Back Matter
Identifieur interne : 000C72 ( Istex/Corpus ); précédent : 000C71; suivant : 000C73Back Matter
Auteurs :Source :
- Music educators journal [ 0027-4321 ] ; 1964-NaN.
English descriptors
- Teeft :
- American music, Angled valve section, Application forms, Artists awards, August, Band booster, Basic core, Bell front, Better music stores, Brass institute, Brass instrument, Brass instruments, Carlos chavez, Catalog, Choral, Choral composition contest, Choral music, Church music, Church musicians, Clarinet, Complete information, Conservatory, Couesnon, Couesnon bell front, Dancesymphony drama, Deadline date, Degree programs, Director bachelor, Eastman, Eastman school, Educational institutions, Everett gates, Fine arts, Fluegel horn, Free brochure, Full symph, Further details, Further information, Gordon finlay, Guest conductors, Hall overton, High school, High school music festival, High school musicians, Important increase, Indiana university, Instrumental music, Interlochen, Jester hairston, July, June, Kansas city, Machine shop, Major instrument, Mantle hood, Master card, Menc, Music camp, Music clubs, Music education, Music educator, Music educators, Music educators journal, Music educatorsnational conference, Music faculty, Music industry council, Music music, National federation, National music camp, National school orchestra association, Oberlin conservatory faculty, Orff, Pacific music camp, Paul christiansen, Philadelphia orchestra, Physiology, Piano teachers, Private instruction, Professor emeritus, Rental chorus, Richard strauss, Rochester, Rochester eastman school, Rochester philharmonic professor, Roosevelt university, Satb, School methods, Secondary schools, Selmer, Selmer series, Seminar, Sibley music library, Single copies, Slide grease, Special students, String parts, String quartet, Sufficient time, Summer session, Teaching music, Technique seminar, Tuba, Universityof, Vanett lawler, Voice class, Westminster choir, Wind instrument, Woodwind, York city, Young musician.
Url:
DOI: 10.2307/3390233
Links to Exploration step
ISTEX:049F10877BBDDA7F9F70E10E52E5C136726DD293Le document en format XML
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Russell</json:string><json:string>Dorothy Gillett</json:string><json:string>Robert Parris</json:string><json:string>Allen Dwight</json:string><json:string>Donald Martino</json:string><json:string>Paul Strub</json:string><json:string>Benny Mouthpieces</json:string><json:string>Goodman</json:string><json:string>Norman Herman</json:string><json:string>Donald C. Scott</json:string><json:string>Arthur G. Harrell</json:string><json:string>William E. Elwell</json:string><json:string>Arthur Kraft</json:string><json:string>Joseph E. Howard</json:string><json:string>George Houle</json:string><json:string>Julius Huehn</json:string><json:string>Elliott Carter</json:string><json:string>Jefferson County</json:string><json:string>Pendleton Gaines</json:string><json:string>Robert R. Bennett</json:string><json:string>Eugene Ormandy</json:string><json:string>Doreen Hall</json:string><json:string>Daniel G. Lewis</json:string><json:string>Don Schnaidt</json:string><json:string>Sydney Beck</json:string><json:string>Dorothy Regardie</json:string><json:string>Van Hoesen</json:string><json:string>Harry Simeone</json:string><json:string>Paul Van Bodegraven</json:string><json:string>N. Admissions</json:string><json:string>Arthur Berger</json:string><json:string>Pierre Jamet</json:string><json:string>Martin</json:string><json:string>Roger Smith</json:string><json:string>D. Ed</json:string><json:string>Wallace P. Gause</json:string><json:string>La Jolla</json:string><json:string>Carl Orff</json:string><json:string>Ray E. Robinson</json:string><json:string>Joseph Mariano</json:string><json:string>Alan Stout</json:string><json:string>A.Mus</json:string><json:string>Harry R. Wilson</json:string><json:string>Peter W. Dykema</json:string><json:string>Musicians Club</json:string><json:string>Rodney F. May</json:string><json:string>Music Department</json:string><json:string>Emile H. Serposs</json:string><json:string>Edwin Gerschefski</json:string><json:string>S.A.B. Ahrold</json:string><json:string>Music</json:string><json:string>Nilo Hovey</json:string><json:string>Charles Kent</json:string><json:string>Wayne S. Hertz</json:string><json:string>Robert W. Lundin</json:string><json:string>Tosca Kramer</json:string><json:string>Nellie Tholen</json:string><json:string>Donald Knaub</json:string><json:string>Marc Ernest</json:string><json:string>Dmitry Kabalevsky</json:string><json:string>Robert Marvel</json:string><json:string>Emerson Van Cleave</json:string><json:string>Donald I. Moore</json:string><json:string>Virgil Thomson</json:string><json:string>Alex H. Zimmerman</json:string><json:string>Joe Maddy</json:string><json:string>Robert Hargreaves</json:string><json:string>David Tunley</json:string><json:string>Paul Creston</json:string><json:string>Thomas Schippers</json:string><json:string>Howard Hanson</json:string><json:string>Robert Helps</json:string><json:string>ALLEN I. McHOSE</json:string><json:string>Orville L. Dally</json:string><json:string>Will Sing</json:string><json:string>Arts</json:string><json:string>Wilma Furgerson</json:string><json:string>Jane Skinner</json:string></persName><placeName><json:string>Mass.</json:string><json:string>Iowa City</json:string><json:string>Venice</json:string><json:string>D.C.</json:string><json:string>Singing City</json:string><json:string>Winnipeg</json:string><json:string>Philadelphia</json:string><json:string>State City</json:string><json:string>Carlisle</json:string><json:string>ROCHESTER</json:string><json:string>Columbia</json:string><json:string>Greece</json:string><json:string>United 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City</json:string><json:string>NASHVILLE</json:string><json:string>Edinburgh</json:string><json:string>Canada</json:string><json:string>Moscow</json:string><json:string>Oakland</json:string><json:string>Northampton</json:string><json:string>Stratford</json:string><json:string>American</json:string><json:string>Grand Rapids</json:string><json:string>New York City</json:string><json:string>Boston</json:string><json:string>Seattle</json:string><json:string>Radio City</json:string><json:string>St City</json:string><json:string>Toronto</json:string><json:string>Atlanta</json:string><json:string>PA.</json:string><json:string>LOS ANGELES</json:string><json:string>Athens</json:string><json:string>Bayreuth</json:string><json:string>AMERICA</json:string><json:string>Baltimore</json:string><json:string>Vienna</json:string><json:string>Manchester</json:string><json:string>Berkeley</json:string><json:string>N.Y.</json:string><json:string>St. New</json:string><json:string>HERFORD</json:string><json:string>Amsterdam</json:string><json:string>Glasgow</json:string><json:string>New Zealand</json:string><json:string>Rome</json:string><json:string>CHICAGO</json:string><json:string>Coventry</json:string><json:string>YORK</json:string><json:string>York</json:string><json:string>Kansas City</json:string><json:string>Hollywood</json:string><json:string>Padua</json:string><json:string>France</json:string><json:string>Meyerowitz CITY</json:string><json:string>Cheltenham</json:string><json:string>Greenville</json:string><json:string>LOUISVILLE</json:string><json:string>Cambridge</json:string><json:string>Indianapolis</json:string><json:string>Louisville</json:string><json:string>Cleveland</json:string><json:string>St. Florian</json:string><json:string>Detroit</json:string><json:string>England</json:string><json:string>SALZBURG</json:string><json:string>New Haven</json:string><json:string>Zurich</json:string><json:string>Babin</json:string><json:string>Chester</json:string><json:string>Salzburg</json:string><json:string>TUCSON</json:string><json:string>Palestrina</json:string><json:string>Tucson</json:string><json:string>Warwick</json:string></placeName><ref_url></ref_url><ref_bibl><json:string>Michigan Summer Musicals, Inc., 6305</json:string><json:string>April, 1964</json:string><json:string>September, 1964</json:string><json:string>February and March 1964</json:string><json:string>July and August 1964</json:string><json:string>Booth 3301</json:string></ref_bibl><bibl></bibl></unitex></namedEntities><ark><json:string>ark:/67375/M70-5PJ42KLC-S</json:string></ark><publicationDate>1964</publicationDate><copyrightDate>1964</copyrightDate><doi><json:string>10.2307/3390233</json:string></doi><id>049F10877BBDDA7F9F70E10E52E5C136726DD293</id><score>1</score><fulltext><json:item><extension>pdf</extension><original>true</original><mimetype>application/pdf</mimetype><uri>https://api.istex.fr/document/049F10877BBDDA7F9F70E10E52E5C136726DD293/fulltext/pdf</uri></json:item><json:item><extension>zip</extension><original>false</original><mimetype>application/zip</mimetype><uri>https://api.istex.fr/document/049F10877BBDDA7F9F70E10E52E5C136726DD293/fulltext/zip</uri></json:item><istex:fulltextTEI uri="https://api.istex.fr/document/049F10877BBDDA7F9F70E10E52E5C136726DD293/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main" xml:lang="en">Back Matter</title><respStmt><resp>Références bibliographiques récupérées via GROBID</resp><name resp="ISTEX-API">ISTEX-API (INIST-CNRS)</name></respStmt></titleStmt><publicationStmt><authority>ISTEX</authority><publisher scheme="https://publisher-list.data.istex.fr">SAGE Publications</publisher><pubPlace>Sage CA: Los Angeles, CA</pubPlace><availability><licence><p>sage</p></licence></availability><p scheme="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B"></p><date>1964</date></publicationStmt><notesStmt><note type="other" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-7474895G-0">other</note><note type="journal" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</note></notesStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">Back Matter</title><idno type="istex">049F10877BBDDA7F9F70E10E52E5C136726DD293</idno><idno type="ark">ark:/67375/M70-5PJ42KLC-S</idno><idno type="DOI">10.2307/3390233</idno><idno type="article-id">10.2307_3390233</idno></analytic><monogr><title level="j">Music educators journal</title><idno type="pISSN">0027-4321</idno><idno type="eISSN">1945-0087</idno><idno type="publisher-id">MEJ</idno><idno type="PublisherID-hwp">spmej</idno><imprint><publisher>SAGE Publications</publisher><pubPlace>Sage CA: Los Angeles, CA</pubPlace><date type="published" when="1964-NaN"></date><biblScope unit="volume">50</biblScope><biblScope unit="issue">4</biblScope><biblScope unit="page" from="107">107</biblScope><biblScope unit="page" to="188">188</biblScope></imprint></monogr></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>1964</date></creation><langUsage><language ident="en">en</language></langUsage></profileDesc><revisionDesc><change when="1964-NaN">Published</change><change xml:id="refBibs-istex" who="#ISTEX-API" when="2017-10-17">References added</change></revisionDesc></teiHeader></istex:fulltextTEI><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/document/049F10877BBDDA7F9F70E10E52E5C136726DD293/fulltext/txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="corpus sage not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="UTF-8"</istex:xmlDeclaration><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.3 20070202//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType><istex:document><article article-type="other" dtd-version="2.3" xml:lang="EN"><front><journal-meta><journal-id journal-id-type="hwp">spmej</journal-id><journal-id journal-id-type="publisher-id">MEJ</journal-id><journal-title>Music Educators Journal</journal-title><issn pub-type="ppub">0027-4321</issn><publisher><publisher-name>SAGE Publications</publisher-name><publisher-loc>Sage CA: Los Angeles, CA</publisher-loc></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.2307/3390233</article-id><article-id pub-id-type="publisher-id">10.2307_3390233</article-id><article-categories><subj-group subj-group-type="heading"><subject>Articles</subject></subj-group></article-categories><title-group><article-title>Back Matter</article-title></title-group><pub-date pub-type="ppub"><month>2-03</month><year>1964</year></pub-date><volume>50</volume><issue>4</issue><fpage>107</fpage><lpage>188</lpage><custom-meta-wrap><custom-meta xlink:type="simple"><meta-name>sagemeta-type</meta-name><meta-value>Other</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>cover-date</meta-name><meta-value>February/March 1964</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>search-text</meta-name><meta-value> This II is Couesnon I r Background Brass I ? C i,* lffimww, ,T Jk - X t w , .? T '. 