Early Music < Early Music History < English Historical Review

Facettes : Author.f

List of bibliographic references

Number of relevant bibliographic references: 21.
[0-20] [0 - 20][0 - 21][20-20][20-40]

Ident.	Authors (with country if any)	Title
000006 (1982)	Harold S. Powers	Modal representation in polyphonic offertories
000064 (1981)	Jeremy Noble
000066 (1998)	Christine Getz	The Sforza restoration and the founding of the ducal chapels at Santa Maria della Scala in Milan and Sant'Ambrogio in Vigevano
000092 (1992)	Jeanice Brooks	Jean de Castro, the Pense partbooks and musical culture in sixteenth-century Lyons
000159 (1994)	Howard Mayer Brown	Ut musica poesis: Music and Poetry in France in the Late Sixteenth Century
000196 (1990)	Craig Monson	Elena Malvezzi's keyboard manuscript: a new sixteenth-century source
000209 (1990)	David Bryant
000233 (1995)	Ruth I. Deford	Tempo relationships between duple and triple time in the sixteenth century
000398 (1994)	Isabelle His	Italianism and Claude Le Jeune
000404 (1985)	William F. Prizer	Music and ceremonial in the Low Countries: Philip the Fair and the Order of the Golden Fleece
000422 (2008)	Alexis Luko	TINCTORIS ON VARIETAS
000453 (1997)	James Haar
000504 (1988)		Index to Volumes 4–8
000664 (1994)	Frank Dobbins	Music in French Theatre of the Late Sixteenth Century
000722 (2009)	Anthony Newcomb	LUZZASCHI'S SETTING OF DANTE: ‘QUIVI SOSPIRI, PIANTI, ED ALTI GUAI’
000793 (2010)	Kate Van Orden ; Alfredo Vitolo	PADRE MARTINI, GAETANO GASPARI AND THE ‘PAGLIARINI COLLECTION’: A RENAISSANCE MUSIC LIBRARY REDISCOVERED
000930 (1986)	Stanley Boorman	Some non-conflicting attributions, and some newly anonymous compositions, from the early sixteenth century
000A42 (1988)	Giulio Ongaro	Sixteenth-century patronage at St Mark's, Venice
000B63 (2008)	Natascha Veldhorst	PHARMACY FOR THE BODY AND SOUL: DUTCH SONGBOOKS IN THE SEVENTEENTH CENTURY
000B92 (1991)	Bojan Buji	‘Figura poetica molto vaga’: structure and meaning in Rinuccini's Euridice
000C45 (1990)	Tim Carter	Music-printing in late sixteenth- and early seventeenth-century Florence: Giorgio Marescotti, Cristofano Marescotti and Zanobi Pignoni

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