Toy Orchestra
Identifieur interne : 000550 ( Istex/Corpus ); précédent : 000549; suivant : 000551Toy Orchestra
Auteurs : Susan T. CanfieldSource :
- Music educators journal [ 0027-4321 ] ; 1934-02.
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DOI: 10.1177/002743213402000335
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ISTEX:40E9610839C17079C5F1F653F08A4B25E7A423C5Le document en format XML
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<pub-date pub-type="ppub"><month>02</month><year>1934</year></pub-date><volume>20</volume><issue>3</issue><fpage>48</fpage><lpage>48</lpage><custom-meta-wrap><custom-meta xlink:type="simple"><meta-name>sagemeta-type</meta-name><meta-value>Reviews</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>search-text</meta-name><meta-value> ing parts required a r e: I Soprano, I Mezzo Soprano, I Alto, I Tenor, I Bari tone, I Bass, while parts f o r Maids of H o n o r and for Y o u n g Mandarins may be sung as solo or chorus at the discretion of the producer. There is one speaking part. Eight of the Sixteen numbers are choral at least in part, two being scored f o r male chorus, one f o r treble, and five f o r mixed voices. The range is good. With care in production “T h e Nightingale” may be a pleasing performance. SUSAN T. CANFIELD Other Operettas Received AN O L D S P A N I S H CUSTOM. Book and lyrics by Estelle Merrymon Clark, music by Palmer John Clark. [The Raymond A. Hoffman Co.] A story of Southern California with music of real Spanish quality, for High School. Much dialogue, considerable charm. A Merry Company (1886 and 1914 copyrights) and A Garden of Singing Flowers (1889 and 1917 copyrights). Both from Oliver Ditson Co., Inc. Master Choruses and Snow; Presents for the Child Jesus. There is also a Michael Praetorius (1571-1621) arrange ment, for soprano and alto, of the old four teenth century In Dulci Jubilo. J. FISCHER & B R O.: A Clifford Page ar rangement of Saint Saens' The Swan for soprano and alto. Two arrangements by Cyr de Brant of Sibelius' Finlandia–one for S.A.T.B., one for T.T.B.B. or S.A.A.B. T. F I T Z S I M O N S C O M P A N Y: Little Town of Bethlehem, three-part chorus for wo men's voices by Daniel Protheroe. M. W I T M A R K & S O N S: The Witmark Choral Library for mixed voices: (1) Beautiful Dreamer, Stephen Foster, arranged by R. B. Fitzgerald, with a hummed accompaniment be neath the soprano melody; (2) Hallelujah, from Bach's Christ lay in Bonds of Death; (3) In Dulci Jubilo, early German carol, first arranged by Pearsall, then by W. J. Westbrook and, finally, by Max T. Krone; (4) The Angel's Song, Paul Tschesnokov, edited by Max T. Krone; (5) Glory to God (Christmas), Dimitri Bortniansky, edited by Max T. Krone. All are un accompanied except the Bach. Also for mixed voices, unaccompanied, are the old Ukrain church melody, Praise the Lord, arranged by Alexander Koshetz and the Russian folksong Mother and Son (Christmas) arranged by Baile Kibalchich. Male voices: Psyche, E. Paladihle, transcribed by F. Campbell-Watson for T.T.B.B., accom panied by piano; Heart of Mine, Beloved One, a minnelied by Max Reger, edited by F. Camp bell-Watson. While the last named is beyond the vocal ability of even exceptional high school boys the possibility of finding a Max Reger song for men's voices should be noted.–HULDAH JANE KENLEY. are well arranged and useful for the training of young players. Score and parts available. G. SCHIRMER, I N C.: For String Orches tra. (1) By the Waters of Babylon, Bach; (2) Prelude from Major Violin Sonata, Bach; Fantasia in G Major, Bach; Pastorale in C Minor, Bach; Fugue in G Major, Bach. Albert Stoessel of the Juilliard faculty contributes these excellent arrangements. Score and parts are available. Toy Orchestra A L L OVER T H E M A P. J. Lilian Vandevere. [Oliver Ditson Co., Inc.] The first number from the second group of The Children's Ensemble Series for Rhythm Band, designed for groups at the score reading stage. The set of seven instrument parts are obtainable complete or separately.