0 4 r4-r 414-4 i, I Bell Front Eb Tuba Bel Bell Front Front BBb Tuba Bell Front BBb Tuba Bell Front Eb Tuba Bb Fluegel Horn Bb Fluegel Horn Dick Boisvert Director of Music with the Couesnon equipped Salem Classical High School Band. Lightweight, sturdy and maneuverable, Couesnon instruments are essential to Salem Mass. Classical High School's sound - when marching or playing a concert. The comfortable feel of the finest French brass and blowing ease fulfills great expectations of student performance. Rugged and beautiful, Couesnon lacquers its brass to a clear diamond-hard finish. Dependable, hand-ground, handfitted nickel silver valves make for smooth action. All models come complete with custom mouthpiece and lyre. Your students can now have live pure responsive tone and excellent intonation at their finger tips. Couesnon Bell Front Eb Alto Horn: Easy playing and handling, it's compact with angled valve section. Adds new voice to brass section. Rigidly constructed with fixed bell and blow ridges. $195.00 Also available in Upright $185.00 Couesnon Bell Front Eb Tuba: Only 12 lbs. Resonant tonal quality; precise in-tune scale. Tuning and valve slides are easy to remove; bell bow has a protective bumper ridge. Carrying strap. $450.00 Also available in Upright. $425.00 Couesnon Bell Front BBb Tuba: Exceptional range, deep and sonorous. Brilliant clarity in middle and upper registers - an important addition to bass section. Only 16 lbs. Built with expansion type braces. Carrying strap. $525.00 Also available in $485.00 Upright. Couesnon Bb Fluegel Horn: A famous old instrument again in the vogue. Fine French brass with sturdy reinforced construction. Its dark rich tones add a mellow balance between the upper and lower brasses. Deluxe case. $185.00 I I COESNON GRETSCH The Fred. Gretsch Mfg. Co. 60 Broadway, Brooklyn 11, N.Y. Dept.J 42 Please send me a copy of: COUESNON Band Instrument Catalog Name Address distributed by I I I Couesnon Bell Front Bb Baritone: Rich resonance in extreme ranges; ideal for solo or section work. Lightweight, fixed position bell, angled valve section for easy playing. $275.00 Also available in Upright $250.00 Couesnon 4-valve Baritone (Bb Euphonium): Used by Roger Smith of the Goldman Band. The addition of a the special mouthpiece permits younger student to play bass parts to the larger BBb normally assigned tuba. Superior intonation in high register. $325.00 City — 7one — State -- I - I I 10'7 FEBRUARY-MARCH, NINETEEN SIXTY-FOUR VOCAL and for TRAINING PLEASURES CHORAL PROGRAMMING READING OF FUNDAMENTALS MUSIC Paul Harder.To develop sight-reading skill. Objective is the ability to translate accurately musical symbols into sound with ease, starting with the most elementary notation problems. Rhythm training, many drill exercises and original melo $2.50 dies. EASE FULL-THROATED GUIDETO EASYSINGING A CONCISE James Terry Lawson, M.D. How to control the voice, the use of the physical factors. A lucid, non-technical presentation of fundamentals of singing. Internationally used text. Graphically $2.25 illustrated. SIX EASYMADRIGALS CHORUS(SATB).An excellent collection MIXED of simple madrigals by Donato, Morley, Purcell, Arkadelt,Ford and Byrd.To introduce your choir .75 to the golden age of choral music. CHOIRS & for ANTHEMS TREBLE JUNIOR UNISON AND TWO-PART. Excellently arranged 15 anthems for many occasions plus Opening Sentences and Descants to Hymns. Music by $1.25 Mozart,Bach, Schubert, Humperdinck. EL SOL [The Sun] Carlos Chavez. A festival work warmly rhythmic, deeply penetrating native flavor, giving the voices an orchestral sonority. Spanish and English lyrics. Choral (A-149).60; Piano-Vocal Score $2.00; Study Score $4.00; orch. parts on rental. CARAVAN CHORAL DUKEELLINGTON'S Arr.Clay Warnick.Vocal jazz at its best! A choral selection featuring Caravan,Sophisticated Lady, Solitude, Mood Indigo, In a Sentimental Mood.75 Put your concert in a modern mood! HOOTENANNY! SCARLETRIBBONS (arr. Cacavas) SSA (700), SATB(A-138)ea.25; (arr. Hall) SATB (9317) .30; (arr. Edwards)SA (2043), SSA (594), SATB (182) ea.20. TZENA SSA (596), SATB TZENA, TZENA, TZENA, ea.20 (186),TTBB(1100). BELLES A-SINGING GIRLS’ BARBERSHOPQUARTETS.Close-harmony arrangements for our fair ladies of such great standards as Moonglow,Who's Sorry Now, Let A Smile Be Your Umbrella, Ma (He's Making $1.50 Eyes At Me) and others. NOVELTY NIFTIES SSA (591), SATB (175), DOWNBYTHE STATION ea.20 WHEN YOU AND I WERE YOUNG MAGGIE TTBB(1110) .30 BLUES.(arr. Dahlen) SATB(A-185).30 DONA,DONA(Secunda) SATB (A-184). THETHEORY JACKBUILT(from “Space-Child's DRILLYE TARRIERS,DRILL (arr. Touchette) Mother Goose” (Kalmanoff)SATB (A-174).50 .25 TTBB(1134). CANDY(arr. Dahlen) SATB (A-175). COULTER'S KATY CRUEL (arr. Frackenpohl)SSA (687).25 .25 For Spring Concerts… BAND-ORCHESTRA-CHORUS SONG OF JUPITER A group of important works performable together or separately Handel-Anderson PIRATE DANCE LeroyAnderson Leroy Anderson's excellent concert adaptation. Band: Full Band-3.50 Symph. Band-5.50 Set C-8.00 Set B-6.00 Orch.: Set A-4.00 Chorus: SSA, SATB-each .25 Donald I. Moore AMERICA An original setting of Samuel F. Smith's poem Band: Full Band-5.00 Symph. Band-7.00 Orch.: String parts available on rental Chorus: SATB-.30 A robust and picturesque festival production oiece Band: *Full Band-10.00 *Symph. Band-13.00 *Set C-13.00 *Set B-10.50 Orch.:*Set A-8.00 Chorus: SATB,TTB-each .50 Martin Mailman ALLELUIA A maiestic work for voices and ensemble Band: *Full Band-$7.00 *Symph. Band-10.00 Orch.: String parts available on rental Chorus: SATB-.25 PYRAMID DANCE Anderson Leroy To build an unusual climax to your concert Neander-Jurey OF CANTICLE PRAISE Band: *Full Band-13.00 *Symph. Band-17.00 *Set C-7.00 *Set B-5.50 Orch.: *Set A-4.00 *Set C-15.00 *Set B-12.50 Orch.: *Set A-10.00 Chorus: SSA, SAB, SATB-each .20 Chorus: SATB (Heart of Stone) .50 *FullScoreincluded for ORCHESTRA and CHORUS CONFERENCE at THEMILLS MUSIC DISPLAY the MENC VISIT Ballroom Nos. BOOTH 326,327, Pennsylvania ___X_NI*6' FEBRUARY-MARCH, NINETEEN SIXTY-FOUR 00 109 Dadrk, ringing tone I ml 3 * 3 Wide dynamic range, especially fine legato characteristics Capable of great volume D Extreme pianissimo easily played iiX:0 L000 bell thinness and temper : Correct Perfectly proportioned bell throat DLI Correct 'p matched taper of mouthpiece LI1 'I A Delicate but desirable resistance Smooth, free tone quality in high and low registers Accurate high G#, without humoring A and Bb, PHILIPFARKAS, distinguished hornist and codesigner of the Holton Model 77 Double French Horn. Mr. Farkas held for many years the First Hornchair of the Chicago Symphony. He is now Professor of Music at Indiana University, author of “The Art of Brass Playing,and a memberof the Aspen(Colorado) School of Musicfaculty. I I * 'I AA Ii:Excellent hand stopped notes easily achieved Exceptionally good intonation, well-centered tones I II Left hand position perfectly comfortable, for faster and better synchronized fingering I I Thumb lever positioned exactly right for natural action Three finaer keys exactly riaht ; II I te Bb tuning slide ning slides in all,e slides quickly removable key eliminates gymnastics tying water yen and safe high notes sacrificing low notes silver alloy outside;ide slides handsome form-fitting case 77-N same as 77 but in ickel silver s most wanted French Horn V BY TODAY'S EXPERTDESIGNERS FOR TODAY'S EXPERT PLAYERS ILKHORN, WISCONSIN NOW SHOWING IN NEW YORK, CHICAGO AND KEOKUK: Endorsed Personally and Ligatures Reeds, B/G Clarinet Mouthpiece, Model 1570. Available in two facings-with and without a star (*). The facing without the star duplicates Benny Goodman's; the model with the star is Mr. Goodman's other personal preference. Hand finished in France of hard rubber. $9.50 list each. B/G Clarinet Ligature, Model 1571. Single-screw type long favored by Benny Goodman and other top clarinetists. Provides even pressure on the reed from above rather than from the sides. Prolongs reed life by eliminating a major cause of warping and cane breakdown. $2.50 list each. Look for this display in your favorite music dealer's store! Goodman Benny Mouthpieces * Translation: “Here's one secret I didn't share with nvi fyiais in Mloscow ! $ elmer H. & A. SELMER, INC., Elkhart, Indiana Selmer (Paris), Signet and Bundy Fine Band instruments Distributors of Bach Brass Instruments Outside U. S. A., address Bach International, Box 337, Elkhart,Indiana salutes the American universities, colleges, schools and conservatories for their role in developing the music of our time. We are especially proud of the BMI affiliated composers who are active in many of our great educational institutions, some of whom are listed below. BENNINGTON COLLEGE, Vermont Henry Brant, Lional Nowak BRANDEIS UNIVERSITY,Waltham, Mass. Arthur Berger BROOKLYNCOLLEGE the City of New York of Antonio Lora, Jan Meyerowitz CITY COLLEGE OF NEW YORK, N. Y. COLUMBIA UNIVERSITY,New York, N. Y. Otto Luening, Vladimir Ussachevsky, Mark Brunswick Henry Cowell, Peter Westergoaard, Charles Wuorinen SAN FERNANDO VALLEYSTATE COLLEGE,Northridge, Calif. Aurelio de la Vega SMITH COLLEGE, Northampton, Mass. SOUTHERN METHODISTUNIVERSITY,Dallas, Tex. STATEUNIVERSITYOF IOWA, Iowa City STATEUNIVERSITYOF NEW YORK at Stony Brook SOUTHERN ILLINOISUNIVERSITY,Carbondale, SWEETBRIAR COLLEGE, Virginia Donald Jenni, Leon Stein Dika Newlin lain Hamilton UNIVERSITYOF ARIZONA, Tucson UNIVERSITYOF BUFFALO, N. Y. THE EASTMAN SCHOOL OF MUSIC, Rochester, N. Y. Thomas Canning HARTTCOLLEGE OF MUSIC, Hartford, Conn. Edward Jay Miller HARVARD UNIVERSITY, Cambridge, Mass. Pierre Boulez, Leon Kirchner Walter Piston (Professor Emeritus), Christian Wolff HUNTERCOLLEGE the City of New York of Chou Wen-Chung, Donald Lybbert, Russell Smith JEWISH THEOLOGICAL SEMINARY, New York, N. Y. Herman Berlinski, Miriam Gideon, Yehudi Wyner JUILLIARDSCHOOL OF MUSIC, New York, N. Y. Hall Overton, William Schuman (former president) KENYON COLLEGE,Gambier, Ohio LONG BEACH STATECOLLEGE,Calif. Paul Schwartz Gerald Strong Alvin Etler Jack Kilpatrick Philip Bezanson John Lessard Ill. William Gay Bottie Carl Bricken Robert McBride Allen Dwight Sapp, Jr. DE PAUL UNIVERSITY,Chicago, Illinois DREW UNIVERSITY, Madison, N. J. DUKE UNIVERSITY,Durham, N. C. UNIVERSITY OF CALIFORNIA, Berkeley Andrew Imbrie, Seymour Shifrin UNIVERSITYOF CALIFORNIA, Davis Richard Swift UNIVERSITYOF CALIFORNIA, Los Angeles Roy Harris, Mantle Hood, Colin McPhee UNIVERSITYOF DENVER, Colo. UNIVERSITYOF GEORGIA, Athens UNIVERSITYOF HOUSTON, Texas UNIVERSITY OF ILLINOIS, Urbana UNIVERSITYOF JACKSONVILLE,Fla. UNIVERSITYOF LOUISVILLE, Ky. Gordon Binkerd, Robert Kelty William Hoskins Robert Whitney Normand Lockwood Edwin Gerschefski H. Merrills Lewis UNIVERSITYOF MARYLAND, College Park Esther Williamson Ballou, Robert Parris, Lester Trimble UNIVERSITY OF MICHIGAN, Ann Arbor Leslie Bassertt, Roger Reynolds Parks Grant UNIVERSITYOF MISSISSIPPI, Oxford UNIVERSITYOF NEVADA, Reno UNIVERSITYOF OKLAHOMA, Norman UNIVERSITYOF OREGON, Eugene Herman Chaolff Harrison Kerr Homer Keller MANHATTAN SCHOOL OF MUSIC, New York, N. Y. Gunther Schuller MANNES COLLEGEOF MUSIC, New York, N. Y. Sydney Beck, Norman Dello Joio MILLSCOLLEGE,Oakland, Calif. Luciano Berio NEW ENGLAND CONSERVATORYOF MUSIC, Boston, Mass. William Hibbard, Daniel Pinkham NEW SCHOOL FOR SOCIAL RESEARCH,New York, N. Y. Hall Overton, Frank Wigglesworth Alan Stout NORTHWESTERN UNIVERSITY,Evanston, III. OBERLINCOLLEGE, Ohio Joseph Wood UNIVERSITY