Harlequin in Renaissance pictures
Identifieur interne : 000B32 ( Istex/Corpus ); précédent : 000B31; suivant : 000B33Harlequin in Renaissance pictures
Auteurs : M. A. KatritzkySource :
- Renaissance Studies [ 0269-1213 ] ; 1997-12.
English descriptors
- Teeft :
- Album amicorum, Amicorum, Antwerp, Arlecchino, Caulery, Coloured, Comic types, Commedia, Commedia plate, Compositional, Cornmedia, Cornmedia plate, Costume, Darstellungen, Depiction, Driesen, Drottningholm, Drottningholm harlequin, Drottningholm panels, Duchartre, Early depictions, Engraving, February, Ferrone, Foreground, Fossard, Francken, Friihe, Friihe darstellungen, Gambelli, Gelosi, Harlekin, Harlequin, Harlequin costume, Harlequin role, Ibid, Iconographic, Iconography, Idem, Italian comedians, Italian comedy, January, Katritzky, Leik, Lodewyk, Lodewyk toeput, Mountebank, Nicoll, Pantalone, Recueil, Recueil fossard, Recueil fossard woodcuts, Renaissance pictures, Reveller, Sieur woodcuts, Toeput, Tristano martinelli, Valckenborch, Vols, Vrancx, Woodcut, Zanni.
Url:
DOI: 10.1111/j.1477-4658.1997.tb00028.x
Links to Exploration step
ISTEX:C4A240B1BDC49075D38444A19AB3006DD64FF2A1Le document en format XML
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A.</givenNames><familyName>Katritzky</familyName></personName></creator></creators><affiliationGroup><affiliation xml:id="a1"><unparsedAffiliation>Wimbledon School of Art, London</unparsedAffiliation></affiliation></affiliationGroup></contentMeta><noteGroup><note xml:id="n-fnt-1" numbered="no"><p>My thanks to Wimbledon School of Art for supporting this research. Also to Ronnie Mulryne and Margaret Shewring, organizers of the conference ‘France in the English and French Theatre of the Renaissance’ (Warwick University, 1993), at which the spoken version of this article was presented; the Netherlands Institute for Advanced Study, Wassenaar, Holland (NIAS Visiting Research Fellowship 1994‐5); Robert Erenstein, Iain HampsherMonk, Thomas Heck, William Twining, and the NIAS 1994‐5 Theatre Iconography and Evidence Groups; Southampton University (Hartley Institute Visiting Fellowship 1995‐6); University of London (1986, 1987, 1995: Central Research Fund, Irwin Award); British Academy (1987‐90, 1995, 1996); Harold Hyam Wingate Foundation (Wingate Scholarship 1996‐7); Alexander von Humboldt Foundation (Sonderforschungsstipendium 1997‐8); Scouloudi Foundation (Historical Award, 1996); Gladys Krieble Delmas Foundation (Venice Fellowship 1997).</p></note><note xml:id="n-fnt-2" numbered="no"><p>In the captions to the figures, PWU = present whereabouts unknown. Asterisks indicate my new attributions; square brackets indicate my rejection of previous attributions. Photographs to figures copyright (c) British Museum (3, reproduced by courtesy of the Trustees); Victoria and Albert Museum (11); Drottningholm Theatre Museum, Stockholm (10); and courtesy of David Allen, Baltimore (4, 13; whom I thank for bringing these pictures to my attention); Christie's (1, 6, 9); European Fine Arts, Dublin (15); Sotheby's (5, 7, 8).</p></note></noteGroup></header></component></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Harlequin in Renaissance pictures</title></titleInfo><titleInfo type="alternative" contentType="CDATA" lang="en"><title>Harlequin in Renaissance pictures</title></titleInfo><name type="personal"><namePart type="given">M. 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