–SUSAN T. CANFIELD. Band O L I V E R DITSON C O M P A N Y: (1) Mys tic Knights–Overture, R. E. Hildreth. Good junior high school bands could play this over ture. Its publication adds one more to the list of overtures that are often thought necessary in the teaching of young bands. It is as good as, perhaps a bit better than, most of them. (2) Regimental Review–March, Frank Panella. (3) Gobi‘ Home–from the Largo of the “New World” Symphony, Anton Dvorak. This pub lication is based on the song version of William Arms Fisher, and is arranged for band by James M. Fulton. It lends itself well to the flowing quality of the band and should be acceptable as a teaching piece. DURAND A N D COMPANY, Paris. (Sole Agents for U. S. A. Elkan-Vogel Co., Inc.): A Glorious Day, Albert Roussel. Fairly diffi cult, but interesting and worth playing.– LEE M. LOCKHART. Selected by Hugh Ross, John Smailman and H. Alexander Matthews. [Oliver Ditson Co., Inc.] Published in two editions: (a) V o i c e parts o n l y; in boards, $1.00; (b) C o m plete with accompaniment, in cloth, $3.00. A compilation of some fifty Dit son octavo numbers, the superiority of which is assured by the editorial per sonnel. Bach is represented by choruses from The Christmas Oratorio, the Mass in minor, St. Matthew Passion and Sleepers, Wake, as well as several chor ales. Choruses from Handel, Mozart, Tschaikowsky, Pergolesi, Palestrina and many more complete the excellent vol ume. A t least ten are a cappella. HULDA J A N E KENLEY Choral Octavo K A Y A N D K A Y MUSIC PUBLISHING CORP.: For Two-Part Chorals: Lullaby (Ber ceuse from Jocelyn) Godard; Gypsy John, Clay; Serenade, Schubert; Kerry Dance, Molloy. Three-Part Male Voices: Blow, Ye Horns (March from Aida), Verdi; Arkansaw Traveler (Humorous Paraphrase), 'Hare. Chamber Music K A Y A N D K A Y MUSIC PUBLISHING CORP.: For flute, oboe, clarinet, horn and bassoon; transcribed by George J. Trinkaus. (1) Salut d' Amour, Op. 12, Elgar; (2) Humoresque, Op. 10, No. 7, Dvorak; (3) Rigaudon (from Hoberg's Suite), Op. 40, Grieg; (4) April, Op. 37, No. 4, Tschaikowsky; (5) Sarabande and Courante, Corelli; (6) Arioso (E minor) and Evening Song, Tartini, for oboe or flute, clarinet, horn and bassoon; transcribed by George J. Trinkaus; (7) Minuet in G, Beethoven. All CARL FISCHER, I N C.: (1) Jingle Bells–a march including Merrily W e Roll Along and Auld Lang Syne, arranged by Charles J. Rob erts. (2) Sleepers Wake, Bach. Mr. Chiaffarelli has made a fine arrangement of this well known Bach chorale. This publication should be a wel come addition to the libraries of school and pro fessional bands. (3) Flight of the Bumble Bee, Rimsky-Korsakow. Only the best bands will find the playing of this number possible. The lightness necessary for proper playing of it will be difficult to develop. MELROSE BROS. MUSIC CO.: Bandmas ters Folio of College Marches. A very fine book of marches for football work.–LEE M. LOCKHART. V O L K W E I N BROS.: Knights of Chivalry, Louis J. Panella. Satisfactory for use when a grand march is necessary. F ROM C. C. BIRCHARD & C O M P A N Y: The most interesting item of the Laurel Octavo material at hand is Flowering Orchards by Jacques Pillois, arranged for T.T.B.B. by Archibald T. Davison. This should meet the need of competent male choruses for works of some length and distinction. Its twenty pages are full of fluid melodic lines, charming juxta position of parts and harmonic interest. The Year Book Press Series includes three fine songs for men's voices: ! Breathe Not His Name and I' ve a Secret to Tell Thee, Irish folk songs arranged by Charles Wood; The Babe Divine (lis est ne, le divin enfant), arranged by. H. Fox Strangways. There is also a unison carol, The Birds, in which Hilaire Belloc's poet ical telling of the story of the Christ-child's making of the clay birds is set to music by J. Mere dith Latton. Legend, poem and music are one in the naive spirit of childhood. Children will love to sing it. O L I V E R DITSON C O M P A N Y: Four very fine a cappella choruses for mixed voices: (1) Cherubim Song, Tschaikowsky; (2) Echo Song, Orlando di Lasso, one of the most enchanting choral bits ever written; (3) Built on a Rock, Lindeman-Lundquist; (4) Ancient German Easter Carol, arranged by Harvey Gaul. CARL FISCHER: From their sacred chor uses for women's voices at least a dozen fine arrangements, by Arthur H. Egerton and E. Harold Geer, of excellent choral