OF PENNSYLVANIA, Philadelphia Ralph Shapey, Karlheinz Stockhausen UNIVERSITYOF SOUTHERN CALIFORNIA, Los Angeles Ellis Kohs, Halsey Stevens UNIVERSITYOF WASHINGTON, Seattle James Beale, Henry Leland Clark, John Verrall WASHINGTON UNIVERSITY,St. Louis, Mo. Paul Pisk PRINCETON UNIVERSITY, New Jersey Milton Babbitt, Robert Helps, Earle Kim, Roger Sessions QUEENS COLLEGEof the City of New York George Perle aX YALE UNIVERSITY,New Haven, Conn. Elliott Carter, Richard Donovan (Professor Emeritus), Donald Martino, Lawrence Moss, Quincy Porter *N BROADCAST 589 Fifth Avenue CHICAGO FEBRUARY-MARCH. NINETEEN * LOS ANGELES * / INC. MUSIC, New York 17, N.Y. * TORONTO * MONTREAL NASHVILLE SIXTY-FOUR 1 19 Blindfold a Clarinetist! And When He Plays… He'll choose the smooth, certain, lightning-like action of a new SELMER SERIES 9 - even before a note! Your first great satisfaction sounding will come even before you play Selmer's new Series 9 clarinet because it feels better. Keys and rings have been moved or reshaped to improve your facility and increase your playing comfort. And they're all handfitted to a body made of grenadilla wood, aged with scrupulous care in Selmer's curing sheds at Mantes, France. On top of that, the entire key mechanism is Power Hammered -cold forged from a lifetime metal -then clad in pure nickel to stay bright after years of hard use, even with indifferent care. he'll hear at once the great improvement in his - in his intonation and timbre, and performance in the response of the SELMER SERIES 9. On a fortissimo too loud for normal use, the Series 9 won't choke, yet it shades almost to silence without losing its singing tone color. It responds to an attack more delicate than any you are accustomed to use now. Its intonation is superior even to earlier Selmer clarinets, already notable in this respect. The Series 9 clarinet retains the character of earlier Selmers, while making the most of what continuing research has taught. Bore sizes and contours, tone hIole sizes, profiles, and placement have all been improved. THE SERIES 9 CLARINET was designed and made without regard to cost. Yet in cost it is just as practical in school as on the concert stage, where many are already in use. While many other clarinets are lower in price, the best materials and most careful methods make the Series 9 less costly to maintain. It will last longer, it will be worth more if you should trade it in, and meanwhile you will be playing the best clarinet Selmer has made in 75 years! The Series 9 clarirnet bore is .002” smaller than the hfamos C-T model. Tone hole place n e nt has been alte-red and the keywork is new. The tone holes are straig ht. H. & A. SELMER, INC., Elkhart, Indiana The Series 9 has a bc re .007” smaller than that of the Series 9, and most to Me holes are tapered. it is a more flexible instrument in tone and intonation and so demands i ore contr -ol from the player. The Vanguard case stand. ard with all he Series 9 is molded of clarinets, virtually indestructible gray Royalite, and lined with burgundy p1lsh. A French style case is also available. SALUTES THE 19th CONFERENCE BIENNIAL MUSIC EDUCATORS NATIONAL 1964 13-17, HotelSheraton Philadelphia, Pennsylvania We extend a most cordial invitationto you to visit either of our booths March -No. 220 or No. 321-and to meet with our staff to exchange ideas and opinions. During the Conference TAKEADVANTAGE OF OUR OFFER . subscribe to MUSICJOURNALor renew your sub. SPECIAL scription and receive, as our gift, any one of the photo series listed below: Series B: 60 Composers & Performers Series A: 40 American Composers Series D: 54 Conductors Series C: 50 Musical Entertainers Series E: 40 Concert Artists These are photos of the music world's most distinguished personalities with short, informative, biographical sketches printed on extraheavy glossy stock on one sidec size: 72” x5V4. Excellent material for reference libraries, classrooms, bulletin boards and for personal use. Fill out this coupon and present it to one of our staff members at either of our booths, No. 220 or 321. MUSICJOURNAL,1776 Broadway, New York, N.Y. 10019 Please (enter) (renew) my subscription for: CONFERENCEL 1 yr. @ $6; 2 yrs. @ $10; 3 yrs. @ $14i OFFER Note: Add 50? per year for Canadian postage; $1.00 per year for foreign postage. Herewith, $ in full payment. Nine issues (75? each) $6.75; Annual Anthology (included with subscription) $3.00; Total: $9.75 for one year. SAVINGS TO YOU-$3.75 Name ‘; St City Address City C 128 State MUSIC Zip Code EDUCATORS JOURNAL doi9 MaSic gdc1a& 2eac i#^ the a^d CamtaS^oeo4 CARL FISCHER BOYTER BORNOFF BISHOP BERGSMA BARONI BARLOW AKERS - ANGELL - ANGUS - ASPER DIEMER DELLO JOIO DARST COOPER -BURKE - CACAVAS - CARTER - CHEYETTE - CHIDESTER FRACKENSPOHL FOSS - R. DVORAK FIRTH FILLMORE ERICKSON EHRET ECKSTEIN GRIEB - HANSON - HERFURTH - HERING - HERMANN GRAINGER GORDON GOLDMAN GLARUM KENNAN ISAAC - JAMES - JENKINS - A. N. JONES - L. B. JONES HOOD - HOWERTON - HUTTON LESTER LEIDZEN LANGENUS LANE KRONE KETCHLEY - CATALOG MARSHALL McKAY MclNTOSH MacGIMSEY McCATHREN LOVELACE LO PRESTI LILLYA NEVINS MUELLER MORRISSEY MOORE MONTGOMERY MENNIN MENDEZ MEAD RIGHTER RASCHER PRESCOTT PERSICHETTI PERKINS NIGHTINGALE - O'HARA - OSTERLING THOMSON STUART SOPKIN SOWERBY SIMON SIEGMEISTER SCHILLINGER SCHER WILHOUSKY WIKSTROM WHITNEY WATTERS VAN HOESEN VAN BODEGRAVEN TITCOMB WILSON - WRIGHT - YOUNG - YOUSE - - i We look forward to seeing you at the National Convention. Be sure to visit our exhibit at Booths 51, 52 and 53. comes in one piece, weighs less than 7-1/2 pounds. . … l NE- W :!4 N I_?i V Made of Duron c UA VA N G ^tough R^^ D * r^ ^^& 11^^,1 A Rl *^ 11A mu mmHardboard with A N G U A R Dspacious PoIrta-Desk and or name name your PutyourPut g3-point or, rat d on this e ot decorationionhis ___ stand stability tfor floors Folds flat to 3/4” forconvenient packing and storage front whitepainted fro whi nro^…. I … …… . …… … …. and stages paiiA tel'h withblueborders hnted On sale at better music stores everywhere! … Riser to match for bassists and leaders adds 18” to height, $4.00. Vulcanized fibreboard carrying case for 8 stands, $20.95. Distributed by H. & A. SELMER, INC. Elkhart, Indiana 131 FEBRUARY-MARCH, FEBRUARY-MARCH, NINETEEN NINETEEN SIXTY-FOUR SIXTY-FOUR 131 Follow the Notes” The to… 28th BREVARD MUSIC Pfohl James Christian President CENTER SEASON 1964 North Carolina Brevard, JUNE 25 AUGUST 30 … … … … Orchestra Band Chorus Voice Piano in the Blue Ridge Mountains A V A C A * TRANSYLVANIA MUSIC CAMP June 25-Aug. 9 Limited to 250 boys and girls, 12-18 * ADVANCED DIVISION . June 29- Aug. 23 … 3rd PI T I 0 N Year Limited to 50 orchestral players, 30 singers and 10 pianists, min. age 19 or 1 yr. college * YOUNG ARTISTAPPEARANCEAS SOLOIST… Auditions April, 1964 * FACULTY AND STAFFfrom leading music schools and symphonies w I T H * CONCERTSthroughout the entire season with GREAT ARTISTS * SPECIALGROUPS… WORKSHOPS… AND CLINICS * SPECIALEVENTS DURING POST-CAMPSEASON For further information write: A P U R P The Brevard Music Center Post Office Box 4263 Charlotte, North Carolina, 0 S E I * 146 MUSIC EDUCATORS JOURNAL OF TORONTO UNIVERSITY The the treh Faculty of Music ousei Trotirc lrof tefnamirenrtar.Tls Trherrdausr.Th-fofm r ra I bSpecial Summer Session for Teachers EE I CARL ORFF- MUSIC FOR CHILDREN July 13-27, 1964 J JJJ-JJ rd] rLPiJrilrPlJI il JLo Ji JlPJlJl JlJ 0 I .[l the teaching of the fundamentals of music. The course in Toronto is recDr. Orff as the focal point of his method in North America. ognized by MUSICFOR CHILDREN Carl Orff's unique and natural approach to is Faculty POLYXENE MATHEY-returns again from Athens, Greece. DOREEN HALL-chief teacher of the Orff methods in North America. the Orff Method to the classroom situation. in creative movement. techniques. KEITH BISSELL-adapted NADIA PAVLYCHENKO-Dancer-specialist HUGH ORR-Recorder playing. DON WHERRY-Percussion JEAN BOCIAN, RICHARD JOHNSTON, ELLA JENKINS guest teachers. Advanced and Beginning Classes Tuition Fee-$80.00 Inquire -Orff Summer Session, Edward Johnson Building, University of Toronto, Toronto 5, Ontario, CANADA NINETEEN SIXTY-FOUR FEBRUARY-MARCH, 149 NTERLC EN “America's Foremost Proving Ground for YouthfulTalent : I (^ I NATIONAL MUSIC CAMP -37th SEASONJune 28 to August 24, 1964 Guidinq America's Gifted Youth” -DanceSymphony Orchestras-Bands-Choirs-Art Drama Eight camps for boys and girls-ages 8 through collegefurnishing a broad recreation program. Affiliated with The University of Michigan INTERLOCHEN ARTSFESTIVAL featuring > THE PHILADELPHIA ORCHESTRA, Eugene Ormandy, Conductor in five concerts in the Interlochen August 26, 27, 28, 29, 30, 1964 ' Bowl INTERNATIONAL YOUTH SYMPHONY ORCHESTRA CONCERTS For information please write: Joseph E. Maddy, President, National Music Camp, Interlochen, Michigan > INTERNATIONAL YOUTH MUSIC COMPETITION > NATIONAL MUSIC CONFERENCES INTERLOCHENACADEMY ARTS -3rd SEASONSeptember 13, 1964 to June 12, 1965 Curriculum geared to talent-Promotion geared to attainment For information please write: Interlochen Arts Festival, National Music Camp, Interlochen, Michigan NEW BIOGRAPHY Joe Maddy of Interlochen by Norma Lee Browning If ordered through the National Music Camp Alumni Office funds are contributed to the Joe Maddy Endowed Scholarship Fund. For book orders please address: Alumni Office, National Music Camp, Interlochen, Michiqan -DanceSymphony Orchestra-Band-Choir-Art Drama A secondary boarding school providing college preparatory training of the highest quality with an extensive and intensive program in music, art, dance and drama. For information please write: Admissions Office, Interlochen Arts Academy, Interlochen, Michigan FEBRUARY-MARCH, NINETEEN SIXTY-FOUR 151 UNIVERSITY OF ROCHESTER EASTMAN SCHOOL MUSIC HOWARD Director HANSON, ALLEN I. McHOSE, Associate Director OF 4 kI I %I (kE _^^^^^^^ EETCNll! I L'^*imV 1964 i ADVANCED M.A. and Ph.D. II UNDERGRADUATE B.M. in I No= DEGREE PROGRAMS DEGREE with emphasis PROGRAMS on research in COMPOSITION MUSIC EDUCATION MUSICOLOGY THEORY APPLIED MUSIC COMPOSITION MUSIC EDUCATION MUSIC HISTORY THEORY courses are available in For Special Students, M.M. and A.M.D. with emphasis on professional studies in APPLIED) MUSIC CHURCH MUSIC COMPOSITION MUSIC EDUCATION APPLIED MUSIC CHURCH MUSIC COMPOSITION MUSIC EDUCATION MUSIC HISTORY MUSIC LITERATURE THEORY -BN Kn L FEBRUARY-MARCH, NINETEEN SIXTY-FOUR 153 UNIVERSITY OF ROCHESTER EASTMAN OF SCHOOL *kM 4USIC BRASS INSTITUTE Music Ed. 225 June 29 to July 10 TRUMPET: Daniel Patrylak, Charles Starke HORN: Verne Reynolds TROMBONE: Emory Remington, Donald Knaub TUBA, BARITONE: EUPHONIUM, Donald Knaub, SAXOPHONE: Sigurd Rascher PERCUSSION: John Beck WOODWIND INSTITUTE Music Ed. 229 July 13 to July 24 FLUTE: Joseph Mariano, John Thomas OBOE and ENGLISH HORN: Daniel Stolper CLARINET: WTilliamOsseck, Arnold Cantor BASSOON: Edgar Kirk HORN: Verne Reynolds SAXOPHONE: Sigurd Rascher PERCUSSION: John Beck STRING INSTITUTE Music Ed. 237 July 27 to August 7 VIOLIN: Millard Taylor, John Celentano, Ivarl Van Hoesen, Anastasia Jempelis VIOLA: Tosca Kramer, Francis Tursi VIOLONCELLO: Ronald Leonard DOUBLE BASS: Armand Russell, Harold Carnes HARP: Eileen Malone w v FEATURES OF THE WOODWIND, BRASS, AND STRING INSTITUTES * Each Institute carries three hours of credit * Each Institute is a regular summer session course offered under the direction of the Division of Graduate Professional Studies * It is not necessary to be enrolled in the six-week summer session to take advantage of the two-week Institutes 0 0 * Instrumental Technique Seminar: ten hours of lectures and demonstrations by artist faculty * Small Ensembles: reading of music education materials by faculty ensembles; student participation; performance of arrangements and compositions by Institute members * Large Ensembles: eight hours on your major instrument * Instrumental Repair and Maintenance: ten class hours * The program allows sufficient time for practice and study in the Sibley Music Library Private instruction on major instrument: four half-hour