Copa Today
Identifieur interne : 000A27 ( Istex/Corpus ); précédent : 000A26; suivant : 000A28Copa Today
Auteurs : L. P. WilkinsonSource :
- Greece and Rome [ 0017-3835 ] ; 1965-04.
Abstract
The Copa in the Virgilian Appendix is a fascinating but baffling piece. It has verbal connexions with the Eclogues, notably the second, and with Propertius' last book of elegies, notably iv. 2 (Vertumnus). Wilamowitz took it to be an expansion of an epigram, composed by some follower of Propertius. He thought the speaker to be the poet throughout. Büchner interprets the poem quite differently. He considers lines 18–19 and 21–22 to be interpolations. To begin with, they mix autumn fruits with summer (though by the same token the lines in Lycidas ordering various flowers for the ‘laureate hearse’ would be an interpolation: botanical purists have protested that they do not bloom simultaneously). They also contain the connexions with Propertius. Remove them and the poem is certainly a little more consistent; and Büchner is then able to argue that the poem was composed between Catullus and the Eclogues and known to Virgil. But who would want to interpolate in such a poem? At any rate, more evidence would be needed if the lines are to be discredited.
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DOI: 10.1017/S0017383500014765
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Wilkinson</name></author></analytic><monogr></monogr><series><title level="j">Greece and Rome</title><title level="j" type="abbrev">Greece & Rome</title><idno type="ISSN">0017-3835</idno><idno type="eISSN">1477-4550</idno><imprint><publisher>Cambridge University Press</publisher><pubPlace>Cambridge, UK</pubPlace><date type="published" when="1965-04">1965-04</date><biblScope unit="volume">12</biblScope><biblScope unit="issue">1</biblScope><biblScope unit="page" from="38">38</biblScope><biblScope unit="page" to="41">41</biblScope></imprint><idno type="ISSN">0017-3835</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0017-3835</idno></seriesStmt></fileDesc><profileDesc><textClass></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract">The Copa in the Virgilian Appendix is a fascinating but baffling piece. It has verbal connexions with the Eclogues, notably the second, and with Propertius' last book of elegies, notably iv. 2 (Vertumnus). Wilamowitz took it to be an expansion of an epigram, composed by some follower of Propertius. He thought the speaker to be the poet throughout. Büchner interprets the poem quite differently. He considers lines 18–19 and 21–22 to be interpolations. To begin with, they mix autumn fruits with summer (though by the same token the lines in Lycidas ordering various flowers for the ‘laureate hearse’ would be an interpolation: botanical purists have protested that they do not bloom simultaneously). They also contain the connexions with Propertius. Remove them and the poem is certainly a little more consistent; and Büchner is then able to argue that the poem was composed between Catullus and the Eclogues and known to Virgil. But who would want to interpolate in such a poem? At any rate, more evidence would be needed if the lines are to be discredited.</div></front></TEI><istex><corpusName>cambridge</corpusName><author><json:item><name>L. P. Wilkinson</name></json:item></author><articleId><json:string>01476</json:string></articleId><arkIstex>ark:/67375/6GQ-VGNZTR2Q-R</arkIstex><language><json:string>eng</json:string></language><originalGenre><json:string>research-article</json:string></originalGenre><abstract>The Copa in the Virgilian Appendix is a fascinating but baffling piece. It has verbal connexions with the Eclogues, notably the second, and with Propertius' last book of elegies, notably iv. 2 (Vertumnus). Wilamowitz took it to be an expansion of an epigram, composed by some follower of Propertius. He thought the speaker to be the poet throughout. Büchner interprets the poem quite differently. He considers lines 18–19 and 21–22 to be interpolations. 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At any rate, more evidence would be needed if the lines are to be discredited.</p></abstract></profileDesc><revisionDesc><change when="1965-04">Published</change></revisionDesc></teiHeader></istex:fulltextTEI></fulltext><metadata><istex:metadataXml wicri:clean="corpus cambridge not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="US-ASCII"</istex:xmlDeclaration><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.2 20060430//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType><istex:document><article dtd-version="2.2" article-type="research-article"><front><journal-meta><journal-id journal-id-type="publisher-id">GAR</journal-id><journal-title>Greece and Rome</journal-title><abbrev-journal-title>Greece & Rome</abbrev-journal-title><issn pub-type="ppub">0017-3835</issn><issn pub-type="epub">1477-4550</issn><publisher><publisher-name>Cambridge University Press</publisher-name><publisher-loc>Cambridge, UK</publisher-loc></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.1017/S0017383500014765</article-id><article-id pub-id-type="pii">S0017383500014765</article-id><article-id pub-id-type="publisher-id">01476</article-id><title-group><article-title><italic>Copa</italic> Today</article-title><alt-title alt-title-type="left-running"><italic>COPA</italic> TODAY</alt-title><alt-title alt-title-type="right-running"><italic>COPA</italic> TODAY</alt-title></title-group><contrib-group><contrib><name><surname>Wilkinson</surname><given-names>L. P.