works, old and new. Nunc Dimittis, Thomas Tallis (15051585); I Did Lay Me Down to Take Rest, Henry Purcell (1658-1695); Love of the Father, Orlando Gibbons (1583-1625); All Ye People, Give Ear, Michael Praetorius (1571-1621). Three Catalonian Christmas songs: On the Twenty-fifth of December; Lo, December's Ice Page 48 RECORD REVIEWS By P A U L J. WEAVER O Choral N E of the finest choral recordings ever made has just been released by Victor–Number 7715. It contains two Russian settings of The Creed, one by Archangelsky and the other by Gretchaninoff. Chaliapin sings with great ef fectiveness, and is ably supported by the choir of the Russian Metropolitan Church in Paris under N. P. Afonsky. The music is great, and the performance worthy of it. A fine collection of Liturgical Music of the Catholic Church is issued by V i c tor as set M-182. It contains two pieces by Perosi, three by Palestrina, and one each by Arcadelt, Vittoria and Anerio. Of the last six, the finest is the Vittoria Tenebrae factae sunt–great music very effectively sung. Of the two Perosi numbers, the second is really fine. The entire collection is sung by the Sistine Chapel Choir under the direction of Msgr. Perosi and under the conducting of Msgr. Rella. T h e attacks are clean, especially in the Arcadelt and in Pales- trina's Improperia. There is some e x aggerated accentation. The intonation is much better than in some of the record ings by this c h o i r; and the quality of the boys' voices seems much closer to our ideals than is the case with many of the Italian choirs. Opera One of the finest of all operatic re cordings is newly released by Victor as set M-187, Donizetti's Don Pasquale. The cast is headed by Tito Schipa, which means that one hopes for just what he gets–a uniformly fine perform ance by splendid singers. Badini sings with great dramatic effectiveness; Poll's more lyric type of baritone is shown to fine advantage; Saraceni is very splen did. Chorus and orchestra, both from La Scala, are uniformly satisfying un der Sabaj no as conductor and V e n e ziani as chorus master. The recording itself is superior. The best Gilbert and Sullivan so far recorded is Ruddigore, or The Witch's Music Supervisors Journal Music Supervisors Journal is collaborating with JSTOR to digitize, preserve, and extend access to I Sage Publications Ltd. hSSSSS wwwjsfoi J </meta-value></custom-meta></custom-meta-wrap></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Toy Orchestra</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Toy Orchestra</title></titleInfo><name type="personal"><namePart type="given">Susan T.</namePart><namePart type="family">Canfield</namePart></name><typeOfResource>text</typeOfResource><genre type="review-article" displayLabel="review-article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-L5L7X3NF-P">review-article</genre><originInfo><publisher>SAGE Publications</publisher><place><placeTerm type="text">Sage CA: Los Angeles, CA</placeTerm></place><dateIssued encoding="w3cdtf">1934-02</dateIssued><copyrightDate encoding="w3cdtf">1934</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><relatedItem type="host"><titleInfo><title>Music educators journal</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0027-4321</identifier><identifier type="eISSN">1945-0087</identifier><identifier type="PublisherID">MEJ</identifier><identifier type="PublisherID-hwp">spmej</identifier><part><date>1934</date><detail type="volume"><caption>vol.</caption><number>20</number></detail><detail type="issue"><caption>no.</caption><number>3</number></detail><extent unit="pages"><start>48</start><end>48</end></extent></part></relatedItem><identifier type="istex">40E9610839C17079C5F1F653F08A4B25E7A423C5</identifier><identifier type="ark">ark:/67375/M70-510HRB96-B</identifier><identifier type="DOI">10.1177/002743213402000335</identifier><identifier type="ArticleID">10.1177_002743213402000335</identifier><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B">sage</recordContentSource></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/40E9610839C17079C5F1F653F08A4B25E7A423C5/metadata/json</uri></json:item></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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