lessons Class instruction on a minor instrument (or optional percussion class): ten one-hour classes The Sixth Annual SAXOPHONE INSTITUTE June 29 through July 10 Applied Under The Sixth Annual ARRANGERS’ LABORATORY INSTITUTE July 20 through August 7 232, Advanced 231, Basic Arranging Techniques. Composition Composition Each course receives three credits. Arranging Techniques. Under the Direction of Music of 220. Credit, SIGURD two hours RASCHER the Direction RAY WRIGHT Chief Arranger at Radio City Music Hall An unusual opportunity to study with an outstanding saxophone virtuoso, teacher, and scholar. Two weeks filled with activities, as follows: ? * * * 154 Instruction on the Saxophone Saxophone Ensembles New Music for the Saxophone Seminars A unique opportunity for the arranger or music educator. Each score performed and recorded for discussion and criticism. *)ance Band and Combos * Large Recording Orchestra * Small Broadcasting Orchestra MUSIC EDUCATORS JOURNAL UNIVERSITY OF ROCHESTER EASTMAN SCHOOL OF *MUSIC VOICE AND CHORAL INSTITUTE Music Ed. 243 July 27 to August 7 The Institute Smith program is composed of a basic core with one of three options available to each student: Credit, three hours Coordinator of Institute-Marlowe BASIC CORE Vocal Technique Seminar Vocal Repertoire Seminar’ Choral Technique Seminar Choral Laboratory, Conducting and Materials Arthur Kraft Julius Huehn Marlowe Smith Marlowe Smith 9 9 10 10 hours hours hours hours OPTIONS A. Four half-hour private vocal lessons with the music faculty: Julius Huehn, Arthur Kraft, and Leroy Morlock B. Elementary School Seminar-Workshop Junior High School Seminar-Workshop C. Dramatic Production Scenic Design . Howard Hinga Howard Hinga Leonard Treash Clarence Hall …' 10 hours 10 hours 10 hours 10 hours 3(s. The Third Annual MUSIC EXECUTIVES’ INSTITUTE Music Administration three hours 401 Credit, The Second Annual CONCERTMASTER FORUM July 6-July 10 MILLARD TAYLOR Concertmaster of the Rochester Philharmonic Professor of Violin, Eastman School of Music Assisted by Francis Tursi, Viola and Ronald Leonard, ‘Cello July 13-July Under the Direction 24 of EARL MOORE Chairman of the Commission on Curricula National Association of Schools of Music Supported by A distinguished visiting faculty The Eighth Annual CHURCH MUSICIANS’ WORKSHOP July 20-July 24 ALFRED BICHSEL JULIUS HERFORD CLARENCE MADER DAVID CRAIGHEAD The Third Annual HARP WORKSHOP July 6-July EILEEN 10 MALONE The Eighth Annual PIANO TEACHERS’ WORKSHOP August 3-August JOSE ECHANIZ VERNE THOMPSON 7 Harpist of the Rochester Philharmonic Professor of Harp, Eastman School of Music Visiting Instructor Marcel Grandjany Well known teacher and performer FEBRUARY-MARCH, NINETEEN SIXTY-FOUR ALLEN McHOSE EDWARD EASLEY Joan Last HAROLD WEISS Visiting Instructor Professor of Piano, Royal Academy of Music, London, England 155 UNIVERSITY OF ROCHESTER EASTMAN OF SCHOOL SiMUSICSI MEN IMumma THE REGULAR SIX-WEEK SESSION THE DEPARTMENT OF MUSIC EDUCATION I WILLIAM S. LARSON, Chairman EVERETT GATES, Associate Chairman School Methods, Voice, and Chorus The l)epartment of Music Education offers courses in elementary, junior and senior high school methods, voice class, and choral conducting. In the elementary methods The Faculty includes: Howard Hinga School Methods Elementary Junior High School Methods Senior High School Methods course, approximately 130 children will participate in the program. The course in choral material and conducting will have a laboratory chorus of fifty members. Voice Faculty Marlowe Smith 1 Voice Class Choral Materials Vocal Methods and Con ducting Julius Huehn Arthur Kraft Leroy Morlock Leonard Treash ADDITIONAL COURSES OFFERED BY THE GRADUATE SCHOOL IN MUSIC EDUCATION William S. Larson * Psychology of Music * Tests and Measurements * Seminar in Music Education ? Research Everett Gates * The Literature of Music Education * Instrumental Technic Seminar * Seminar in Music. Education * Research SCHOOL MUSIC INSTRUMENTAL COURSES AND PRIVATE INSTRUCTION The summer session instrumental faculty is composed of artist teachers who have a special interest in the music educator. Among their former students are solo players in our leading orchestras, prominent music supervisors, and eminent college and university teachers. (See previous pages for instrumental faculty.) PIANO AND ORGAN Private instruction in piano and organ is available for degree students and special students. Courses in Piano Sightreading, Piano Class Methods, Piano Methods, and Organ Methods will be available. PIANO Dennis Andal Arnnand Basile William Cerny Phyllis Clark Blair Cosman Jerome Diamond Jose Echaniz Margaret Gilbert Wallace Gray Gladys Leventon Gladys Rossdeutscher Harold Weiss ORGAN David Craighead Norman Peterson Piano Methods Wallace Gray Piano Sight Reading Harold Weiss Piano Class Methods Phyllis Clark Organ Methods Norman Peterson CONDUCTING AND LARGE ENSEMBLES In once of the finest specialized programs in conducting, the students work with live organizations from the very beginning of their study. In addition, the large collection of scores and records in the Sibley Music Library is availInstrumental Conducting Orchestra A. Clyde Roller Karl Van HIoesen able for supplementary study. The repertoire includes material from the elementary school ensembles to the mature ensembles. and THE FAC ULTY Choral Condu icting and Chorl us orwin George Cc M. Alfred Bichsel Marlowe Smith Band Frank Cippolla 156 MUSIC EDUCATORS JOURNAL UNIVERSITY OF ROCHESTER EASTMAN SCHOOL OF S*MUSICll * Saturday, July 11 and Sunday, July, 12 SEMINAR ON THE PHYSIOLOGY OF BREATHING FOR WOODWIND AND BRASS INSTRUMENTS DR. WALLACE FENN-Coordinator Professor of Physiology, University of Rochester DR. AREND BOUHUYS Physiologist on leave of absence from the University of Leiden, Professor of Physiology and Medicine, Emory Holland-Visiting University, Atlanta, Georgia Dr. Bouhuys is a performer on a brass instrument and has done considerable research in the physiology of wind instrument playing, using the members of the well-known Dutch Wind Ensemble as experimental subjects. DR. ALBERT B. CRAIG Associate Professor of Physiology, University of Rochester EASTMAN SCHOOL FACULTY ASSISTING: Everett Gates……. Clarinet Daniel Patrylak …. Trumpet Bassoon Edgar Kirk ………. Emory Remington… Trombone Verne Reynolds. French Horn I)onald Knaub ………Tuba Daniel Stolper ………. Oboe Joseph 1Mariano………Flute THE * The Basic Physiology Demonstrations of Breathing, with Experimental PROGRAM * Demonstration of Experimental Methods Applicable Performance on Wind and Brass Instruments to ? Why Saturday and Sunday ? * The Seminar has been scheduled between the Brass Institute and the Woodwind Institute. Those enrolled in these Institutes may attend the Seminar without an extra fee. * The program of the Seminar has been carefully scheduled so that those who wish to attend only the Seminar can arrive in Rochester in plenty of time for the first session. The last session on Sunday afternoon will close in sufficient time to fit into the rail, bus, and airline schedules. I (t I I I I I I 11 To Receive a descriptive Brochure of each Institute, Workshop, Seminar or Forum in which you are interested, check the following: [VOICE AND CHORAL INSTITUTE INSTITUTE D BRASS INSTITUTE D SAXOPHONE INSTITUTE INSTITUTE O WOODWIND O STRING INSTITUTE [ [O [ HARP WORKSHOP OF BREATHING ] ARRANGERS' LABORATORY PHYSIOLOGY O MIUSI EXECUTIVES'INSTITUTE O CHURCHMUSICIANS'WORKSHOP [O THE CONCERTMASTER FORUM O PIANO TEACHERS’ WORKSHOP Eastman School of Music Bulletin for those interested in the six-week session, June 24 through August 2. Full Name I Send this List to: Director of Admissions EASTMAN SCHOOL OF MUSIC ROCHESTER 4, N. Y. MEJ-264 Street ?- I City and State FEBRUARY-MARCH. FEBRUARY-MARCH. NINETEEN NINETEEN SIXTY-FOUR SIXTY-FOUR 157 157 S S. / a I Yes. the tNxoor three (lavs you spend at a music c,onterence this summer on The Universitx of Wisconsin (ammpusxuill not onlv addl to N-our prolessional capacity, hut wxill enrich vour entire career in music. The Elementary School Music Institute, August 3-4, the Church Music Conference, August 5-7, and the Conductor's Sxmposium, June 16-19, all offer unlimited opportunity for the music educator. Or perhaps you'd like to take a few courses during the 1964 Summer Session, June 23August 14. Make the most of this summer while you make the most of yourself. Send for your copy of the 1964 School of Music brochure. The School of Music, Room 11 2, Music Hall, The Uni- versity of Wisconsin, Madison 53706. Name Address City State PEABODY MUSIC OF CONSERVATORY Charles Kent, Director OF BACHELOR MUSIC ARTISTDIPLOMA * * MASTEROF MUSIC DOCTOR OF MUSICALARTS SPECIALCOURSES OF STUDY Major study in all instruments, Voice, Composition, Theory, Opera, Conducting, Church Music, Music Education The American Conductors Project, under the direction of Alfred Wallenstein, enters its third year in April, 1964. For catalogs 11 East Mt. Vernon and information, write: 21202 159 MARCH. FEBRUARY FEBRUARY-MARCH. NINETEEN NINETEEN SIXTY SIXTY-FOUR FOUR Ray E. Robinson, Place, Dean Maryland Baltimore, 159 Creative Olivet Arts Workshop College Olivet, Michigan Sacred Music Workshop For Church Musicians A series of evening seminars and inspirationalconcerts June 7-14, 1964 Write to For High School Students 9-12 grade Orchestra Choral Drama Art Creative Writing June 20-July 18, 1964 Write to B. L. Beard, Director Creative Arts Workshop c/o Community Education Program Olivet College Olivet, Michigan Scholarships available William J. Jones, Director Sacred Music Workshop c/o Community Education Program Olivet College Olivet, Michigan II Summer studies at the OBERLINConservatory of Music for talented young musicians from the Chamber Music High Schools Violin, viola, ‘cello, piano-taught by Oberlin Conservatory faculty. Main emphasis: ensembles, coached by Oberlin Conservatory faculty. Introduction to the techniques of composition and analysis of music. Resident faculty quartet. Free admission to Artist Recital Series. For each student: an air-conditioned, sound-treated practice room. Housing: all in modern dormitories on the Oberlin College Campus. Campus attractions include Oberlin Summer Theater, Allen Art Museum. Supervised recreation. Swimming, tennis, bowling, and other sports. JUNE 24-AUGUST Tuition: $320.00 For information, write to: Thomas E. Cramer, Assistant Dean Oberlin Conservatory of Music Oberlin, Ohio FEBRUARY-MARCH, NINETEEN SIXTY-FOUR 6 Room & Board: $180.00 161 UNIVERSITY IN MUSIC SCHOLARSHIPS for admission to OF OREGON SCHOOL OF MUSIC,. . THE NEW ENGLAND CONSERVATORY in September, 1964 Renewable tuition awards for Freshman candidates in Piano, Voice, Orchestral Instruments, Organ, Composition, and Music Education *, .r F 91964 SUMMNIER,: SESSION JUNE 22-AUGUST 28 ? and 11-week courses Eight-week and Master's toward Bachelor's and toward D. Ed. with degrees major in Music Education. and Guest Resident and Faculty Artists IN: * WORKSHOPS June Chorus (Waring) 14-19 : England Conservatory is a member of the New England Association of Colleges and Secondary Schools and is a charter member of the National Associationasscal The New Guitar Classical Gutar (Bream) (ream) J. Recorder(Krainis) June 22 -`': _7 : of Schools of Music. For further information, write: * ALSOIN: Music-: Creative Children's High School Music Sessionsj i’ “. .r Undergraduate 292 Huntington Avenue, Division, Boston 15, Mass. BandTheory For further inform:ootw1-e-: Dean Robert M. Trotteri School of Music of Oregon University Sec. 666 Oregon Eugene, MUSIC OF COLORADO 1.964 OF THE UNIVERSITY COLLEGE Sunirner Education^ of SessionSystemHigher State Authorized byOregon 1964 Summer Session 22 JUNETO 15 AUGUST Courses offered in all major fields leading to BACHELOR, MASTER, and DOCTORAL degrees: Bachelor of Music; Bachelor of Music Education; Master of Music; Master of Music Education; Doctor of Philosophy (Music Education); Doctor of Musical Arts. Guest Faculty: Alfred Deller (Counter-tenor) Lecturer; Jester Hairston (Professional