farce</term>
<term>Civic celebrations</term>
<term>Commedia</term>
<term>Commedia companies</term>
<term>Commedia images</term>
<term>Commedia performers</term>
<term>Commedia themes</term>
<term>Commedia tradition</term>
<term>Contlated</term>
<term>Dance performance</term>
<term>Daniele</term>
<term>Daniele vianello</term>
<term>Dazziing</term>
<term>Dazziing array</term>
<term>Descriptions oftheir activity show</term>
<term>Dialoghi</term>
<term>Dialogic</term>
<term>Dialogic lazzi</term>
<term>Documentary information</term>
<term>Domenego</term>
<term>Domenego tagliocalze</term>
<term>Domenico</term>
<term>Domenico tagliocalze</term>
<term>Early renaissance venice</term>
<term>Early venice</term>
<term>Editore</term>
<term>Eisewhere</term>
<term>Entertainrnent</term>
<term>Entertainrnents</term>
<term>Evolutionary model</term>
<term>Fertile ground</term>
<term>Festivais</term>
<term>First part ofhis</term>
<term>First time</term>
<term>Flemish master ofspectacles</term>
<term>Foundational</term>
<term>Foundational study</term>
<term>Frequent appearance</term>
<term>Fresh perspectives</term>
<term>Generai</term>
<term>German court festivais</term>
<term>Gonzaga</term>
<term>Gonzaga courts</term>
<term>Grand narrative</term>
<term>Grand narrative model</term>
<term>Historia</term>
<term>Historia bellissima</term>
<term>History ofeuropean theater</term>
<term>Iconographic</term>
<term>Iconographic material</term>
<term>Improvisation</term>
<term>Individuai</term>
<term>Innovative</term>
<term>Innovative contribution</term>
<term>Innovative study</term>
<term>Intermezzo</term>
<term>Italia</term>
<term>Italian studies</term>
<term>Lamento</term>
<term>Late medievalchurch</term>
<term>Lazzi</term>
<term>Lebrations</term>
<term>Longdiscredited</term>
<term>Longdiscredited theory ofthe rise ofthe renaissance drama</term>
<term>Ltalian</term>
<term>Ltalian entertainrnents</term>
<term>Many generations</term>
<term>Many ltalian entertainrnents</term>
<term>Many types</term>
<term>Many years</term>
<term>Marin diary</term>
<term>Marriage celebrations</term>
<term>Marvin carlson graduate center</term>
<term>Maschere</term>
<term>Medievalchurch</term>
<term>More generai ltalian influence</term>
<term>Much ofthe</term>
<term>Munich court</term>
<term>Munich entertainments</term>
<term>Nuanced</term>
<term>Nuanced understanding</term>
<term>Occiuded</term>
<term>Ofbavaria</term>
<term>Ofeuropean</term>
<term>Ofhis</term>
<term>Ofincreasing</term>
<term>Ofincreasing elaboration ofreligious tropes</term>
<term>Ofmaterial</term>
<term>Ofreligious</term>
<term>Ofspectacles</term>
<term>Ofthat</term>
<term>Ofthat evidence</term>
<term>Ofthe</term>
<term>Oftheir</term>
<term>Ofthese</term>
<term>Ofwhich</term>
<term>Ottava</term>
<term>Ottava rima compositions</term>
<term>Particular performance manifestations</term>
<term>Performance tradition</term>
<term>Performance world</term>
<term>Personal contact</term>
<term>Preciselythis</term>
<term>Preciselythis fate</term>
<term>Primary evidence</term>
<term>Professional companies</term>
<term>Renata</term>
<term>Reperto</term>
<term>Rich performance culture</term>
<term>Rima</term>
<term>Roma</term>
<term>Same carefui anaiysis</term>
<term>Scenari</term>
<term>Schiavonesca</term>
<term>Secolo</term>
<term>Second part</term>
<term>Seri</term>
<term>Significant performance cultures</term>
<term>Sogno</term>
<term>Specific commedia masks</term>
<term>Specific commedia performances</term>
<term>Spettacolo</term>
<term>Standard source</term>
<term>Stringed instrument</term>
<term>Such performances</term>
<term>Suppression ofmaterial</term>
<term>Tagliocalze</term>
<term>Terrorism</term>
<term>Testamento</term>
<term>Theater historians</term>
<term>Theater history</term>
<term>Themes films</term>
<term>Themseives</term>
<term>Third part</term>
<term>Thoughtfui</term>
<term>Totalizing</term>
<term>Totalizing narrative</term>
<term>Traditional scholarship</term>
<term>Troiano</term>
<term>Trope</term>
<term>Understanding ofthe</term>
<term>Unique details</term>
<term>Unique source</term>
<term>Unstudied</term>
<term>Unstudied documents</term>
<term>Value ofthe study</term>
<term>Venetian buffoni</term>
<term>Vianeho</term>
<term>Vianello</term>
<term>Visuai</term>
<term>Zuan</term>
<term>Zuan polo</term>
<term>Zuan polo alla schiavonesca</term>
</keywords>
</textClass>
<langUsage><language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
</TEI>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/LassusV2/Data/Istex/Curation
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000487 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Istex/Curation/biblio.hfd -nk 000487 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= LassusV2 |flux= Istex |étape= Curation |type= RBID |clé= ISTEX:A6010FE8FCE9ED3BA4FC274E6640BC2785D9312E |texte= Book Review: L'arte del buffone. Maschere e spettacolo tra Italia e Baviera nel XVI secolo }}
This area was generated with Dilib version V0.6.33. |