The nature of commitment: Vincenzo Gonzaga's patronage strategies in the wake of the fall of Ferrara
Identifieur interne : 000C25 ( Istex/Corpus ); précédent : 000C24; suivant : 000C26The nature of commitment: Vincenzo Gonzaga's patronage strategies in the wake of the fall of Ferrara
Auteurs : Anne MacneilSource :
- Renaissance Studies [ 0269-1213 ] ; 2002-09.
English descriptors
- Teeft :
- Alfonso, Alte sfere, Andreini, Andreini family, Anne macneil, Ballet comique, Battista, Cinque voci, Claudio monteverdi, Compositional technique, Concerto delle donne, Conf luence, Cruda amarilli, Delle, Donne, Early music, Entire family, Ferrara, Ferrarese, Ferrarese concerto, Ferrarese court, Francesco, Francesco andreini, Giovan battista, Gonzaga, Grand duke, Gratie pochi, Guglielmo, Guglielmo gonzaga, Lament genre, Lamento, Lamento della ninfa, Last madrigal, Luca marenzio, Madrigal, Madrigal dialogue, Mantua, Mantuan, Mantuan court, Margherita, Margherita farnese, Medici, Medici wedding, Monteverdi, Music theatre, Musical composition, Northern italy, Overo delle imperfettioni della moderna musica, Pastor fido, Pratica, Reali amanti, Renaissance studies, Seconda, Seconda pratica, Seconda pratica music, Settimo libro, Sister margherita, Structural elements, Tirsi morir volea, Vincenzo, Vincenzo gonzaga, Vincenzo patronage, Virginia andreini.
Abstract
By the end of duke Vincenzo Gonzaga's reign in 1612, he had created in Mantua a unique and unrivalled centre of music theatre. The Mantuan musical and theatrical scene in the first decades of the seventeenth century eclipsed the metamorphic grandeur of the Medici and Valois courts with an aesthetic intensity born of Virgilian pastoralism and the rhetorical immediacy of the Heroides. Virgilian pastoral combined with the educational system established at Ferrara by Guarino Guarini to create a style of theatre that reached outside the bounds of static Olympian tableaux to enact living, coherent plots wherein shepherds, shepherdesses, and lovers expressed the limits of human emotion. The integration of music, rhetoric, and drama in Mantuan spectacles — an integration that came to fruition only in compositions of the seconda practica, where the dramatic moment governed the sound of the music as well as the words — resulted from the unique conf luence of people whom Vincenzo Gonzaga drew to his court in the wake of the devolution of Ferrara. By making citizens of his prized actors and musicians, Vincenzo Gonzaga established the historic moment in which the creation of a radically new style of music theatre could unfold.
Url:
DOI: 10.1111/1477-4658.00024
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ISTEX:0311AA7BD10679640455D6D830D59BAFB7F5EFB2Le document en format XML
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By making citizens of his prized actors and musicians, Vincenzo Gonzaga established the historic moment in which the creation of a radically new style of music theatre could unfold.</p></abstract></abstractGroup></contentMeta></header></component></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>The nature of commitment: Vincenzo Gonzaga's patronage strategies in the wake of the fall of Ferrara</title></titleInfo><titleInfo type="abbreviated" lang="en"><title>Vincenzo Gonzaga's Patronage After the Fall of Ferrara</title></titleInfo><titleInfo type="alternative" contentType="CDATA" lang="en"><title>The nature of commitment: Vincenzo Gonzaga's patronage strategies in the wake of the fall of Ferrara</title></titleInfo><name type="personal"><namePart type="given">Anne</namePart><namePart type="family">MacNeil</namePart><affiliation>University of North Carolina at Chapel Hill</affiliation><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre type="article" displayLabel="article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-6N5SZHKN-D">article</genre><originInfo><publisher>Blackwell Publishing Ltd</publisher><place><placeTerm type="text">Oxford, UK and Boston, USA</placeTerm></place><dateIssued encoding="w3cdtf">2002-09</dateIssued><copyrightDate encoding="w3cdtf">2002</copyrightDate></originInfo><language><languageTerm type="code" authority="rfc3066">en</languageTerm><languageTerm type="code" authority="iso639-2b">eng</languageTerm></language><physicalDescription><extent unit="figures">1</extent><extent unit="tables">0</extent></physicalDescription><abstract lang="en">By the end of duke Vincenzo Gonzaga's reign in 1612, he had created in Mantua a unique and unrivalled centre of music theatre. The Mantuan musical and theatrical scene in the first decades of the seventeenth century eclipsed the metamorphic grandeur of the Medici and Valois courts with an aesthetic intensity born of Virgilian pastoralism and the rhetorical immediacy of the Heroides. Virgilian pastoral combined with the educational system established at Ferrara by Guarino Guarini to create a style of theatre that reached outside the bounds of static Olympian tableaux to enact living, coherent plots wherein shepherds, shepherdesses, and lovers expressed the limits of human emotion. The integration of music, rhetoric, and drama in Mantuan spectacles — an integration that came to fruition only in compositions of the seconda practica, where the dramatic moment governed the sound of the music as well as the words — resulted from the unique conf luence of people whom Vincenzo Gonzaga drew to his court in the wake of the devolution of Ferrara. By making citizens of his prized actors and musicians, Vincenzo Gonzaga established the historic moment in which the creation of a radically new style of music theatre could unfold.</abstract><relatedItem type="host"><titleInfo><title>Renaissance Studies</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0269-1213</identifier><identifier type="eISSN">1477-4658</identifier><identifier type="DOI">10.1111/(ISSN)1477-4658</identifier><identifier type="PublisherID">REST</identifier><part><date>2002</date><detail type="volume"><caption>vol.</caption><number>16</number></detail><detail type="issue"><caption>no.</caption><number>3</number></detail><extent unit="pages"><start>392</start><end>403</end><total>12</total></extent></part></relatedItem><identifier type="istex">0311AA7BD10679640455D6D830D59BAFB7F5EFB2</identifier><identifier type="ark">ark:/67375/WNG-SQQLLS56-1</identifier><identifier type="DOI">10.1111/1477-4658.00024</identifier><identifier type="ArticleID">REST024</identifier><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-L0C46X92-X">wiley</recordContentSource><recordOrigin>Blackwell Publishing Ltd</recordOrigin></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/0311AA7BD10679640455D6D830D59BAFB7F5EFB2/metadata/json</uri></json:item></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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