Actor and Choral Conductor) H A RTT OF COLLEGE MUSIC UNIVERSITY HARTFORD OF Moshe Paranov, Pres. Choral Music; Roland Haves (Artist-Performer, Tenor) Voice and Pedagogy; Mary Jarman Nelson (Author-Music Educator) Vocal Music Methods and Materials; Werner Singer (CoachPianist) Repertoire for Singers; William Teague (PerformerTeacher) Organ. Summer performances include: Verdi's LA ELEMER TRAVIATA. For further information write to: WARNER IMIG, DEAN, distinguished faculty includes ARNOLD FRANCHETTI, composition I BERNARD GREENHOUSE, cello I RAYMOND HANSON piano JOSEPH VICTOR LADEROUTE, voice NAGY, opera-theater I COLLEGE OF BOULDER, COLORADO NMUSIC, UNIVERSITY 80304 OF COLORADO; outstanding summer programs include MASTERCLASS FOR HARPISTS June 1 7-June 24 by Pierre Jamet and Aristid von Wurtzler ORFF METHOD of teaching music to children June 29-July 3 by Doreen Hall now in spacious new quarters air-conditioned sound-proofed, fully accredited-catalog r Lewis and Clark College Music Department I PORTLAND I Three Special Features Summer 1964 OREGON CHORAL SCHOOL - June 15-20 - Leland Sateren, Guest Conductor For High School, Church and College Directors HIGH SCHOOL MUSIC WORKSHOP June 22 - July 10 Theory, Choir, Band, Orchestra, Small Ensembles PIANO PEDAGOGY & APPLIEDTHEORY-July 20-24-Nellie Tholen For Piano Teachers College credit available. For further information write: L. Stanley Glarum, Chairman Music Department LEWIS AND CLARK COLLEGE,PORTLAND 19, OREGON 200 Bloomfield Avenue West Hartford, Connecticut MUSIC EDUCATORS JOURNAL 162 I ill It I3 ' Where Music TUCSON 1964 SUMMER SESSIONS First Session: June 15-July 18 0 Second Session: July 20-August 22 Graduate and Undergraduate Courses in Music Each Term CHICAGO MUSICAL COLLEGE of Workshops, seminars, and varied course offerings for undergraduate and graduate students in music each session. 13th Annual Fine Arts Summer Session for high school students June 7-20 Director: Dr. O. M. Hartsell ROOSEVELT UNIVERSITY Ninety-six years of excellence in teaching Staffed by outstanding musicianteachers Degree programs in Piano, Organ, Voice, Church Music, String Instruments, Wind Instruments, Composition, Theory and History, Music Education Graduate programs leading to the Master of Music or Master of Music Education Jazz studies and commercial arranging Private lessons for non-degree students 1964 TERMSOPEN FEBRUARY 10 JUNE 22-SEPTEMBER 21 WRITE FOR A CATALOGAND COM PLETE SCHEDULE OF CLASSES For detailed information or application forms write Dr. Pendleton Gaines, Dean, Summer Session The University of Arizona, Tucson, Arizona I I I? , ,I ,? . 111, I I 111 I 1 0 A New and Exciting Experience for Talented Young Instrumentalists 0 Summer In residence: Youth Orchestra by THE UNIVERSITY OF CONNECTICUT First Season -July 5-August 2, 1964 including U.S. Concert Tour COLLEGE CHICAGO MUSICAL of | 430 ROOSEVELT UNIVERSITY Avenue Michigan 60605 Illinois . Members qualified by audition only Students between the ages of 16-23 eligible All expenses for 4 weeks (including tour) $325.00 Limited number of scholarships available For complete information please write to: South Chicago, Dr. Jack Heller, Director Summer Youth Orchestra University of Connecticut, Box U-12 Storrs, Connecticut ……. BOSTON UNIVERSIT \ SCHOOL X% OF FINE AND APPLIED ARTS Edwin E. Stein, Dean Roy T. Will, Chairman of Music Division Scholarship tuition Awards to outstanding high school seniors one to four years full now being processed for 1964-1965. and Doctoral Fellowships up to $2,400 per year Freshman Applications Graduate 'k Assistantships For complete informationwrite: ll855;jli__ll:Boston ^i:l Boston University School of Fine and Applied Arts Commonwealth Avenue 15, Massachusetts FEBRUARY-MARCH. NINETEEN SIXTY-FOUR 165 of University the Pacific iUL= TTL Enjoy a Musical Summer at Pacific Music Camp The growth of a gifted and serious young musician depends to a large for extent on the opportunities work and study under great musicians of the day …More than ever before, these young high school musicians throughout America today are discovering these very opportunities to be incomparable at Pacific Music Camp The 1964 Pacific Music Camp will be a concentrated five-week summer program from June 21 to July 26, offering work and study of under such great musicians today as …Richard P. Condie, Lara Hoggard, Jester Hairston, Jane Skinner and J. Russell Bodley in Chorus …William D. Revelli, Randall Spicer, William Rhoads and Gordon Finlay in Band …Stanley Chapple, Ralph Matesky, Leo Kopp and Daniel G. Lewis in Orchestra . PMC offers the young musician a vital, stimulating and penetrating experience in many special fields of music study and performance -chorus, band, orchestra, string and wind chamber groups, madrigal groups, applied lessons, theory, composition …Quality music education at a modest cost enables PMC to be highly selective. Indeed, the entire camp program is geared to the gifted, serious and advanced young musician. Indicative of this is the calibre of literature, ranging from the great choral works of Palestrina and Gabrieli's Canzonas through Persichetti's “Symphony for Band” and Carl Orff's “Carmina Burana” For further information regarding an unforgettable five weeks on the beautiful University of the Pacific campus that will be the musical experience of a lifetime, contact John Huxford, Director, Pacific Music Camp, University of the Pacific, Stockton 4, California … 166 THE 1964 SALZBURG FESTIVAL, Austria, will celebrate the one hundredth birthday anniversary of Richard Strauss and the seventieth birthday of Karl Boehm. Mr. Boehm will open the Festival with Ariadne auf Naxos by Richard Strauss. Performances of Strauss’ Elektra and Rosenkavalier will be given. Roberta Peters, first coloratura soprano of the Metropolitan Opera of New York, will represent the United States in singing the part of the Queen of the Night in Mozart's Magic Flute. The program will also include performances of plays, ten orchestra concerts by the Vienna and Berlin philharmonic orchestras, ballet, serenades and lieder, as well as chamber and solo concerts. WESTERN RESERVE UNIVERSITY singers under the direction of Donald J. Shetler, member of the music faculty at the University, presented the first Cleveland performance of Frank Tirro's American Jazz Mass on November 15, 1963, in Amasa Stone Chapel on the University campus. A jazz combo of five instruments accompanied the mass and selections from Anglican plainsong were contrasted with the progressive jazz setting of the traditional mass. CONCENTENNIAL MONTANA Montana State University's CERTS. School of Fine Arts will sponsor two concerts commemorating the Montana Territorial Centennial on May 24, 1964. All music to be performed has been written by composers who either were former residents of Montana or are now living in Montana. Composers to be represented include Herbert Inch, Francis White, Wilbur Funk, Lowndes Maury, George Hummel, Ruth Anderson, Fred Nelson, Mrs. Lee Huntington Young, Richard Hoyt, and Don Schnaidt. MADRIGAL FESTIVAL. Stephen F. State Austin Nacogdoches, College, Texas, has announced that Jean Berger, known composer and internationally teacher, has been commissioned to write a new work for the second annual Stephen F. Austin Madrigal Festival, March 20, 1964. Purpose of the festival is to encourage a renaissance of madrigal singing in the Southwest. GEORGE ROCHBERG, visiting professor of music at the University of Buffalo, has been awarded a $1,000 commission by the College Development Fund of Montclair State College, Montclair, New Jersey, for an original composition for the College band. The commission, to be completed early in 1964, will be scheduled for performance with the composer in attendance. Mr. Rochberg, recipient of the American Academy in Rome Fellowship in 1950, has a long list of honors, awards, and academic degrees to his name. MUSIC BACKGROUND APPLIED IN MACHINE SHOP. A graduate music education major has applied her musical knowledge in inspecting metals in a Kansas City, Missouri, machine shop. Anne Marie Brian says that by listening to the tones of various metals, she can detect mistakes that might ruin a piece of delicate machinery. BALL STATE featuring 2nd American Orff Workshop Aug. 3-14 A new and exciting approach to teaching music to children, taught by instructors from the Orff Institut, Salzburg Mozarteum, Salzburg, Austria, under the direction of Fraulein Lotte Flach. Second year for this unique and unusual program in America. Offering graduate and undergraduate credit for beginning or intermediate students. also ELEMENTARYAND JUNIOR HIGH SCHOOL MUSIC WORKSHOP June 15-26 in cooperation with American Institute of Music Education Guest faculty to collaborate with Ball State faculty on discussion of new materials, equipment and teaching devices MID-AMERICA MUSIC CAMP (High School) and MUSIC DIRECTOR'S WORKSHOP July 19-26 Excellent program for high school musicians interested in band, orchestra and chorus, or opera. Distinguished staff and guest conductors. Music director's workshop for elementary band, orchestra and choral directors. May be taken for graduate credit. SUMMER ARTS FESTIVAL June 23-25 Full three days of music, dance, drama, and prize-winning sculpture painting, films. Prominent artists present. CHAMBER MUSIC FESTIVAL June 18-July 16 18th season for weekly concerts by Ars Musica String Quartet and Musical Arts Woodwind Quintet in residence. Bachelor's and Master's degree programs offered. Fully accredited. Faculty of 50 artists and teachers. For more information, write to Dr. Robert Hargreaves, Head, Department of Music. BALL STATE TEACHERS COLLEGE Muncie, Indiana University of Alberta BANFF SCHOOL OF FINE ARTS 32nd Summer-Main Sessions July 6 to Aug. 15 Music Di-ision courses in: Piano, Strings, Singing and Opera Production, Choral Singing, Theory, Instlrumental W'orlkshops, Musical Theatre. Other eolurses in: Painting, Theatre Arts, Ballet, Figiure Skating, iWriting, Ciafts, I ‘lotography, Modern Languages. for calendar and furtler particulars write Director, Banff School of Fine Arts, Banff, Canada MUSIC EDUCATORS JOURNAL *1 I MUSIC FESTIVAL TOUR July 4-August 23, 1964 Enjoy the exciting atmosphere of ten great music festivals-tour eight countries for seven weeks-attend 35 superlative performances of opera, orchestral and chamber music works under the baton of the foremost conductors of our time-introduced and evaluated in lectures by outstanding musicologists-earn 6 sem. hrs. of credit. Amsterdam Manchester Chester Liangollen Lichfield Coventry Warwick Stratford Cheltenham Oxford Haslemere Glyndebourne London Paris Rome Pisa Florence Ravenna Padua Venice Vienna St. Florian Salzburg Munich Bayreuth Lucerne Zurich Edinburgh Trossachs Glasgow Interlochen Arts Academy Co-educational College Preparatory School Grades 8-12 MUSIC * ART * DRAMA * DANCE including SuperbSymphonyOrchestra Small classes enable the Academyto provide individualized programs Affiliated with NATIONAL MUSIC CAMP For detailed announcement and application write Joseph E. Maddy, President Box 85, Interlochen Arts Academy Interlochen, Michigan B erklee oaw ojle4: 1ec u^i JETS New York/Amsterdam/Manchester; London/Paris/Rome; Venice/Vienna; ZurYork. Glasgow/New ich/Edinburgh; MOTOR!NG in England, Italy, Austria, Germany. Switzerland, Scotland. $1,789. For information write. Directorof SummerSessions Internationallyrecognized educational center for the study of American music BACHELOR OF MUSIC DEGREE PROGRAM Majors in Music Education Composition Performance PROFESSIONAL DIPLOMA PROGRAM Majors in Arranging & Composition Performance SUMMER EVALUATION CLINIC for high school undergraduates For catalog and information, write to: BERKLEE SCHOOL Dept. J, 284 Newbury UNIVERSITY TEMPLE Philadelphia 22, Pa., or Inc. STUDYABROAD, P.O. Box 1505 Escondido, Calif. 