</given-names></name></contrib></contrib-group><pub-date pub-type="ppub"><month>04</month><year>1965</year></pub-date><volume>12</volume><issue>1</issue><fpage seq="9">38</fpage><lpage>41</lpage><permissions><copyright-statement>Copyright © The Classical Association 1965</copyright-statement><copyright-year>1965</copyright-year><copyright-holder>The Classical Association</copyright-holder></permissions><abstract abstract-type="text-abstract"><p><sc>The</sc> <italic>Copa</italic> in the Virgilian Appendix is a fascinating but baffling piece. It has verbal connexions with the <italic>Eclogues</italic>, notably the second, and with Propertius' last book of elegies, notably iv. 2 (Vertumnus). Wilamowitz took it to be an expansion of an epigram, composed by some follower of Propertius. He thought the speaker to be the poet throughout. Büchner interprets the poem quite differently. He considers lines 18–19 and 21–22 to be interpolations. To begin with, they mix autumn fruits with summer (though by the same token the lines in <italic>Lycidas</italic> ordering various flowers for the ‘laureate hearse’ would be an interpolation: botanical purists have protested that they do not bloom simultaneously). They also contain the connexions with Propertius. Remove them and the poem is certainly a little more consistent; and Büchner is then able to argue that the poem was composed between Catullus and the <italic>Eclogues</italic> and known to Virgil. But who would want to interpolate in such a poem? At any rate, more evidence would be needed if the lines are to be discredited.</p></abstract><counts><page-count count="4"></page-count></counts><custom-meta-wrap><custom-meta><meta-name>pdf</meta-name><meta-value>S0017383500014765a.pdf</meta-value></custom-meta><custom-meta><meta-name>series</meta-name><meta-value>2</meta-value></custom-meta><custom-meta><meta-name>seriesText</meta-name><meta-value>Second Series</meta-value></custom-meta></custom-meta-wrap></article-meta></front><back><fn-group><fn id="fn01" symbol="page 38 note 1"><label><sup>page 38 note 1</sup></label><p><citation id="ref001" citation-type="other"><italic>Hellenistische Dichtung in der Zeit des Kallimachos</italic> (Berlin, <year>1924</year>) <volume>ii</volume>. <fpage>311</fpage>–15.</citation></p></fn><fn id="fn02" symbol="page 38 note 2"><label><sup>page 38 note 2</sup></label><p><citation id="ref002" citation-type="book"><name><surname>Pauly-Wissowa-Kroll</surname></name>: <source>RE</source> s.v. <publisher-loc>Vergilius</publisher-loc> (<year>1955</year>), cols. <fpage>135</fpage>–43.</citation></p></fn><fn id="fn03" symbol="page 39 note 1"><label><sup>page 39 note 1</sup></label><p>I should like to thank Mr. E. J. Kenney and Mr. S. R. Lyons for suggestions.</p></fn></fn-group></back></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo><title>Copa Today</title></titleInfo><titleInfo type="alternative"><title>COPA TODAY</title></titleInfo><titleInfo type="alternative" contentType="CDATA"><title>Copa Today</title></titleInfo><name type="personal"><namePart type="given">L. P.</namePart><namePart type="family">Wilkinson</namePart><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre type="research-article" displayLabel="research-article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</genre><originInfo><publisher>Cambridge University Press</publisher><place><placeTerm type="text">Cambridge, UK</placeTerm></place><dateIssued encoding="w3cdtf">1965-04</dateIssued><copyrightDate encoding="w3cdtf">1965</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><abstract type="text-abstract">The Copa in the Virgilian Appendix is a fascinating but baffling piece. It has verbal connexions with the Eclogues, notably the second, and with Propertius' last book of elegies, notably iv. 2 (Vertumnus). Wilamowitz took it to be an expansion of an epigram, composed by some follower of Propertius. He thought the speaker to be the poet throughout. Büchner interprets the poem quite differently. He considers lines 18–19 and 21–22 to be interpolations. To begin with, they mix autumn fruits with summer (though by the same token the lines in Lycidas ordering various flowers for the ‘laureate hearse’ would be an interpolation: botanical purists have protested that they do not bloom simultaneously). They also contain the connexions with Propertius. Remove them and the poem is certainly a little more consistent; and Büchner is then able to argue that the poem was composed between Catullus and the Eclogues and known to Virgil. But who would want to interpolate in such a poem? At any rate, more evidence would be needed if the lines are to be discredited.</abstract><relatedItem type="host"><titleInfo><title>Greece and Rome</title></titleInfo><titleInfo type="abbreviated"><title>Greece & Rome</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0017-3835</identifier><identifier type="eISSN">1477-4550</identifier><identifier type="PublisherID">GAR</identifier><part><date>1965</date><detail type="volume"><caption>vol.</caption><number>12</number></detail><detail type="issue"><caption>no.</caption><number>1</number></detail><extent unit="pages"><start>38</start><end>41</end><total>4</total></extent></part></relatedItem><identifier type="istex">992E451E537F6CAA7F62A7779420AC1111B88496</identifier><identifier type="ark">ark:/67375/6GQ-VGNZTR2Q-R</identifier><identifier type="DOI">10.1017/S0017383500014765</identifier><identifier type="PII">S0017383500014765</identifier><identifier type="ArticleID">01476</identifier><accessCondition type="use and reproduction" contentType="copyright">Copyright © The Classical Association 1965</accessCondition><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-G3RCRD03-V">cambridge</recordContentSource><recordOrigin>Copyright © The Classical Association 1965</recordOrigin></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/992E451E537F6CAA7F62A7779420AC1111B88496/metadata/json</uri></json:item></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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