250 West 57 St. New York 19, N.Y. OF MUSIC St., Boston 15, Mass. I WEST VIRbINIA UN\IVERSITY MUSIC CAMP FINE JuTS 7 19 JULY - AUGUST 3 WEEKS $100 ALLEXPENSES Private Lessons Available Band ‘ Orchestra Write: Chorus t Piano Donald C. Portnoy School of Music Morgan, West Virginia FEBRUARY-MARCH, NINETEEN SIXTY-FOUR 167 ! JUILLIARD SCHOOL OF MUSIC PETER MENNIN, President StanfordUniversity of Department Music 1964 SUMMER SESSION 15 June 22-August TEMPLE UNIVERSITY College Graduate courses offered leading to the A.M., Ph.D., Ed.D., and A.Mus.D. of The Music SPECIAL FEATURES OF RENAISSANCE INSTITUTE June 22-July 17 MUSIC……… Performance of music of Shakespeare's time George Houle, Director Robert Donington, Visiting Lecturer Alfred Deller, Guest Artist GID WALDROP, Dean o WORKSHOP IN CHORAL MUSIC 22-August 15 …………June Harold Schmidt, Director SUMMERYOUTH ORCHESTRA .J….June 28-July 12 College of Music of Temple University offers such training in the performance alld teaching of music as conforms to the best artistic and pedagogical standards. Undergraduate and giaduate curricula are offered leading to degrees in music and miusic educationl. The faculty includes many first chair players from the Philadelphia Orchestra. CONCERT CHOIR CHORUS OPERAWORKSHOP BAND ORCHESTRA WIND ENSEMBLE SYMPHONIC SMALLENSEMBLES SUMMER SESSION 1964 June 29 to August 7 EUROPEAN MUSIC STUDY TOUR July and August 1964 * Bachelor of Music Degree * Bachelor of Fine Arts Degree (Dance) * Bachelor of Science Degree * Master of Science Degree * Diploma * Postgraduate Diploma * Special Study Plan J Junior and senior high school orchestra members Wolfgang Kuhn, director For further information and application forms, write to: Department of Music Stanford University Stanford, California BEAVERBROOK MUSIC CAMP Pocono Pines, Pennsylvania TWO 3-WEEK SESSIONS June 28-July 19; July 19-Aug. 9 Enrollment for either or both sessions On 2000-Acre Pocono Crest Resort Estate. Features: Band, Chorus, OrPrivate Study, chestra, Ensembles, Opera Workshop, Hootenanny. Co-Directors: Allen Flock, Instrumental, Bucknell University, and Wilbur Hollman, Choral, Cedar Crest College. Program of concerts, recitals, social and sports recreation by outstanding college staff. Write to: For admission requirements, scholarship information, catalog, write: Office of the Dean College of Music T Temple University Philadelphia 22, Pa. PAUL CHRISTIANSEN Choral School sessions for summer of 1964 21-26 Denver University, Denver, Colorado June 28-July 4 Thiel College, Greenville, Pa. 1 Bemidji State College, July 26-August Bemidji, Minnesota Credit given at all sessions For further information-write Kurt J. Wycisk, Manager June For full details, please request catalog 120 Claremont Avenue, New York, New York 10027 - Beaverbrook Suite 699 11 West 42nd Street New York City 10036 U Music Camp ^ A Paul Christiansen Choral School Concordia College Moorhead, Minnesota MAKE PLANS TO ATTEND NOW 168 MUSIC EDUCATORS JOURNAL I Colorado Colorado College Springs IYRCAI TTU TTIVERTTT MU SIC OF SCHOOL Six-Teek Sessio.nJune 29-August 7 Graduate and Undergraduate Courses in Music Theory, Applied Music, and Music Education Comparative Methodology- (With Children from the Demonstration School) Colorado SCHOOL MUSIC SUMMER June 15-August 7 A.B. and M.A. Degrees July 13-17 Wind and Percussion Institute Soni Ventorum Woodwind Quintet (San Juan, Puerto Rico) New York Brass Quintet Nilo Hovey, Conductor and Wind Specialist Sigurd Rascher, Saxophonist in Applied Music and Music Education Five FacultyConcerts ARTIST Ronald Nancy Abraham FACULTY: Hudson, Hudson, violin violin viola I July 20-24 John Mehegan-Jazz Improvisation (Workshop) August 3-7 Robert Dumm-Piano Pedagogy (Workshop) Write: Director, School of Music, Box 200 Syracuse University, Syracuse, New York 13210 --I I I? I I- L I Skernick, Leslie Parnas, ‘cello Max Lanner, piano of UNIVERSITY IDAHO Department of Music MOSCOW, IDAHO Summer Session (8 weeks), June 22-Aug. 14, 1964 Scholarship Competitions Tapes are required Workshops: Write for details Max Lanner College Springs Colorado Colorado Colorado to Elem. Music, July 6-17 Brass Instr., July 20-31 Strings, Aug. 3-14 High School Music Camp, June 18-July 3 Degrees: BM, BA, BS (Mus. Ed.), MM, MA, MS (Mus. Ed.), MME. Major Areas: Applied Music, Composition, Music Ed. For further information write Westminster ……. Choir . Hall M. Macklin, University - Head, Dept. of Music, of Idaho, Moscow I I 11? Ia 1 College …… =P - I - Dr. Lee H. Bristol, Jr. President Warren Martin Musical Director SINGING CITY announces i Dr. Edward F.J. Eicher Dir. of Music Education Dr. Elaine Brown Dir. of Choral Activities WORKSHOPS TWO SUMMER IN THECHORALART at Crozer Seminary Chester, Pennsylvania 1. August 9-15, 1964 A study of Orlando di Lassus Elaine Brown and Julius Herford Co-directors 2. August 16-22, 1964 Elaine Brown, Phyllis Jenness and Singing City staff For further information, write: 35 S. 9th St., Philadelphia 7, Penna. 169 Vocal and conducting techniques Professional studies in music, education, and practice teaching. Important emphasis on applied music, study and performance of great choral works. DEGREES * Bachelor of Music * Bachelor of Music Education For descriptive catalog write: N. Admissions, Dept.E, Princeton, J. FEBRUARY-MARCH, NINETEEN SIXTY-FOUR SINGING CITY ….e …… …………………………………………………… '::. ……. ….::: … : . ''- B…. . …. … …. …… . ……… . . … ………. .i_ ………. …. ::. z . e _ ……. ….- 6. |……. …….t.;… … . ………. …. …. _ _ …………. …… . ……. ……………………. . . ………. ……. ……………. fh run the in Course: Time Record WINNERS ALL! Whether you put your money on BREEZE-EASY or BAND BOOSTER. Each band method is tailor-made to your specifications … BREEZE-EASY for classes of like instruments; BAND BOOSTER for classes of mixed instruments. Pick your favorite-both pay off with really great bands. Series-Available for all woodwind, brass, string, and perThe BREEZE-EASY $1.00 ea. cussion in two volumes ………… 1.50 C Book………… for BREEZE-EASY Recorder… F Book …………1.50 Combined Book….3.00 METHOD-Standard band instrumentation… parts 85? ea. The BANDBOOSTER SEE THEM AT YOUR MUSIC DEALER. K W,WRD-, OL York West Street New 19,N.Y. Music Publishers Corp. 619 54th * Holding * The elementary song and music-education series: Growing by Wilson, with Hermann, Music and Renna Ehret, Snyder, Growing with Music, Books 1-6, the appealing, elementary song series, contains many music-education features. Two of them are the following: 1. Reading Music These chapters provide youngsters with a progressive knowledge of the basic elements of music. 2. Creating Music Step by step, in simple terms, the Creating Music chapters give children the information and activities which familiarize them with melody, rhythm, tone, mood, and other facets of music-making so that they can easily make up songs of their own. Helpful Teachers Editions assist teachers with or without formal training in music. Recordings of all songs. EDUCATIONAL BC)OK DIVISION PRENTICE-H/ L L, I C . ! Englewood Cliffs, New Music Jersey 07632 JOURNAL JOURNAL EDUCATORS EDUCATORS 170 170 MUSIC I - - -- — - - -- _- -- - - ) -- - -- - - - -- High School Music Festival -- — ommmaoxw*Mwtw - - — Newest, easiest, surest way to care for your brass instrument! * The Jefferson County, Kentucky, Public Schools are presenting the Fifth Annual High School Music Festival on March 16 and 17, 1964. The festival, which will be held in Freedom Hall at the Kentucky State Fairgrounds in Louisville, is a noncontest festival in which approximately 3,500 junior and senior high school students will participate in choral, orchestral, and band programs. During the first evening of the festival, individual orchestras and bands will perform under their respective conductors. One number will be played by all groups en masse. About 4,000 spectators are expected at the Monday night program. On Tuesday, March 17, the junior and senior high school choruses, county band, and county orchestra -representing thirteen high schools -will perform under the following guest conductors: Jack Sacher, Teachers College, Columbia University, New York City; Ferris Ohl, Heidelberg College, Tiffin, Ohio; Michael Semanitzky, Butler University, Indianapolis, Indiana; and Harry Begian, Cass Technical High School, Detroit, Michigan. A capacity audience of 9,000 people is expected to fill the arena for the Tuesday night performances. BACH LIBRICANTS The silicone in Vincent Bach lubricants keeps valves and slides working freely even after heavy use, while the Hexachlorophene keeps them laboratory clean. Bach Tuning Slide Grease contains lanolin, too, for greater effectiveness over a longer time. Its handy push-plug tube lets you grease tuning slides without ever touching the grease. Bach Valve Oil, Slide Oil and Tuning Slide Grease, 50c each. On sale at better music stores everywhere! Distributed by H. & A. Selmer, Inc. Elkhart, Indiana __ II_L? __ The MENC publications list is available without charge. Write to MENC, 1201 16th St., N.W., Washington, D.C. 20036 I I HIT _ -I .::I 3 EASY-TO-PRODUCE MUSICAL COMEDIES for HighSchoolProduction of the Pacific in Stockton, MUSIC CAMP at the University PACIFIC California, music personalities. Shown above are, during the summer of 1963 featured prominent of the Paganini founder and first violinist left to right: Henri Temianka, String of Los Angeles, Chamber Symphony of the Temianka Quartet, and founder-conductor and director of Gordon Finlay, assistant professor of brass instruments California; of the Pacific; William D. Revelli, director of bands and chairman, bands, University Ann Arbor; John Huxford, wind instrument of Michigan, department, University of the Pacific and director of the summer assistant to the dean of music, University music camp. FEBRUARY-MARCH, NINETEEN SIXTY-FOUR FromSpain to New Zealand(includingthe of UnitedStates and Canada, course) hunthese shows dredsof schoolshave produced success with unprecedented For free brochure and record write: COMPANY PROMPUBLISHING Dept.E 5404 Franklin 27, Ave.,Hollywood Calif. 17-9 --. NEW FROM ) of outstanding quality and wearing ease, styled with grace and dignity from excellent fabrics and tailored with all yokes PELLON lined for remarkable shape retention …quality robes and pulpit gowns at surprisingly moderate prices. CONFIRMATION ROBE RENTALS We will be honored to send you our catalog and Fabric Pre-Viewter unique without obligation. THE NO. 300A DIRECTORS STAND I By populardemanda new and enlarged stand designed to hold complete scores. The No. 300A features a heavy gauge aluminum desk (50% wider than standard desks)… all other parts of steel. Beautiful plastic knobs control the desk angle and height adjustment of the chromium plated telescoping tube and adjustable.Thisstand is finished in baked-on gun metal gray enamel and adds dignity and pleasing appearance to any orchestra. CHORAL AWARD. Westminster Choir, the choral organization of Westminster Choir College, Princeton, New Jersey, has been nominated by the National Academy of Recording Arts and Sciences for the best classical performance in the choral division (other than opera) for 1962. The work for which the Choir received the award was Prokofiev's Alexander Nevsky, recorded for Columbia Records under the direction of Warren Martin, director of the Westminster Choir. The recording was made in cooperation with the New York Philharmonic, under the guest conductorship of Thomas Schippers, who shares the award with Mr. Martin. RECIPSCHOLARSHIP PRESSER IENTS. Judith C. Kane, of Easton, Pennsylvania, and Mary R. Humeston, both of Upper Darby, Pennsylvania, music majors in their junior year at West Chester State College, West Chester, Pennsylvania, have been awarded the Presser Foundation Scholarship. The award, presented annually by the Presser Foundation Board of Trustees to West Chester State College music students, grants each of the students $200. The students are selected on the basis of and campus citizenship, scholarship, teaching potential. 1964FINE ARTS FELLOWSHIP, 1965. The University of Illinois has announced the thirty-third annual Kate Neal Kinley Memorial Fellowship for advanced study in the fine arts in America or abroad. The $2,000 fellowship is open to graduates of the College of Fine and Applied Arts of the University of Illinois and to graduates of similar institutions; candidates must have majored in one of the following areas: musicall branches; art-all branches; architecor history. For application ture-design blanks and further details write: Dean Allen S. Weller, College of Fine and Applied Arts, Room 110, Architecture Building, University of Illinois, Urbana, Illinois 61803. Deadline date for applications is May 1. CONCOMPOSITION ORCHESTRA TEST. The National School Orchestra Association is sponsoring the Roth Orchestra Composition Contest for an original work, either full orchestra or string orchestra. The composition should be playable by an average high school orchestra not beyond difficulty Grade III-IV. The composition, which is not to exceed seven minutes, must have a full score and a complete set of parts for all winds, percussion, and strings Neither the score nor any 8/8/5/5/5. of its parts may be identified as to composer-a separate letter accompanying composition should state the composer's name and address. Two awards of $250 each will be given-one for a full orchestra composition; the other for a string orchestra composition. Deadline date is July 1, 1964. Compositions should be sent to: NSOA Composition Contest Chairman, 1418 Lake Street, Evanston, IUinois. Thomas A. PETERSON 501 East 33rd Street Dept. 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National AssociationUniform of Manufacturers Member, 182 * REMOVABLE BELL BLOCKS * STEEL BARS FOR RESONANCE SET IN SPONGE RUBBER * ACCURATELY TUNED Demalnd the b)Cst - dclltand IIlartmolit WRITEFOR FREE BROCHURE / Laif 7P.O. P.O. Box 244, La Jolla, California MUSIC EDUCATORS JOURNAL NFMC SECOND ANNUAL AWARDS. The National Federation of Music Clubs has announced the Second Annual Awards for educational institutions for the performance and promotion of American music. One $500 award and an Award of Merit will be offered in each of three classifications to educational institutions in the United States and its territories. The three classifications are: privately endowed colleges or universities; state or municipal colleges or universities; independent conservatories or schools of music. Application forms are available from NFMC Headquarters, Suite 1215, 600 S. Michigan Avenue, 60605. Applications Chicago, Illinois should be sent to: Mrs. C. Arthur Bullock, National Chairman of American Music, P.O. Box 256, Canton, Pennsylvania 17724; deadline date is July 10, 1964. BAND DAY COMPETITION. The Kentucky Music Educators Association is sponsoring its annual Red River Exhibition American Band Day Competition on June 20, 1964. Bands may enter the Marching Competition, which is to consist of not less than ten minutes on the field; a separate concert competition will be held. Bands may enter both competitions. Forty-one bands will be selected for the 1964 contest. All bands participating in any phase of the competition will be required to take part in the Red River Exhibition parade scheduled for June 21 in Winnipeg, Manitoba, Canada. For further details and application blanks contact: Thomas A. Siwicki, American Representative, Red River Exhibition Executive Secretary, Box 77, Paris, Kentucky. VIOLINIST COMPETITION. A nationfor American-born wide competition has been announced violinists by Festival-on-Wheels. Winner will appear as soloist with the Festival-on-Wheels Orchestra in several Michigan cities. Auditions for the Mid-West and East are being held during February and March 1964 in Grand Rapids and New York City. Applications for auditions should be sent to: Michigan Summer Musicals, Inc., 6305 Alpine Drive, Traverse City, Michigan. West Coast auditions were held in the Los Angeles area in January. NINTH ANNUAL ARTISTS AWARDS. The Musicians Club of New York, Inc., announces the Ninth Annual Artists Awards open this year to pianists. Contestants must be native-born Americans between the ages of 20 and 30. Two cash awards will be given-first prize, $500; second prize, $300. Application forms may be secured by writing: Constance Wardle, Chairman, Young Artists Awards Committee, 360 West 55th Street, New York 19, New York. Applications must be postmarked not later than April 1, 1964. Auditions will be held on April 26. NFMC AWARDS. Duke University has been named first place winner in a nationwide competition among privately endowed educational for institutions its outstanding record of “performance and promotion of American music.” The award, a $500 grant from the American Authors, and PubSociety of Composers, lishers, is administered by the contest the National Federation of sponsor, Music Clubs. Awards also went to The and to the JuilOhio State University liard School of Music. FEBRUARY-MARCH, NINETEEN SIXTY-FOUR '.t t AL& JUK *-*.Wf^ * f: *: y - r *.; - y **?.-:/^|| * Designed especially as a teacher's aid in DISCOVERING and RECRUITING students for instrumental music. Helps children to discover their Makes Its Own Easel natural aptitudes. * TWO BOOKS in ONE! …Pre-lnstrument InSpecial wiire binding and stiff struction, and Exploratory Experiences With Band board cov ers permit book to and Orchestra Instruments. Special provision for on child's desk stand secur rely child's desk. rely on ^ ^,^ ^ I different abilities. * Usable for a full year of classroom instruction Improves students’ posture. No in beginning instrumental music. need for improvised racks. A Free Cop- Will Be llailed for Your Evaluation . I rite | / L 9imB -_^ . ';:1 t Indianapolis Public Schools W. OWEN BECKLEY,Publisher 4546 Allisonville Road * Indianapolis, Indiana ASCAP WRITER AWARDS. Two of distinguished men of music panels have announced the American Society of Authors and Publishers writComposers, er awards for the distribution year begin1963. The 1963 awards ning October were made to writer/members in two fields-standard” and “popular production.” The top award of $2,000 was made by the Standard Awards Panel to the folmembers: Robert R. Bennett, lowing Marc Ernest Bloch Blitzstein, (deMario ceased), Castelnuovo-Tedesco, Carlos Chavez, Paul Creston, Ingolf Dahl, David Leo Diamond, Ross Lee Finney, Carlisle Lukas Vittorio Floyd, Foss, Morton HanGiannini, Gould, Howard Peter Mennin, Gian Carlo Menotti, son, Vincent Douglas Moore, Persichetti, Arnold Sergei Rachmaninoff (deceased), Schoenberg (deceased), Igor Stravinsky, Deems and Taylor, Virgil Thomson, Ernst Toch. The top award of $1,200 was made by the Popular Awards Panel to David Stamper and Joseph E. Howard (deceased). CHORAL COMPOSITION CONTEST. Zeta Delta Alumnae of Delta Chapter Omicron is sponsoring a choral composition contest of college open to women must be age and over. The composition for three- or four-part women's voices, a or accompanied cappella by woodwind or any quintet, string quartet, piano, combination of the above instruments. Winner will receive a $100 award and a premiere at the Novemperformance ber 1964 Annual Concert Scholarship presented by the Zeta Delta Chapter. For additional information write: Mrs. Robert Stamp, 7510 North Seneca Road, Wisconsin 53217. Deadline Milwaukee, for entries is May 1, 1964. RHETA SOSLAND MUSIC AWARD. Clifford Taylor of the music faculty at was Temple Philadelphia, University, awarded the 1963 Rheta Sosland Chamber Music Award of $1,000, sponsored of Music of the Uniby the Conservatory at Kansas City, for versity of Missouri his composition for string quartet. Entry deadline for the 1964 competition is 1. September AWARD. WEST SHORE CONCERTS The Board of Trustees of West Shore Ohio, has awarded Concerts, Cleveland, its first annual $250 scholarship award to the duo-piano team of Joyce and Joanne twins from De23-year-old Weintraub, troit Michigan. Each year a conservatory in the Great Lakes area will be selected and the award will be given to a student or graduate within the last five years of that particular The conconservatory. was the selected this servatory year Cleveland Institute of Music, where the students Weintraub twins are presently of Vitya Vronsky and Victor Babin. The West Shore Concerts Board of Trustees hope the annual award will be an important stepping stone for young musicians. HIGH SOLO CONTEST. SCHOOL Mansfield State Mansfield, College, a high school sponsored Pennsylvania, November solo 2, 1963. competition Twenty high school musicians from Pennsylvania and southern New York participated, and the winner, Frank Richmond, a fifteen-year-old pianist from Williamsa solo perport, Pennsylvania, presented in A of the Grieg Concerto formance Minor. As the winner, he will have the to play with the Mansfield opportunity Orchestra on FebruCollege-Community ary 23, 1964. MUSIC EDUCATORS JOURNAL Mail Order Service? YES Mail your order to a firm with 76 years of experienced doing business coast to coast personnel, SOLD ON DEFINITE MUSIC OF ALL PUBLISHERS ORDER AND “ON APPROVAL When in Philadelphia, for the MENC convention, visit our booth number 217 and receive sample copies of Volkwein Publications. of utmost importance CONCERT SUITE, by Frederic Ashe 1963 Ostwald Award Winning Band Composition Get a free conductor score established 1888 VOLKWEIN BROS., INC. 632 LIBERTYAVENUE PITTSBURGH, PA. 15222 End nuisance of sticking keys-sluggish action with the all new “wall-to-wall” 5 ft. custom modelI HERMO-tLL-ETHKI . .-> DAMPP-CHASER? Piano & Organ Dehumidifier For all pianos & organs in homes, schools, churches. This all new custom DAMPP-CHASER extends from 48 to 60 inches; designed to fit between the side panels of any piano or organ. DAMPP-CHASER is the only unit made that gives complete even protection from excessive moisture, to the entire keyboard including the extreme bass and treble keys. Never needs attention, uses about a penny of electricity a day. Ask any piano-organ dealer or tuner-technician about a low-cost installation today! Manufactured for over a decade by DAMPP-CHASER, INC. Hendersonville, N. C. Write for free humidity indicator and brochure 184 New Trends Concerts in Conquer Your COUNTING PROBLEMS with the Music * Major changes in the New York concert scene, which are beginning to be felt all over the country, have been reported in The New York Times. Among the changes shaping up are: * The virtuoso recital, centered exclusively on the star performer, is on the decline, along with solo recitals of any sort. * A new breed of young concert manager is beginning to merchandise music in a new way, based on program content rather than big names. * The concert repertory is being enriched with music of chronological periods and combinations of instruments that were not formerly heard on standard programs. * The specialized program (allBach, for instance) is becoming more common and, if anything, more specialized (such as all-Brandenburg concertos of Bach). * With two major concert halls now open in New York (Philharmonic and Carnegie), a larger audience has been tapped than most managers thought existed. * The era is drawing to a close in which artists on tour played down to audiences. * There has been an important increase in the number of colleges and universities engaged in the concert business as buyers of talent for annual series. There has been an equally important increase in the effect of colleges and universities on the general audience and the music it wants to hear. * Foundations, a new element on the scene, are still very much a question mark but definitely to be watched. The same goes for government support including state arts councils and the like. While new changes are being made, some of the old problems still remain. No change has appeared in New York or elsewhere in the difficulty a young artist experiences in building a career and in the problem a medium-established artist has in gaining financial security. The general trend seems to be away from solo artists. It would appear that audiences are losing interest in “personalities” and are more sympathetic to the music itself. Rhythm Teaching Series A MASTER CARD enables you to series rhythmic teach today. choose the EXACT that you want to c .1 IOverlp each card in a cardholder Overlap and you now have a line of music which can be seen by the entire class. K I--J J I IsI vK I Change the order of the cards for as much practice as you wish. Return them to the deck in any order, and can find them you quickly again with the MASTER CARD. SEND FOR A SAMPLE CARD MUSIC PAPER Printed to Requirements Send sample or rough layout and state quantities for quotation. WILLIAM LOCKWOOD, D. INC. Binghamton, 39 Tremont Ave., N. Y. E_r FairMail Service, inc. 417 Cleveland Avenue Plainfield, N.J. 07061 Economically priced … RECORDS FROM YOUR TAPES Hi-Fidelity All Speeds & Quantities Write for free brochure and prices FINDLAY Box 105 RECORDING Dept. C CO. Findlay, Ohio -'I 1 I 1 Realistic Dramatic Colorful Candlelight Pageants Plays Battery operated * Guaranteed safe * No fire hazard * Easy to use * Won't soil or stain * Five exciting color effects. White plastic, complete with batteries. Dox. Doz. 12” size-$21.00 8” size-$18.00 Plus postage Services Musicals g Ceremonies .- . SAFETYCANDLES STRAYLINE The new type of clarinet moutnpiece tnat you have developed is a most important step forward for clarinet playing all over the world of tone from the standpoint particularly quality. w I At better stores, or write to. INC. ACCESSORIES, CLARINET B. PORTNOY 205 WEST 89 ST * N. Y. 24, N. Y. CO. PRODUCTS STRAYLINE Dept. A Box 4124 FEBRUARY-MARCH, NINETEEN Hamden. Conn. 06514 (Exhibiting at the MENC, PhRladelphia, in Booth 3301 March-See l SIXTY-FOUR 185 MUSIC JOURNAL EDUCATORS Volume 50, Number 4 * February-March 1964 ? 1964 BY MUSIC EDUCATORSNATIONAL CONFERENCE* 1201 16TH STREET, N.W., WASHINGTON, D.C. 20036 Bulletin Board In the News The Changing Scene Music Industry Council of MENC Exposition The 1964 Conference in Philadelphia The Arts and American Education. Finis E. Engleman A Tribute to John F. Kennedy Improvisation as a Discipline in Javanese Music. Mantle Hood What I have Learned about Administration. Harry R. Wilson 3 4 12 16 25 30 33 34 39 Music: A Sound Approach to Living. 51 Charles B. Fowler The Place of Music in Our Elementary and Secondary Schools. 53 Charles Leonhard Orff and Bresgen as Music Educators. Paul L. Frank 58 Basic Ideas in Elementary Music. Beatrice Landeck Music in the Arts. David Tunley The Nature of Rhythm. Karl Granacher Who Will Teach Strings? John W. Shepard I Would Like to See… Robert W. John Vocal Training in the High School. Gerald R. Mack The Decibel as a Musical Unit. Maximilian Recht Learning Through Composing. Ronald B. Thomas Coaching, a Musical Challenge. Kenneth Holland 67 7 81 8 85 Toward Academic Excellence Music. James Carlsen in 117 An Expanding Role for Music in a Science Centered Age. William C. Lang Baton-Friend or Foe. Walter C. Welke Why Johnny Wants to Sing. Lois Gordon From Passive Listening to Active Participation. Max Plavnick Teaching the Large General Music Class. B. D. Phillips The Ohio Student Music Education Association. Thomas E. Kowalik Collegiate Newsletter Worth Looking Into They Say These Are Good New Books 123 129 132 135 142 144 147 150 158 171 The Development of Courses, Resources, and Activities for Performing 42 Students. Allen P. Britton The Importance of School Music. Peter W. Dykema and Charles H. Farnsworth 95 102 106 111 45 The Composer and Music for Chil49 dren. Dmitry Kabalevsky 50 On the Cover Young Audiences. Herbert Haufrecht 177 180 Tribute to Sena B. Wood 182 Awards and Competitions The Music Educators National Conference is a voluntary, nonprofit organization representing all phases of music education in schools, colleges, universities, teacher-training institutions. MENCmembership is open to all persons actively interested in music education. Executive Secretary: Vanett Lawler * Associate Executive Secretaries: Gene Mortan, Charles L. Gary * Assistant Executive Secretary: Geraldine tvie Director of Publications: C. V. Buttelman * Administrative Assistants: Beverle y Brown, Wilma Furgerson, Dorothy Regardie * Head, Membership Records: Marie L. Rexrode The Music Educators Journal, national official magazine of the MENC,is issued six times yearly: September-October, November-December,January, February-March, April-May,June-July * Subscriptions: $3.50 yearly; Canada $3.50; Foreign $4.00; Single copies 65c. IDUCATIONAL RE Ss Managing Director of the Journal: Vanett Lawler SSOCIATION o OF Editor: Bonnie C. Kowall Advertising: Elisabeth C. MacDonnell f --AMERICA Editorial Board: Wiley L. Housewright (Chairman),Robert A. Choate, Henry Leland Clarke, Norman Dello Joio, Walter Duerksen, William E. Elwell, Max T. Ervin. Frederick Fennell, Robert E. Fielder, Dorothy Gillett, Wayne S. Hertz, Arnold E. Hoffmann. Robert H. Klotman, William M. Lamers, Vanett Lawler, Robert W. Lundin, William B. McBride, L. Eileen McMillan, John H. Mueller, Robert G. Petzold, Augusta T. Spratt, Paul Strub, S. Earle Trudgen, Maurice C. Whitney. MUSIC EDUCATORSNATIONAL CONFERENCE Founded NATIONAL BOARD President: Alex H. Zimmerman, 1907 0 A Department of the National Education Association PRESIDENTS OF AUXILIARIES * 1962-1964 N.J. of the United States First Vice President: Upper Montclair, National Interscholastic Music Activities Commission: Roger O. Hornig, Wisconsin National Association of College and Percussion Instructors: President, Indiana Robert G. Grocock, Wind Greencastle, Allen P. Britton, Ann Arbor, Michigan Second Vice President: Members-at-Large: Music Industry Council: Rapids, Wisc. Nilo Hovey, Elkhart, Indiana EXECUTIVE COMMITTEE Alien P. Alex H. Zimmerman (Chairman), Britton, William R. Sur, Frances M. Andrews, Max F. Dalby, Emile H. Serposs, Donald C. Scott, Paul Van Bodegraven. STATE PRESIDENTS NATIONAL ASSEMBLY Chairman, the MENC First Vice-President Allen P. Britton ASSOCIATED ORGANIZATIONS National Band Association: President, John P. Paynter, Evanston, Illinois William R. Sur, East Lansing, Michigan George H. Kyme, Berkeley, Calif.; Howard Hanson, Rochester, N.Y.; Clyde W. Holsinger, No. Manchester, Ind.; Hazel N. Morgan, Claremont, Calif.; Emile H. Serposs, Chicago; Paul Van Bodegraven, New York DIVISION PRESIDENTS * 1963-1965 National School Orchestra COUNCILS Association: President, Orville L. Dally, Bryan, Ohio Council of Past Presidents: Chairman, Karl D. Ernst, Hayward, California Eastern: Robert Marvel, Fredonia, New York Council of State Editors: Chairman, Rodney F. May, Brockton, Mass. North Central: Northwest: Southern: Wallace P. Gause, Clearwater, Florida Mary R. Tolbert, Columbus, Ohio R. Bruce Bray, Moscow, Idaho American Choral Directors Association: President, Warner Imig, Boulder, Colorado Council of State Supervisors of Music: Chairman, Emerson Van Cleave. Montgomery, Alabama American String Teachers Association: Southwestern: Arthur G. Harrell. Wichita, Kansas College Band Directors Association: President, Robert Klotman, Detroit, Michigan National Music Education Research Council: Chairman, Roderick D. Gordon, Carbondale, Illinois Western: Carroll A. Rinehart, Tucson, Arizona President, Keith L. Wilson, New Haven, Connecticut; Honorary Life President, William D. Revelli, Ann Arbor, Michigan Journal of Research in Music Education Editor: Allen P. Britton, Ann Arbor. Michigan 188 MUSIC EDUCATORS JOURNAL HARRY SIMEONE Some present-day writers of music seem to have endless time to write and talk about their music, their troubles, what's-wrong-withmusic-education, etc. what's-wrong-with-othercomposers, what's-wrong-with the-government, why-I-love-nobody,why-doesn't-everybody-loveme, and then some more about their music. Not so with Mr. Simeone. He is too busy writing and performing music, which he does with zest and enthusiasm. If you wish, disregard anything we, as Mr. Simeone's publishers, we may say about his music. But do pay careful attention to the music itself, because that is his means of communication. Mr. Simeon's writing has the stamp of original style, yet it does not fit into a stereotype. Although he has often been identified with music tha; is fast and syncopated, the bestknown of his recent work--the choral settings of Moon River, The Little Drummer Boy and Do You Hear What / Hear demonstrates his ability in the other direction. People who identify him exclusively with secular music are surprised when they hear his reverently moving Beatitudes, composed while serving as a church organist. It is a beautifully expressive piece of music for soprano or tenor soloist with mixed choir. He is well-known for his extensive work in the shorter musical forms, yet thousands have been charmed and delighted also with his musical fable, The Emperor's New Clothes, a full evening's musical entertainment. And if you attempt to label him exclusively as a “choral” writer, you have to explain the many performances of Trumpet in the Night and Flute Cocktail by professional orchestras and school orchestras and bands. And if you feel that he can only work his magic with advanced performers, you must account for the enthusiastically welcomed choral collections for young singers, Youth Sings, Rise and Shine, Songfest, and Have Songs-Will Sing. If there is a single hallmark to Harry Simeone's work, it is craftsmanship. He knows how to put the notes down so that directors and performing groups want to do their very best, thereby assuring an optimum response from the audience; and he has demonstrated this ability with groups as diverse as an elementary school chorus singing for the P.T.A. and a symphony orchestra playing for a sophisticated audience of paying customers. You have to look hard to find this kind of musician nowadays. I I Please send me, at no charge, single copies of the five selections for mixed chorus listed below. Listed on the left, you'll find a number of Mr. Simeone's compositions and arrangements for mixed chorus, admittedly the largest part of his published work. To help you get acquainted with some of the titles you find unfamiliar, we offer you copies of any five you list on the coupon, at no charge. NAME POSITION ADDRESS CITY ZONE STATE MEJ264 I DIRECTION FOR EDUCATORS . - …A PROGRAM OF LEARNING MUSIC THAT *WEARS WELL” . CURRICULUM GUIDANCE IN-SERVICE SUGGESTIONS . TEACHING AIDS …. ACTIVE PARTICIPATION THE BIRCHARD FOR MUSICIANS . FOR ADMINISTRATORS FOR SUPERVISORS . FOR CHILDREN … MUSIC SERIES FOR CLASSROOM TEACHERS . FOR THE GIFTED CHILD, . ENRICHED EXPERIENCE EVAN?TSTONT, ILLINTOIS 8E304 </meta-value> </custom-meta></custom-meta-wrap></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Back Matter</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Back Matter</title></titleInfo><typeOfResource>text</typeOfResource><genre type="other" displayLabel="other" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-7474895G-0">other</genre><originInfo><publisher>SAGE Publications</publisher><place><placeTerm type="text">Sage CA: Los Angeles, CA</placeTerm></place><dateIssued encoding="w3cdtf">1964-NaN</dateIssued><copyrightDate encoding="w3cdtf">1964</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><relatedItem type="host"><titleInfo><title>Music educators journal</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0027-4321</identifier><identifier type="eISSN">1945-0087</identifier><identifier type="PublisherID">MEJ</identifier><identifier type="PublisherID-hwp">spmej</identifier><part><date>1964</date><detail type="volume"><caption>vol.</caption><number>50</number></detail><detail type="issue"><caption>no.</caption><number>4</number></detail><extent unit="pages"><start>107</start><end>188</end></extent></part></relatedItem><identifier type="istex">049F10877BBDDA7F9F70E10E52E5C136726DD293</identifier><identifier type="ark">ark:/67375/M70-5PJ42KLC-S</identifier><identifier type="DOI">10.2307/3390233</identifier><identifier type="ArticleID">10.2307_3390233</identifier><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B">sage</recordContentSource></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/049F10877BBDDA7F9F70E10E52E5C136726DD293/metadata/json</uri></json:item></metadata><author></author><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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